Museum 2.0

SEPTEMBER 18, 2013

I''ve seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."

Museum 45

Museum Question Participatory Vietnam 45

Museum 2.0

FEBRUARY 1, 2012

Last week, Douglas McLellan of artsJournal ran a multi-vocal forum on the relationship between arts organizations and audiences, asking: In this age of self expression and information overload, do our artists and arts organizations need to lead more or learn to follow their communities more?

Arts 45

Arts Museum Artist Tucson 45

Museum 2.0

OCTOBER 15, 2009

Over the past year, I've noticed a strange trend in the calls I receive about upcoming participatory museum projects: the majority of them are being planned for teen audiences. Why are teens over-represented in participatory projects? Teens are a known (and somewhat controllable) entity.

Teen 24

Teen Participatory Experiment Museum 24

Museum 2.0

SEPTEMBER 7, 2010

For years, I've been fascinated and a bit perplexed by the Elsewhere Collaborative , a thrift store turned artists' studio/living museum in Greensboro, North Carolina. Our archeology did not aim to uncover the hidden voice of my grandmother, but instead to begin an ongoing practice of recreation.

Collaboration 36

Collaboration North Carolina Museum Artist 36

Museum 2.0

AUGUST 25, 2016

Most participatory projects were short-term, siloed innovations, not institutional transformations. While that was painful for the organizations involved, it also helped force the issue of whether participatory engagement could be core to a strong future business model for each organization or not. didn't mince words.

Museum 20

Museum Participatory Resource Place 20

Museum 2.0

DECEMBER 15, 2014

Artists and arts organizations are contributing their spaces and their creative energies. And pop culture icons, from basketball players to rock stars , are making highly visible commentary with their clothes and voices. Where do museums fit in? We believe that strong connections should exist between museums and their communities.

Museum 52

Museum Blogger Cleveland Missouri 52

The Modern Nonprofit

MAY 1, 2024

Curate an exhibit of paintings, photographs, sculptures or crafts by AAPI artists. Voices That Inspire: Welcoming AAPI Luminaries to Your Stage When planning your AAPI Heritage Month event, consider inviting influential speakers and community leaders from within the Asian American and Pacific Islander community to participate.

Celebrate 59

Celebrate Education Fundraising Culture 59

Museum 2.0

JULY 7, 2010

Most of my work contracts involve a conversation that goes something like this: "We want to find ways to make our institution more participatory and lively." Most museums that offer interactive exhibits, media elements, or participatory activities offer them alongside traditional labels and interpretative tools. Fabulous!" "But

Audience 40

Audience Museum Oakland Participatory 40

Museum 2.0

JULY 18, 2017

This month, we opened a new exhibition at the MAH, Lost Childhoods: Voices of Santa Cruz County Foster Youth and Foster Youth Museum (brief video clip from opening night here ). Then, we worked with one of the commissioned exhibition artists, Melody Overstreet, to create an artwork that weaves all these little things into one tapestry.

Action 44

Action Childhood Artist Info 44

Museum 2.0

MARCH 15, 2010

It's not the extent to which they are participatory. Small museums, which are most likely to cultivate local, distinctive voice and approaches, often have an inferiority complex. They may employ local artists to help create visitor experiences. But when I really think about it, all my favorites (so far) have one thing in common.

Support 41

Support Museum St. Louis NSF 41

Museum 2.0

NOVEMBER 7, 2010

I had a healthy second life as a slam poet, and I loved the world of artists and performance. Now, as a freelancer, my work combines long-term, creatively challenging participatory exhibit projects with lots of little workshops and brainstorming sessions with institutions around the world. There is lots of room for new voices online.

Museum 52

Museum Participatory Boston Interview 52

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 29, 2015

In some ways, a design lab can be thought of as “participatory research and testing.”. This approach would also create capacity for new voices and new ideas to be engaged in the environmental movement. Design thinking is a set of principles that includes—empathy with users, a discipline of prototyping, and tolerance for failure.

Design 50

Design Strategy Facilitation Advocacy 50

Museum 2.0

MAY 5, 2009

Visitor Co-Created Museum Experiences This session was a dream for me, one that brought together instigators of three participatory exhibit projects: MN150 (Kate Roberts), Click! which followed a very strict formula that frustrated some participants who wanted to be treated like artists, not contributors to a data experiment.

Slides 20

Slides Participatory Museum Children 20

Museum 2.0

APRIL 29, 2015

For example, in Santa Cruz there is a huge community of creative people who identify as artists in non-traditional media. That’s why we partner with fire sculptors, knitters, graffiti artists, and bonsai growers. They are artists whose experience deserves a home in our institution alongside painters, photographers, and sculptors.

Build 20

Build Community Museum Artist 20

Museum 2.0

JUNE 6, 2008

People who work with non-professionals on participatory projects often talk about finding "neutral" sites for meetings or meeting on their (the non-professionals') territory. To produce that content, I put an ad on craigslist and invited artists down to The Tech to be videotaped while creating art.

Virtual 21

Virtual Tech Lesson Develop 21

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 23, 2008

The Museum solicited photographs from artists via an open call on their website, Facebook group, Flickr groups, and outreach to Brooklyn-based arts organizations. All evaluations are private; all artists are unnamed. They are sensitive to the artists who are being judged. What Should Artists and Arts Organization???s

Arts 74

Arts Social Media Examples Artist 74

Museum 2.0

APRIL 19, 2010

When asked why these artistic directors were pursuing co-creative processes, "to make great art!" Respondents also talked about growing as artists through the process and the incredible things they learned from working with non-professionals. When an institution becomes wholly participatory, those distinctions often erode.

Arts 22

Arts Participatory Museum Artist 22