Museum 2.0

OCTOBER 15, 2009

Over the past year, I've noticed a strange trend in the calls I receive about upcoming participatory museum projects: the majority of them are being planned for teen audiences. Why are teens over-represented in participatory projects? The first of these reasons is practical.

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Participatory Teen Experiment Museum 24

Museum 2.0

MARCH 4, 2015

This week marks five years since the book The Participatory Museum was first released. I thought the pinnacle of participatory practice was an exhibit that could inspire collective visitor action without facilitation. I''m curious to know: has The Participatory Museum played a role in your work? Humans empower each other.

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Participatory Museum Empowerment Facilitation 20

Have Fun - Do Good

NOVEMBER 2, 2006

In his post Andrew asks, How do professional arts organizations foster and encourage participatory practice in our communities, and is that part of their job? Andrew's blog is one of 22 Arts Journal bloggers writing about everything from orchestra management to dance to a visual artist's diary.

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Arts Web Social Wisconsin 40

Museum 2.0

OCTOBER 24, 2012

To that end, our exhibitions are full of participatory elements. Community members, artists, and organizations increasingly see our museum as a place where they can advance their own goals, and so they approach us. Visitors can comment on how we can improve or what they would like to see.

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Museum Open Platform Participatory 41

Museum 2.0

AUGUST 25, 2016

Our Museum started with a clear-eyed assessment of community engagement funding and practices across the UK. Most participatory projects were short-term, siloed innovations, not institutional transformations. Dr. Bernadette Peters' provocative 2011 report, Whose Cake is it Anyway? didn't mince words.

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Museum Participatory Resource Place 20

Museum 2.0

APRIL 26, 2018

She says that the museum made changes in hiring and board recruitment practices, and invited the community in to help reshape the facility into a place that reflected and represented its people and their interests. This is both an issue of practice and of media coverage. Conference sessions on reaching young people.

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Audience Washington Museum Intergenerational 49

Museum 2.0

APRIL 14, 2011

The best way I can really push my own participatory practice and thinking is to operate an institution and work with a community I care about over time. I also believe that small and mid-sized museums are the leaders when it comes to innovation, particularly around participatory engagement. I knew we were moving somewhere nice.

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Museum History Arts Consultant 55

Museum 2.0

MAY 8, 2013

How do you reconcile the desire to be inclusive with the practical imperative to target? We''ve seen surprising and powerful results--visitors from different backgrounds getting to know each other, homeless people and museum volunteers working together, artists from different worlds building new collaborative projects.

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Social Museum Arts Program 55

Museum 2.0

APRIL 19, 2010

Why and how museums could develop their co-creative practice with the public, building on ideas from the performing arts and other non-museum organisations (free to download). When asked why these artistic directors were pursuing co-creative processes, "to make great art!" was the most overwhelming answer.

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Arts Participatory Museum Lesson 22

Museum 2.0

OCTOBER 30, 2013

We have witnessed and experienced incredible moments of transformation: homeless people and history buffs working together on historic restoration, graffiti artists and knitters collaborating on new artistic projects, visitors from different backgrounds making collages, or sculptures, or dance performances together.

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Measure Arts People Social 47

Museum 2.0

MAY 9, 2012

In particular, we had a great group of 15 talking about participatory history experiences on Sunday. Participatory art and co-creation on the rise. The conversation about community engagement at AAM has evolved, and this year, it had a distinctly social practice/art bent. History and science museums. time to step it up.

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Reflection Museum Columbus Participatory 43

Museum 2.0

AUGUST 14, 2013

That is to say, we engaged in each Experimonth for the pure enjoyment of it, rather than any real serious or practical purpose. We ran with it and have since generated data about decision-making, cooperation, competition and negotiation for scientists (and also some artists) to play with. Thus began a year of play.

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Museum Roles Participatory Project 51

Museum 2.0

DECEMBER 15, 2014

Artists and arts organizations are contributing their spaces and their creative energies. Yet our posts contain similar phrases such as “21st century museums,” “changing museum paradigms,” “inclusiveness,” “co-curation,” “participatory” and “the museum as forum.” We urge museums to consider these questions by first looking within.

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Museum Blogger Cleveland Culture 52

Museum 2.0

OCTOBER 1, 2014

They designed a participatory project that delivers a compelling end product for onsite and online visitors… and they learned some unexpected lessons along the way. Lots of inspiring and practical tips below - enjoy! We invited a cross-section of artists, filmmakers, and advertisers to join us for a think tank.

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Museum Story Project People 43

Museum 2.0

NOVEMBER 6, 2012

In a straightforward way, Marilyn explains how her team developed a participatory project to improve engagement in a gallery with an awkward entry. Smartphone images didn't read well given the limitations of screen size and the legibility of the artists' writings and drawings.

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Museum Arts Problem Design 45

Media Cause

AUGUST 9, 2021

While much of the branding and design inspiration we run across is either from consumer brands or individual artists, it all provides us with the opportunity to discover new principles, practices, and approaches that we can incorporate into our nuanced nonprofit world.

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Design Experiment Nonprofit Challenge 52

Museum 2.0

MARCH 15, 2010

It's not the extent to which they are participatory. They may employ local artists to help create visitor experiences. Trying to cover it up or smooth it out in favor of "best practices" does a disservice to the museum and the audience. But when I really think about it, all my favorites (so far) have one thing in common.

