Forum One

NOVEMBER 18, 2022

The W³ Awards are sanctioned and judged by the Academy of Interactive and Visual Arts (AIVA) , an assembly of leading professionals from various disciplines of the visual arts dedicated to embracing progress and the evolving nature of traditional and interactive media. Support Children’s Colorado Foundation.

Award 46

Award Colorado Washington Children 46

Get Fully Funded

NOVEMBER 6, 2023

What if you could repurpose your event content to continue serving your mission, even after your event’s grand finale? Target audience personas. Stepping into your target audience’s shoes allows you to understand their motivations and preferences on a deeper level. A rough schedule for posting content. Brand guidelines.

Marketing 52

Marketing Strategy Influence Social Media 52

Get Fully Funded

NOVEMBER 2, 2023

What if you could repurpose your event content to continue serving your mission, even after your event’s grand finale? Target audience personas. Stepping into your target audience’s shoes allows you to understand their motivations and preferences on a deeper level. A rough schedule for posting content. Brand guidelines.

Marketing 52

Marketing Strategy Influence Social Media 52

Forum One

NOVEMBER 3, 2022

The Davey Awards are sanctioned and judged by the Academy of Interactive and Visual Arts , a top-tier body of select professionals from the “Who’s Who” of acclaimed media, advertising, and marketing firms. SILVER – Virtual & Remote Experiences-Arts & Culture for Virtual & Remote. NMAAHC: A Seat at the Table Event.

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Award Washington National Drupal 80

sgEngage

OCTOBER 6, 2021

For example, your output of 3,000 meals and food security for 300 families may have given: Parents the energy to take care of their children. Children a full stomach so they could thrive at school. How many children won’t be successful at school because they are hungry? Adults energy so they can be successful at work.

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Tips Children Goal Story 108

sgEngage

OCTOBER 9, 2023

If we had known the full consequences of Steve Jobs showing us that first iPhone on stage in 2007 and its impacts on our lives, attention, interactions, children, environment, physical and mental health, what hard questions would we have asked? We also have t-shirts for the best audience-submitted prompts). *No We didn’t ask.

Generation 104

Generation Education Blackbaud Model 104

NetWits

JULY 27, 2012

Earning the right to deliver content directly to the inbox of your biggest fans is critical to your long terms success. Long Island Children’s Museum has “Join Our Email List” at the top of their website. Portland Museum of Art groups their E-newsletter with links to their social media accounts.

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email Build Listserv Museum 266

Museum 2.0

DECEMBER 28, 2010

, an exhibition produced with schoolchildren at the Wallace Collection in London, is a lovely example of co-creation that demonstrates the multiple benefits of inviting audience members to act as partners in arts organizations. They decided to ask children, and the project was born. Here are the basics.

Children 46

Children Museum Create Project 46

Connection Cafe

JANUARY 24, 2020

Arts & c ultural organizations can use this framework to send the right messages to the right people at the right time. . It forces organization s to think about where the buyer is in the purchase journey and what content /messages would be the most relevant at that time. . What is the Buyer’s Journey? . Awareness ?

Arts 28

Arts Culture Museum Organization 28

Nonprofit Tech for Good

SEPTEMBER 23, 2013

There’s both an art and science to effectively using social media and by implementing the best practices below your NGO’s ability to reach a global audience is significantly increased. Photo and Caption via Mercy Corps : Mohammed and Amna Lelayesh fled their home in Syria with their four children over a year ago.

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Social Media NGO Practice Stats 267

Museum 2.0

JANUARY 11, 2012

I'd say that these techniques support audience development, repeat visitation, membership, maybe could even attract new kinds of donors. We try to design every new program with a partner organization with an audience for whom that kind of content or format is already appealing. but I didn't have numbers to back it up.

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Audience Museum Participatory History 47

Beth's Blog: How Nonprofits Can Use Social Media

JANUARY 9, 2013

Check out my pinterest board “ Nonprofit Infographics.” Before you hire a designer, work with your in-house design or do it yourself, it is a good idea to identify the goal, audience, data, and key message that you to communicate. Your graphic designer will certainly help you refine this initial idea.

