Museum 2.0

OCTOBER 15, 2009

Over the past year, I've noticed a strange trend in the calls I receive about upcoming participatory museum projects: the majority of them are being planned for teen audiences. Why are teens over-represented in participatory projects? The first of these reasons is practical.

Teen 24

Teen Participatory Experiment Museum 24

Museum 2.0

SEPTEMBER 18, 2013

I''ve seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."

Museum 45

Museum Question Participatory Vietnam 45

Museum 2.0

APRIL 25, 2011

I've seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."

Question 49

Question Participatory Museum Vietnam 49

Beth's Blog: How Nonprofits Can Use Social Media

JANUARY 31, 2007

I met her like ten years ago when I leading training workshops for arts educators, artists, and arts organizations throughout New York State on how to use the Internet. These projects were done nearly ten years ago, but they presage what the social web, participatory media. Meet Susan Silverman. I was teaching Web1.0

Flickr 50

Flickr Professional Participatory New York 50

Museum 2.0

FEBRUARY 9, 2010

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" I was surprised by her question.

Museum 29

Museum Difference Participatory History 29

Museum 2.0

OCTOBER 1, 2014

Recently, we''ve been talking at our museum about techniques for capturing compelling audio/video content with visitors. They designed a participatory project that delivers a compelling end product for onsite and online visitors… and they learned some unexpected lessons along the way. So what did you do next?

Museum 43

Museum Story Project Design 43

Museum 2.0

SEPTEMBER 29, 2010

The artists come from all over (though many are based in the Midwest), and anyone can enter. Artprize invited me to talk about art with artists, families, security guards, friends, people old and young, sophisticated and novice, drunk and sober. Then get yourself to Grand Rapids for Artprize. It's the social experience. The prizes?

Arts 52

Arts Experiment Artist Social 52

Museum 2.0

OCTOBER 30, 2013

We have witnessed and experienced incredible moments of transformation: homeless people and history buffs working together on historic restoration, graffiti artists and knitters collaborating on new artistic projects, visitors from different backgrounds making collages, or sculptures, or dance performances together.

Measure 47

Measure Arts People Museum 47

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 29, 2015

I was thrilled to work with the Brainerd Foundation staff to help design and facilitate a design lab using techniques based on Luma Institute methods earlier this month. In some ways, a design lab can be thought of as “participatory research and testing.”. Why Use One? Concept 2: Mission: Possible.

Design 50

Design Strategy Facilitation Advocacy 50

Museum 2.0

OCTOBER 12, 2017

A cheerful curly-haired deli owner stands in front of 30 of us and shares a quote he loves: "Artists live in the present and write detailed histories of the future." It was even more useful to learn how participatory writing visions can be. Use the "hot pen" or automatic writing technique. If you get stuck, write nonsense words.

Pennsylvania 26

Pennsylvania History Michigan Indiana 26

Museum 2.0

MARCH 15, 2010

It's not the extent to which they are participatory. Funders like the NSF have encouraged science centers in particular to share their techniques and evaluations, which is fabulous but also leads to rampant and sometimes unthinking imitation. They may employ local artists to help create visitor experiences.

Support 41

Support Museum St. Louis NSF 41

Museum 2.0

FEBRUARY 20, 2013

It’s not unusual for us to meet with an environmental activist, a balloon artist, a farmer, and the Mayor of Santa Cruz all in one day. We offer these tools in the spirit of sharing and look forward to learning about the techniques you use in your own community. Start with and continuously identify your communities. Who are they?

Collaboration 55

Collaboration Community Tools Museum 55

Museum 2.0

MAY 5, 2009

Visitor Co-Created Museum Experiences This session was a dream for me, one that brought together instigators of three participatory exhibit projects: MN150 (Kate Roberts), Click! which followed a very strict formula that frustrated some participants who wanted to be treated like artists, not contributors to a data experiment.

Slides 20

Slides Participatory Museum Children 20

Museum 2.0

APRIL 19, 2010

When asked why these artistic directors were pursuing co-creative processes, "to make great art!" Respondents also talked about growing as artists through the process and the incredible things they learned from working with non-professionals. When an institution becomes wholly participatory, those distinctions often erode.

Arts 22

Arts Participatory Museum Artist 22