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Museum Support St. Louis Children 41

Non Profit Quarterly

FEBRUARY 17, 2025

Yet with practice, and also with support from ones family and community, one can get better at expressing patience with a child, honesty with a child, compassion with a child. Is there any practical advice you can offer in terms of the kinds of things people should be weighing when it comes to AI in such settings?

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Reflection Model Technology Train 69

Museum 2.0

FEBRUARY 20, 2013

It’s not unusual for us to meet with an environmental activist, a balloon artist, a farmer, and the Mayor of Santa Cruz all in one day. When planning programs or events, we involve a combination of these groups to share and bridge audiences, bringing big, diverse crowds to new artists and ideas. Large and small (or no) followings.

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Collaboration Community Tools Museum 55

Museum 2.0

NOVEMBER 7, 2010

I had a healthy second life as a slam poet, and I loved the world of artists and performance. Blogging helped me develop my ideas, engage in reflective practice, and pursue a growing passion for visitor participation in museums (and it's funny to look back and realize the first lines of my book came from one of the very first posts ).

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Museum Ideas Job Project 52

Museum 2.0

JUNE 15, 2009

What advice do you have for ways we might advance the practice of exhibit design for social interaction? Tags: evaluation exhibition design participatory museum usercontent. In the end, the Advice exhibit offered four main experiences--two that were facilitated, and two that were unfacilitated.

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Advice Museum Facilitation Evaluation 31

Museum 2.0

JUNE 27, 2008

Joe Heimlich, the VSA conference program chair, explained that once the program committee settled on the theme of “Theory, Practice, and Conversations,” they decided to try to live up to the theme by focusing the whole conference around conversations. Why are they doing this?

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Associations Studies Houston Museum 20

Museum 2.0

JULY 22, 2008

The booklet features personal stories from Books, Librarians, and Readers alongside practical explanation of what it takes to coordinate a Living Library. It’s an enjoyable, practical, inspiring read. A museum tour in which a docent "tours" you to a variety of volunteer artists who talk about how they create their work.

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Library Museum Model Facilitation 20

Museum 2.0

APRIL 29, 2015

For example, in Santa Cruz there is a huge community of creative people who identify as artists in non-traditional media. That’s why we partner with fire sculptors, knitters, graffiti artists, and bonsai growers. They are artists whose experience deserves a home in our institution alongside painters, photographers, and sculptors.

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Community Build Museum Artist 20

Candid

DECEMBER 26, 2024

At this moment in the arts and social justice sectors, were seeing greater visibility of disability cultureled by disabled creatives including artist, composer JJJJJerome Ellis , filmmaker Jim LeBrecht , and writer Alice Wong. Disability Inclusion Fund is another powerful example of participatory grantmaking.

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Fund Artist Participatory Arts 98

Museum 2.0

JUNE 6, 2008

People who work with non-professionals on participatory projects often talk about finding "neutral" sites for meetings or meeting on their (the non-professionals') territory. It's also standard practice in community arts programs. One of these artists, a graffiti artist named Dan, had such a good time that he a.

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Virtual Lesson Community Tech 21

Museum 2.0

JUNE 24, 2015

Send in your question, and it can be days before the artist or curator responds with an answer. If the conversations are about specific works of art, I would assume visitors would practically demand a real-time response. You’ve done other dialogic tech-enabled projects with visitors in the past. ASK is much more real-time.

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Museum Arts Interview Project 20

Museum 2.0

FEBRUARY 19, 2014

The man is artist Rocky Lewycky , whose work is part of a group show of visual artists who have won a prestigious regional fellowship. If an artist can come into a museum and smash stuff, what does that tell visitors? It is not acceptable to walk into a museum and destroy another artist''s work of art. Definitely.

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Museum Arts Artist Participatory 50

Museum 2.0

MAY 10, 2011

I'm also making the 2011-2012 budget, getting to know our terrific staff and volunteers, and starting up a few small participatory projects to launch us into being a more community-driven institution. When we have events, it's fabulous, but other times it can feel a bit cavernous and dead.

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Museum History Participatory Arts 53

Museum 2.0

SEPTEMBER 7, 2010

For years, I've been fascinated and a bit perplexed by the Elsewhere Collaborative , a thrift store turned artists' studio/living museum in Greensboro, North Carolina. Our archeology did not aim to uncover the hidden voice of my grandmother, but instead to begin an ongoing practice of recreation.

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Collaboration North Carolina Museum Artist 36

Museum 2.0

MAY 21, 2014

Over the past three years, we''ve tripled our attendance, doubled our budget, and, most importantly, established deep and diverse relationships with community members, artists, and organizations across Santa Cruz County. Participatory work can be very labor-intensive. Three years later, we''re out of turnaround and into growth mode.

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Museum Director Culture History 49

The Verge

JUNE 8, 2021

The second problem is, they have to know all the best practices around creating a deck. So the meeting has become more participatory. I asked, “Why don’t you have a button that just lets me pay an artist on Spotify and your whole problem with musicians goes away?” A PowerPoint deck. PowerPoint deck, exactly.

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Generation Problem Reddit Money 83