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Design Colorado Chart Storytelling 133

Beth's Blog: How Nonprofits Can Use Social Media

JUNE 14, 2010

On Friday, I facilitated the final face-to-face workshop for the Social Media Lab for 25 arts organizations inspired by Thomas Edison’s approach. It was sponsored by the Hewlett Foundation, Wallace Foundation, San Francisco Foundation, Grants for the Arts, and the Koret Foundation. Participants Are The Content.

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Social Media Media San Jose Social 100

Museum 2.0

JUNE 27, 2012

Now, a year later, I've seen the beginnings of how that question has borne out at the Santa Cruz Museum of Art & History (MAH) , as well as hearing from folks around the museum industry about the interplay of exhibitions and events at their own institutions. These events don't just increase audience.

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Museum Arts Dallas History 53

The Modern Nonprofit

APRIL 25, 2023

Estimated Reading Time: 4 minutes Power Up Your Content: Mastering the Art of Compelling Storytelling Discover the secrets of storytelling that make your nonprofit stand out! Learn how to create powerful, heartwarming content that draws in your audience and inspires them to support your cause like never before.

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Storytelling Arts Content Captivate 52

NonProfit Hub

FEBRUARY 11, 2019

Almost any nonprofit that runs programs geared toward children could expand upon them in the form of a summer camp. Camps can be a way to give special opportunities to the underprivileged , educate about important social issues, teach art and music, build leadership—the list goes on. Here are a few tips to help you get started.

Registration 60

Registration Nonprofit Music Museum 60

Tech Soup

MAY 10, 2016

The common core to these successful campaigns is that they invite the audience to actually get up and do something that requires minimal time and energy and then share it digitally — all while allowing them to keep their individuality and get creative. Creating Art for Others. Visualizing the Hashtag. Image 1: Out.com.

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Tools Children Images Picture 36

Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 28, 2012

Ami’s one and only board is called “ Really want these ” and instead of Louboutins, iPhone cases and nail art she’s dying to try, Ami’s pinned images include plain rice, faucets for clean drinking water, and chalk for school. Plan your content and any calls to action with this in mind. - It links to a donation landing page.

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Sierra Leone Case Study Benchmark Comparison 129

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 27, 2010

The Talkeetna Bachelor Society is a program of the Denali Arts Council, a 501(c)3 non-profit corporation. The Society’s fundraising activities benefit the Talkeetna Bachelor Society’s Fund for Women and Children in Crisis. The Talkeetna Bachelor Society is a program of the Denali Arts Council, [.]. Sharing the Story.

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Alaska Story Video Philanthropy 94

CauseVox

JUNE 9, 2021

If your audience is one that responds more positively to social media, then you might want to try a social media sharing blitz. Hosting a live-stream fundraiser is an excellent way to attract, nurture, and convert your audience over the course of a day. You can buy art supplies online at Michaels ! Live-Streaming.

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Ideas Online Fundraising Charity 98

Museum 2.0

AUGUST 17, 2016

Let's say your organization has a mission to increase X (art, healthy kids, clean water, community cohesiveness, etc.). We still produce exhibitions, events, and educational programs for an audience, but that audience is just one of our major constituencies.

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San Diego Work Museum Model 20

Tech Soup

AUGUST 17, 2015

With crowdfunding sites taking the business, art, and nonprofit world by storm with exponential growth since 2009, it's easy to overlook peer-to-peer fundraising. Is your audience likely to be an ambassador for your cause? Make a clear call to action for the audience to do. Use yours to engage and empower your audience!

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Beginner Fundraising Sudan Raise 36

Museum 2.0

MARCH 15, 2010

In some cases, that's based on subject matter, as at the Museum of Jurassic Technology or the American Visionary Art Museum. Other institutions are idiosyncratic in their relationship to their environment, like the Louisiana Museum of Modern Art in Denmark, or to their community, like the Wing Luke Asian Museum.

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Support Museum St. Louis NSF 41

Museum 2.0

APRIL 21, 2010

He wrapped physical comedy, silly jokes, audience participation, and water balloons into a highly entertaining fifteen minutes. I used to perform these kinds of shows at the Capital Children’s Museum, and I was impressed by the whole production. There’s no art museum where Picasso is portrayed as a boozy goofball on the make.

