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gThe above video is one of the many social networking strategies that The Genocide Intervention Network used to transform itself from a small student group to national non-profit. A participatory culture is also one in which members believe their contributions matter, and feel some degree of social connection to one another.
Every Memory Matters is expected to go live in January, 2012, when Granito is broadcast nationally on the PBS series POV. Note From Beth: Yesterday, I attended a convening called “ Beyond Dynamic Adaptability ” for arts organizations about cultural participation in the arts.
Over the past year, I've noticed a strange trend in the calls I receive about upcoming participatory museum projects: the majority of them are being planned for teen audiences. Why are teens over-represented in participatory projects? Teens are not the only people with stories to tell.
Most participatory projects were short-term, siloed innovations, not institutional transformations. Interestingly--for good and ill--this transformative funding program coincided with a national funding crisis in the arts in the UK. Bernadette Peters' provocative 2011 report, Whose Cake is it Anyway? didn't mince words. and realistic.
Last week, Douglas McLellan of artsJournal ran a multi-vocal forum on the relationship between arts organizations and audiences, asking: In this age of self expression and information overload, do our artists and arts organizations need to lead more or learn to follow their communities more?
The Denver Art Museum is no stranger to community collaborations, but we’ve been dipping in our toe a little more deeply when it comes to developing permanent participatory installations. Community artists gave their honest feedback, and we crafted a display based on these discussions and their contributions.
The best way I can really push my own participatory practice and thinking is to operate an institution and work with a community I care about over time. I also believe that small and mid-sized museums are the leaders when it comes to innovation, particularly around participatory engagement. I knew we were moving somewhere nice.
National education organizations and individual teachers are developing relevant curriculum resources, including the #FergusonSyllabus project initiated by Dr. Marcia Chatelain. Artists and arts organizations are contributing their spaces and their creative energies. We urge museums to consider these questions by first looking within.
Audiences of all backgrounds found ways to connect with museums as it presented exhibitions with the help of foster youth, migrant farmers, roller-derby girls, mushroom hunters, surfers and incarcerated artists, among others. I'm also always interested in how the national media portrays changes in the cultural sector.
Why the Video Contest Worked Video contests are one of the most challenging kinds of participatory projects to pull off. MSI did three things that most organizations don't or can't do when they set up a video contest: They got a TON of local, national, and international press. Museum staffers.
Today, I wanted to think about participatory elements, something so essential to this blog. With this in mind, when we produce participatory experiences, while our impetus is to serve our power users with extra content or “check for understanding” interactives, there are so many other ways to use interactives.
I had a healthy second life as a slam poet, and I loved the world of artists and performance. Now, as a freelancer, my work combines long-term, creatively challenging participatory exhibit projects with lots of little workshops and brainstorming sessions with institutions around the world.
So you see a lot of backlash against AI right now, because you see artists who have been ripped off by AI platform companies that have scraped their artwork and used it without compensation or credit.9 Were using them instead in ways that someone else can make money from most quickly. And unfortunately, thats damaging the reputation of AI.
ers, Next week, I'll be going to DC for a meeting convened by the National Academy of Sciences and the Institute of Museum and Library Services on "Museums and Libraries in the 21st Century." Ideas participatory museum professional development inclusion. Dear Museum 2.0-ers, From the Web 2.0
At this moment in the arts and social justice sectors, were seeing greater visibility of disability cultureled by disabled creatives including artist, composer JJJJJerome Ellis , filmmaker Jim LeBrecht , and writer Alice Wong. Disability Inclusion Fund is another powerful example of participatory grantmaking.
I think at the national level we're always going to have The New York Times , CNN, and The Washington Post to do national investigations, but what we really are threatened to lose in the next year to five years is local investigations and local reporting. I was always thinking, how could a freelancer pitch the world?
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