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Authenticity and Demystifying the Artistic Process: Walker Art Center Blogs - Part 2

Beth's Blog: How Nonprofits Can Use Social Media

And, for a museum that is presenting contemporary art -- anything that helps us demystify the artistic process and better understand the art is, in my opinion, a good thing. Well, I for one can't wait until the other departments start blogging and will keep an eye on the teen program to remix Walker.

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Jen Louden, Savor and Serve: How I Have Fun, Do Good

Have Fun - Do Good

This picture is from the "Chalk Art Phase" last summer in which we would write loving messages on chalk - Lilly is the artist, I'm the lookout and embellisher. Since finding cool things to do with your teens can be a challenge (at least for me), consider guerilla art love as your next Savor and Serve project!

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Games and Cultural Spaces: Live Blog Notes from Games for Change

Amy Sample Ward

Goal of the centennial project was to shine the light on the library’s resources and get new audiences engaged in the collections and connected to the curators and staff. Trying to engaged the teen-to-twenty-something who normally may not use the research library. Find the Future was the overarching theme of the projects.

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Sustaining Innovation Part 3: Interview With Sarah Schultz of the Walker Art Center

Museum 2.0

It's the ability for me to work with my CFO to be able to budget and align the right kinds of resources for new projects. Guard staff who are willing to let an artist step between two panes of glass to perform. Working with the CFO, we went through my budget and found ways to realign funds to find the money to do the project.

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Six Alternative (U.S.) Cultural Venues to Keep an Eye On

Museum 2.0

Machine Project (Los Angeles, CA). Machine Project is a non-profit storefront arts venue that hosts a dizzying array of eclectic classes, workshops, events, and occasional exhibits. It's run by Jon Rubin, an artist and professor of social practice at Carnegie Mellon, and his students. is in conflict with (currently, Iran).

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Equity in Arts Funding: We're Not There Yet. We're Not Even Close.

Museum 2.0

There's the barrier of artistic quality--funders, trustees, or staff members who argue that work by non-canonical artists is not up to the standards of the institution. Reading the report, I kept thinking of Rick Lowe, the artist and community activist behind Project Row Houses in Houston.

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Why Are So Many Participatory Experiences Focused on Teens?

Museum 2.0

Over the past year, I've noticed a strange trend in the calls I receive about upcoming participatory museum projects: the majority of them are being planned for teen audiences. Why are teens over-represented in participatory projects? Teens are a known (and somewhat controllable) entity.

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