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Welcome Julia Smith, NTEN's Community Development Manager!

NTEN

She came to NTEN after launching a Chicago-based consulting practice for nonprofits and artists. She loves facilitating unconferences and retreats, volunteering at Chicago farmers markets, and indulging both a longtime penchant for film photography and a newfound one for Instagram. Join me in welcoming Julia or send her a welcome !

NTEN 63
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On White Privilege and Museums

Museum 2.0

They present masterpieces by white male artists and innovations by white male scientists. When non-white stories are told, they are always flagged as such--an exhibition of Islamist scientific inventions or women pioneers or African-American artists. Not as humans, or artists, or scientists, or dancers.

Museum 55
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Adobe Is Creating Change

Tech Soup

The program empowers 12- to 18-year-olds to express their opinions and perspectives about issues important to them through photography, sound, video, and digital art. The Bronx Guild in New York brings you the story of a young woman coming out to her family. students with a global audience. Employee Engagement.

Adobe 47
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Cary McQueen Morrow: Arts and Technology Thought Leader

Beth's Blog: How Nonprofits Can Use Social Media

(Disclaimer: I'm on the honorary committee because 13 years ago I worked on an online artist network with the New York Foundation for the Arts and CAMT was the partner.) Many of us started off as artists and then ended up managing arts organizations. Tell me a little bit about how you got into arts management?

Arts 50
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Brooklyn Clicks with the Crowd: What Makes a Smart Mob?

Museum 2.0

They're now running a compelling experiment in crowd-sourced exhibition creation and curation via the photography exhibition Click. Click is an exhibition process in three parts: The Museum solicited photographs from artists via an open call on their website, Facebook group, Flickr groups, and outreach to Brooklyn-based arts organizations.

Museum 24
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What's Your Leisure Identity? Does it Bring You Into Museums?

Museum 2.0

I saw every part of our vacation through the lens of the book, and my climbing partner (a highly active and artistic guy) and I spent a lot of time analyzing the choices we did and didn't make and how they reflected our expressions of identity. Museums are already successful at addressing the five identity needs that John describes.

Museum 28
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The Eye of the Beholder

Museum 2.0

Marian Goodman Gallery, New York Usually this blog is more about analysis than links. The NYT article is about a photography show by artist Thomas Struth at the Marian Goodman Gallery in Manhattan. You can’t see the paintings, only the people watching them, “wary and hopeful.” What are we looking for in a museum?

Museum 20