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Why Are So Many Participatory Experiences Focused on Teens?

Museum 2.0

Over the past year, I've noticed a strange trend in the calls I receive about upcoming participatory museum projects: the majority of them are being planned for teen audiences. Why are teens over-represented in participatory projects? Teens are a known (and somewhat controllable) entity. The first of these reasons is practical.

Teen 24
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Traveling Postcards: Interview with Founder, Caroline Lovell

Have Fun - Do Good

." ~ Caroline Lovell, Founder, Traveling Postcards Traveling Postcards facilitates the creation of handmade art postcards that are hand delivered all over the world to bringing awareness and voice to women and girls whose lives have suffered from isolation, violence, or repression. Yet, I wanted to be that artist and still do.

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Meditations on Relevance, Part 3: Who Decides What's Relevant?

Museum 2.0

Here are two examples: Our Youth Programs Manager, Emily Hope Dobkin, wanted to find a way to support teens at the museum. Emily started by honing in on local teens' assets: creativity, activist energy, desire to make a difference, desire to be heard, free time in the afternoon. Not your voice. Subjects to Change was born.

Teen 20
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Making Participatory Processes Visible to Visitors

Museum 2.0

Let's say you spend a year working with a group of teens to co-create an exhibition, or you invite members and local artists to help redesign the lobby. A gallery that otherwise would have felt dead came alive with the children's voices, laughter, and antics. Community processes are both exciting and time-consuming.

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17 Ways We Made our Exhibition Participatory

Museum 2.0

It is multi-disciplinary, incorporates diverse voices from our community, and provides interactive and participatory opportunities for visitor involvement. We experimented with many different forms of visitor participation throughout the building, trying to balance social and individual, text-based and artistic, cerebral and silly.

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ISO Understanding: Rethinking Art Museum Labels

Museum 2.0

The collection is disaggregated, grouped by floor (Painting and Sculpture 1) rather than artist, movement, time period, or geography. Most featured Name of Artist, Name of Piece, Year of Execution, Materials. How long did it take this artist to make this piece? Did the artist like it? Did the artist like it?

Museum 30
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Sheroes You Should Know: Inspiring Stories for #WomensHistoryMonth

EveryAction

American Edmonia "Wildfire" Lewis is considered the first woman of Native American and African descent to achieve international fame as a sculptor at a time when artists of color were hardly celebrated and slavery was still legal. Gentileschi is remembered, however, as an accomplished Baroque artist whose trials did not define her art.

Story 133