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Demonstration Museum Children Denver 32

Allegiance Group

MAY 1, 2024

Whether revenue comes from a previous campaign, a particular audience, or a giving package, leverage clean data so you can know where you’re going and eliminate potential problems. Segment Email Audiences Don’t forget about optimizing email campaigns for year-end giving.

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Campaign Guide Fundraising Storytelling 52

Museum 2.0

AUGUST 20, 2009

While the majority of experience-based museums like children's and science museums have unrestricted noncommercial photography policies, many collections-based art and history museums continue to maintain highly restrictive photo policies. There are thriving groups of Flickr users who share photos of themselves imitating art.

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Museum Photo Policy Open 54

Amy Sample Ward

JUNE 21, 2011

The speakers for this panel include: Tracy Fullerton – Electronics Arts Game Innovation Lab. Goal of the centennial project was to shine the light on the library’s resources and get new audiences engaged in the collections and connected to the curators and staff. My focus is on how children learn science.

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Game Culture Museum Change 140

Museum 2.0

MAY 15, 2013

It will be hosted by Eric Siegel, chief content officer at the New York Hall of Science and consummate rabble-rouser. And FYI, we will soon be opening a full-time Education Associate job at the Santa Cruz Museum of Art & History. Rapid-fire presentations followed by honest conversation. Let me know.

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Baltimore Museum New York Mentoring 33

Museum 2.0

FEBRUARY 21, 2007

Media release forms are (typically) used in formal situations—promotional shoots, program recordings—in which the museum, not the user, dictates the circumstances and use of the content. But if we’re moving towards more integration of user content in museums, ownership can’t be swept under the rug. The interactive “owns” the content.

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Content Museum Podcast Policy 20

Museum 2.0

JULY 20, 2010

During the ensuing discussion, one woman asked, "Which audiences are least interested in social participation in museums?" I immediately flashed to my work with art museums and staff members' concerns that older, traditional audiences will shy away from social engagement in the galleries.

Teen 49

Teen Social Museum Participatory 49

CauseVox

NOVEMBER 26, 2023

Below we’ll explore four things to consider in nonprofit storytelling: The narrative structure The content The medium The donor experience Managing all of the moving pieces of your nonprofit can be tough; sharing your authentic story as a change-maker doesn’t have to be. Again, authenticity is key.

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Storytelling Impact Arts Story 85

Museum 2.0

JANUARY 16, 2013

Then again, Saturday was hardly normal at the Santa Cruz Museum of Art & History. A couple of key points I got from him: Make sure to develop prompts or projects that are both interesting to DO and to experience as an audience. Or that visitors form a spontaneous "laugh circle" on the floor.

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Reflection Community Museum Participatory 43

Beth's Blog: How Nonprofits Can Use Social Media

MAY 5, 2005

" Over the years, I taught many workshops for arts educators on how to integrate the web into the curriculum, although not as much recently since I have two small children. Note to self: Time to rethink the old 1998-99 version of " Zen and the Art of Internet Searching " to incorporate tags/blogs).

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Teach Web Learning Lesson 50

Museum 2.0

NOVEMBER 10, 2009

Both of these designers presented compelling images and evidence from exhibit work and child development experts about the idea that you can make sophisticated, muted exhibits that help children slow down, focus, and enjoy themselves with interactive content. The researchers don't judge the content of the cues (i.e.

Reflection 20

Reflection Research Question Museum 20

Neon CRM

NOVEMBER 2, 2023

How do you find new audiences? This is most effective for people who have signed up for your newsletter or content and haven’t interacted with you before. Conduct Surveys Looking for a way to collect valuable information about your audience? Once you have that content on your site, you can use it in lots of places.

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Digital Ideas Business Donor 52

Forum One

DECEMBER 13, 2023

Forum One worked closely with the AARP Livability Index team to meet the needs of its audiences with an easier-to-use website and accessible data that informs consumer and policy decisions nationwide. Overall, this work has helped empower NRDC’s content managers, engage their audience members in their mission, and amplify their impact.

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Celebrate Award Colorado Museum 67

Museum 2.0

NOVEMBER 7, 2010

I learned to appreciate the audience reach of a big institution while vastly preferring the diversity of work and lack of bureaucracy of a small one. I also learned that the best money in museums for someone who's starting out is in art modeling. I survived the first half of 2003 financially on art modeling and poetry gigs.

Museum 52

Museum Boston Participatory Job 52