Museum 2.0

MAY 9, 2012

In particular, we had a great group of 15 talking about participatory history experiences on Sunday. Participatory art and co-creation on the rise. I was amazed at how effective this was--almost immediately, my schedule filled up with short, focused meetings with diverse individuals about topics I really care about.

Reflection 43

Reflection Columbus Museum Participatory 43

Museum 2.0

DECEMBER 28, 2011

We've been offering a host of participatory and interactive experiences at the Museum of Art & History this season. I loved Jasper Visser's list of 30 "do's" for designing participatory projects earlier this month. Artists work incredibly hard to produce their work. This isn't even participatory. We throw those away.

Design 45

Design Participatory Learning Instruction 45

Museum 2.0

JULY 23, 2019

In reflecting on the sample, I’ve made some broad reflections on museum workers and visitors. Today, I wanted to think about participatory elements, something so essential to this blog. In this case, I find the most interesting ones to be made by artists. Museums get our visitors for an hour or two if we’re lucky.

Museum 35

Museum Participatory Interaction Classroom 35

Museum 2.0

APRIL 15, 2015

Over three days, 52 artist teams erected experimental projects along San Francisco''s biggest thoroughfare. The result was a true experiment in designing the future--right here, right now--with artists and planners and civic leaders at the helm together. creative placemaking design participatory museum public space social bridging'

San Francisco 20

San Francisco Arts Design Marketing 20

Museum 2.0

AUGUST 28, 2013

The Denver Art Museum is no stranger to community collaborations, but we’ve been dipping in our toe a little more deeply when it comes to developing permanent participatory installations. Community artists gave their honest feedback, and we crafted a display based on these discussions and their contributions.

Denver 35

Denver Museum Arts Collaboration 35

Museum 2.0

SEPTEMBER 18, 2013

I''ve seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."

Museum 45

Museum Question Participatory Vietnam 45

Museum 2.0

APRIL 26, 2018

She says that the museum made changes in hiring and board recruitment practices, and invited the community in to help reshape the facility into a place that reflected and represented its people and their interests. The impact was dramatic.

Washington 49

Washington Audience Museum Intergenerational 49

Museum 2.0

APRIL 25, 2011

I've seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."

Question 49

Question Participatory Museum Vietnam 49

Museum 2.0

DECEMBER 26, 2012

I have felt in the past that some of the MCA's holiday videos were a bit too pretentious, but this year's edition is full of joy and a message that really reflects what they do in Denver. I'm sometimes wary of studies of "innovation," but I like how this one could be used reflectively within an organization to assess openness to change.

Denver 33

Denver Museum Arts Participatory 33

Museum 2.0

JULY 17, 2012

It happened because we: partnered with local artists and community organizations whose passion and generosity made it possible for us to create incredible events. We've been toying with a participatory future-casting program and or a storytelling series to start moving in this direction.

Museum 47

Museum History Arts Artist 47

Museum 2.0

FEBRUARY 9, 2010

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? For this reason, I see history museums as best-suited for participatory projects that involve story-sharing and crowdsourced collecting (e.g.

Museum 29

Museum Difference Participatory History 29

Museum 2.0

FEBRUARY 1, 2012

Last week, Douglas McLellan of artsJournal ran a multi-vocal forum on the relationship between arts organizations and audiences, asking: In this age of self expression and information overload, do our artists and arts organizations need to lead more or learn to follow their communities more?

Arts 45

Arts Museum Artist Tucson 45

Museum 2.0

NOVEMBER 6, 2012

In a straightforward way, Marilyn explains how her team developed a participatory project to improve engagement in a gallery with an awkward entry. We also wanted to: Inspire visitors to engage in active looking: notice, reflect, react, and respond to the works of art and to the interdisciplinary quality of the exhibition.

Museum 45

Museum Arts Problem Design 45

Museum 2.0

APRIL 16, 2008

Click is an exhibition process in three parts: The Museum solicited photographs from artists via an open call on their website, Facebook group, Flickr groups, and outreach to Brooklyn-based arts organizations. All evaluations are private; all artists are unnamed. They are sensitive to the artists who are being judged.

Museum 24

Museum Participatory Artist Arts 24

Museum 2.0

JULY 1, 2011

It really reflects what we're trying to do here to transform our institution into as relevant, dynamic, and successful an organization as possible. Ideas include combining Santa Cruz's famous love of yoga with life-drawing classes, having models incorporate yoga poses for the sake of the would-be artists.

Museum 31

Museum History Arts Work 31

Museum 2.0

MAY 21, 2014

It has some of the same feel as the disconnected affection of people wishing you a happy birthday on Facebook, with professional reflection baked in. Seeing so many cheerful one-liners in my inbox made me think about how different my work situation is today than the last time I reflected on it in public in 2012, at my one-year anniversary.

