Museum 2.0

MARCH 6, 2013

Two weeks ago, Roberto Bedoya asked several arts bloggers, including me, to write a post reflecting on Whiteness and its implications for the arts. I am in no way an expert in issues related to racial and ethnic representation in the arts. They tell histories of white male conquest. It's talking about white people.

Museum 55

Museum St. Louis Artist Arts 55

Museum 2.0

DECEMBER 15, 2014

The recent series of events, from Ferguson to Cleveland and New York, have created a watershed moment. New laws and policies will help, but any movement toward greater cultural and racial understanding and communication must be supported by our country’s cultural and educational infrastructure. It is not enough on its own.

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Museum Blogger Cleveland Missouri 52

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 1, 2013

Can you tell me the objectives and target audience? There is a massive humanitarian crisis of historic proportions upon us and we can sit back and do nothing or we can rewrite history. Seth Godin poses the figurative question “are you willing to get arrested for your art?”)Though

Syria 110

Syria Children Channel Campaign 110

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 5, 2006

In two weeks, several hundred arts leaders from around the country will gather on the campus of Carnegie Mellon University to discuss the role of technology in the arts field at the Technology in the Arts Conference. Tell me a little bit about how you got into arts management? Was that your progression? Actually, I???m

Arts 50

Arts Technology Artist Conference 50

Museum 2.0

DECEMBER 3, 2019

I love alternative history novels. I was thinking I’d do a few alternative histories of museums for the first post of the last month of the decade. These folks are taking content to the biggest audiences in the field, often without the resources or support of other content creators. But I couldn’t get there.

Museum 21

Museum Work Social Media Alternative 21

NTEN

JUNE 21, 2011

The speakers for this panel include: Tracy Fullerton - Electronics Arts Game Innovation Lab Ruth Cohen - American Museum of natural History Elaine Charnov - The NY Public Library Jason Eppink - Museum of the Moving Image Syed Salahuddin - Babycastles Elaine Cohen: The New York Public Library 100 Years of the flagship library in New York.

Game 52

Game Culture Change Museum 52

Museum 2.0

MAY 9, 2012

Our curator writes labels about licking the art. Eric talked about how the New York Hall of Science is trying to fund risk-taking, not just talk about it or under-resource it. Merilee Mostov and the Columbus Museum of Art. Participatory art and co-creation on the rise. I found this idea really powerful.

Reflection 43

Reflection Columbus Museum Participatory 43

Museum 2.0

MAY 15, 2013

It will be hosted by Eric Siegel, chief content officer at the New York Hall of Science and consummate rabble-rouser. And FYI, we will soon be opening a full-time Education Associate job at the Santa Cruz Museum of Art & History. Rapid-fire presentations followed by honest conversation. Let me know.

Baltimore 33

Baltimore Museum New York Mentoring 33

Museum 2.0

AUGUST 18, 2008

If museums get involved in these online-offline partnerships, we can bring new audiences through our doors, familiarize them with museum-going in a comfortable way, and reap the benefits of their online musings about their real-life experiences. Audience Development These events bring in new audiences in a comfortable context.

Museum 22

Museum Hosting Model Community 22

Museum 2.0

AUGUST 25, 2009

This technique was used in the Slavery in New York exhibition at the New-York Historical Society and continues in the popular StoryCorps project. Rabinowitz commented that "as a 40-year veteran of history museum interpretation, I can say that I never learned so much from and about visitors."

Design 31

Design Goal Difference Platform 31

M+R

JANUARY 26, 2023

But not every piece of every project has to be capital-A Art — often, craft is what is needed. I am furious , <FirstName> We are on the verge of passing the most significant climate legislation in history, and one single senator is blocking the way. Of course, you may want to try something else. Give them another chance.

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email Work Sound Hurricane 111

Everyaction

OCTOBER 5, 2016

Fast Company / New York, NY / $1,999. It is our turn to make history. National Arts Marketing Project Conference. National Arts Marketing Project Conference. National Arts Marketing Project / Austin, TX / $575. NYSSCPA / New York, NY / $510. General / #NI16 / @netimpact. INBOUND 2016.

Conference 111

Conference Calendar DC Washington 111

Connection Cafe

NOVEMBER 1, 2018

Read through the below condensed excerpt below for Jeremy’s insight into new power versus old power, how it’s used as a currency, and how it affects the world around us: Rachel: We are going to start today, Jeremy, by having you explain, because we are working with a live audience here who weren’t all necessarily in his keynote.

Social 22

Social Game Model Fun 22

Museum 2.0

MAY 14, 2009

Consider, for example, the Sony Wonder Technology Lab in New York City. But what's the right visitor profile for a history museum or an art museum? How should visitors self-identify relative to a research institution or a natural history museum? There is no "right" answer for what a visitor profile should be.

Museum 20

Museum Personal Experiment Profile 20

Museum 2.0

JUNE 11, 2014

This post was written by my colleague Nora Grant, Community Programs Coordinator at the Santa Cruz Museum of Art & History. There are many different models, including The Pop-Up Museum of Queer History , The New York Met , SF Mobile Museum , and even a Pop Up Prison Museum.

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Museum Grant Lesson History 49

Museum 2.0

MAY 28, 2014

Then again, the New York Hall of Science isn’t just any science center. For a long time, I’ve admired their ambitious work, from exhibitions on complex topics like network science to integration of contemporary art into their galleries to incredible dedication to advancing the careers of diverse youth in Queens. If so, whom?

Help 45

Help Museum eBook Project 45

Museum 2.0

MAY 21, 2007

Now I work at a history-focused museum with a similar mentality; as a for-profit insititution, we operate more like other guest service businesses (theme parks, restaurants) than collecting institutions. Serving critics may mean pursuing exhibits that are inaccessible to non-art people, thus limiting your potential audience.

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Museum Donor Arts Artist 20