Museum 49

Museum Director Teen History 49

Museum 2.0

MARCH 28, 2012

We had about thirty participants ranging from MAH trustees to artists, educators to architects, moms to grandfathers. There's useful energy that arises when you put a teacher, a techie, a mom, and an artist in a group and ask them to work together. It was an evening meeting with beer and chips.

Program 49

Program Community Design Museum 49

Museum 2.0

APRIL 29, 2015

In some ways, we do a good job engaging people who reflect our whole County. If we want to reflect the identities of our community, we’ve got to focus on changing that. For example, in Santa Cruz there is a huge community of creative people who identify as artists in non-traditional media. Showing that their voice matters.

Build 20

Build Community Museum Artist 20

Museum 2.0

FEBRUARY 20, 2013

It’s not unusual for us to meet with an environmental activist, a balloon artist, a farmer, and the Mayor of Santa Cruz all in one day. When planning programs or events, we involve a combination of these groups to share and bridge audiences, bringing big, diverse crowds to new artists and ideas. Large and small (or no) followings.

Collaboration 55

Collaboration Community Tools Museum 55

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 29, 2015

In some ways, a design lab can be thought of as “participatory research and testing.”. We finished with a group photo and fun co-creation reflection. Design thinking is a set of principles that includes—empathy with users, a discipline of prototyping, and tolerance for failure. Concept 2: Mission: Possible.

Design 50

Design Strategy Facilitation Advocacy 50

Museum 2.0

MARCH 15, 2010

It's not the extent to which they are participatory. They reflect the soul of the community and can be responsive to its unique interests and needs. They may employ local artists to help create visitor experiences. But when I really think about it, all my favorites (so far) have one thing in common.

Support 41

Support Museum St. Louis NSF 41

Museum 2.0

JULY 9, 2009

Last month, I met an artist who was part of a group that created a renegade podcast tour for the Portland Art Museum. The participatory element employs an accessible speculative question. The participatory element is modeled well by the "official" content. I enjoyed listening to it (virtually, not at the museum).

Museum 22

Museum Alternative Portland Artist 22

Museum 2.0

JUNE 12, 2009

Here’s what happened: an art critic named Jerry Saltz posted an incendiary note on Facebook about the very low representation of women artists on the 4th and 5th floors (painting and sculpture) of MoMA. When those spaces are factored in, there are more than 250 works by female artists on view now. Let’s start there.

Conversation 21

Conversation Museum Artist Minneapolis 21

Museum 2.0

SEPTEMBER 20, 2010

So we wanted a membership segmentation that reflected their individual needs. In some cases, the artist is not comfortable, or there are insurance and liability issues. If you are interested in this topic, you might enjoy this interview with John Falk and Beverly Sheppard and Chapter 2 of The Participatory Museum.

Interview 46

Interview Director Museum Arts 46

Museum 2.0

NOVEMBER 7, 2010

I had a healthy second life as a slam poet, and I loved the world of artists and performance. Blogging helped me develop my ideas, engage in reflective practice, and pursue a growing passion for visitor participation in museums (and it's funny to look back and realize the first lines of my book came from one of the very first posts ).

Museum 52

Museum Participatory Boston Job 52

Museum 2.0

JUNE 15, 2009

It also includes reflections from the exhibit team on the project. Tags: evaluation exhibition design participatory museum usercontent. There is also a final evaluation report available for download, which offers lots of great quantitative and qualitative content about what visitors did in the exhibit.

Advice 31

Advice Museum Student Facilitation 31

Museum 2.0

JUNE 6, 2008

The resulting (real) exhibits are high-quality experiences that reflect a level of creativity that could not have resulted from our scant in-house exhibit development staff. To produce that content, I put an ad on craigslist and invited artists down to The Tech to be videotaped while creating art.

Virtual 21

Virtual Tech Lesson Develop 21

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 23, 2008

The Museum solicited photographs from artists via an open call on their website, Facebook group, Flickr groups, and outreach to Brooklyn-based arts organizations. All evaluations are private; all artists are unnamed. They are sensitive to the artists who are being judged. What Should Artists and Arts Organization???s

Arts 74

Arts Social Media Examples Artist 74

Museum 2.0

SEPTEMBER 15, 2009

The World Beach Project is managed by the Victoria and Albert Museum in London with artist-in-residence Sue Lawty. Many museums do not provide participants with clear terms surrounding their submissions, and for savvy people (especially artists!) In their personal statements, beach artists wrote about profound connections to nature.

Project 38

Project Museum Artist Map 38