Museum 2.0

MAY 8, 2013

Like a lot of organizations, my museum struggles with two conflicting goals: The museum should be for everyone in our community. At the Santa Cruz Museum of Art & History , we''re approaching this challenge through a different lens: social bridging. Museum of Art and History programs social bridging'

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Museum Social Arts History 55

Museum 2.0

JULY 26, 2010

From a museum perspective, I think there's a lot to learn from these venues' business models, approach to collecting and exhibiting work, and connection with their audiences. It's run by Jon Rubin, an artist and professor of social practice at Carnegie Mellon, and his students. PieLab (Greensboro, AL).

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Culture Alternative St. Louis Los Angeles 49

Museum 2.0

JANUARY 24, 2011

This post features an interview with Sarah Schultz, a museum staffer at one of the institutions Light profiled in the book (the Walker Art Center). Guard staff who are willing to let an artist step between two panes of glass to perform. In the 1990s, we decided we wanted to engage a teen audience. It's inherent in what we do.

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Arts Interview Teen Artist 46

Museum 2.0

APRIL 6, 2011

Let's say you spend a year working with a group of teens to co-create an exhibition, or you invite members and local artists to help redesign the lobby. The exhibition or program is of high quality, and from the visitor perspective, it may look like museum as usual. Community processes are both exciting and time-consuming.

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Participatory Process Museum Children 48

Beth's Blog: How Nonprofits Can Use Social Media

JULY 1, 2009

Submitted by Nina Simon, publisher of Museum 2.0. I’ve had it with museums’ obsession with open-ended self-expression. And yet many museums are fixated on creators. Museums see open-ended self-expression as the be-all of participatory experiences. This is a problem for two reasons.

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Participatory Experiment Museum Teen 50

Museum 2.0

AUGUST 19, 2015

One of my favorite comments on the first post in this series came from Lyndall Linaker, an Australian museum worker, who asked: " Who decides what is relevant? Community First Program Design At the Santa Cruz Museum of Art & History , we've gravitated towards a "community first" program planning model. My answer: neither.

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Teen Museum Voice Arts 20

Museum 2.0

MARCH 3, 2007

But I’d been scribbling notes for an art museum label post for awhile, and then yesterday, the NY Times had a review of a new show at MOMA, Comic Abstraction. The collection is disaggregated, grouped by floor (Painting and Sculpture 1) rather than artist, movement, time period, or geography. MOMA has standard art museum labels.

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Museum Arts Artist Audio 30

Museum 2.0

SEPTEMBER 20, 2011

Last Friday night, my museum hosted a fabulous (in my biased opinion) event called Race Through Time. When Friday night rolled around, we did see a crowd that skewed decidedly younger and hipper than our standard museum audience. Performances just for teens. Late night mixers at museums for young adults.

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Audience Develop Museum History 52

Beth's Blog: How Nonprofits Can Use Social Media

JUNE 3, 2005

Some of the entries of what you can read on the Walker Blog, may appear at first glance to be mundane details of cube life , but then you remember that it is a museum blog and it makes the institution seem more human.

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Artist Arts Process Remix 50

Museum 2.0

MARCH 16, 2009

I’ve had it with museums’ obsession with open-ended self-expression. And yet many museums are fixated on creators. Museums see open-ended self-expression as the be-all of participatory experiences. First, exhibits that invite self-expression appeal to a tiny percentage of museum audiences.

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Participatory Experiment Museum Teen 44

Museum 2.0

JUNE 12, 2012

Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution. So many museum exhibitions relegate the participatory bits in at the end. The Love Lounge I LOVE.

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Participatory Museum Blackboard Game 51

Connection Cafe

OCTOBER 19, 2015

After jumping in, you swam across the short length of the hole (about 10 yards), and emerge, wet and freezing, only to get to race through temps in the teens to try to warm up in a lukewarm hot tub. Museums, zoos, and aquariums are finding that crowdfundraising can be a strategic tool to add to their fundraising playbook.

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Arts Wisconsin Los Angeles Denver 20

NTEN

JUNE 21, 2011

The speakers for this panel include: Tracy Fullerton - Electronics Arts Game Innovation Lab Ruth Cohen - American Museum of natural History Elaine Charnov - The NY Public Library Jason Eppink - Museum of the Moving Image Syed Salahuddin - Babycastles Elaine Cohen: The New York Public Library 100 Years of the flagship library in New York.

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Game Culture Change Museum 52

Museum 2.0

NOVEMBER 7, 2010

Last week marked four years for the Museum 2.0 People--especially young folks looking to break into the museum business--often ask me how I got here. Ed Rodley recently wrote a blog post about museum jobs entitled "Getting Hired: It's Who You Know and Who Knows You." This seems like an appropriate time to share the story.

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Museum Boston Participatory Job 52

Museum 2.0

SEPTEMBER 21, 2016

They were there for artist talks. Every other year, they convene TUPAC, a group of 35 outside advisors, including teens, college students, Temple University professors, artists, philanthropists, and community leaders. The chairs were cast-off art, reclaimed as art, available for people to take off the hooks and use.

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Process Share Philadelphia Arts 20

Museum 2.0

APRIL 22, 2015

Or Santa Cruz County teens who want to make social change. But you might also feel part of a geographic community related to the place you grew up, or a place you used to live, or a place you often visit. A community by IDENTITY is defined by attributes. It is made up of people who end the sentence "I am __" in the same way. Fifth generation.

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Community Minnesota Teen Movie 20

Museum 2.0

MAY 5, 2009

I just returned from the American Association of Museums (AAM) annual meeting in Philadelphia. I led two sessions, one on visitor co-created museum experiences, and the other on design inspirations from outside museums. what is the value of the exhibition experience to non-participants, that is, regular museum visitors?

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Slides Participatory Museum Children 20

Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 10, 2006

It will be interesting to see if this advice holds true for the voters of the future based on Dannah Boyd's post " What i mean when i say "email is dead" in reference to teens. "Do young people have email accounts? Do they login to them semi-regularly? Its part of the " Have Money Will Vlog."

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Wiki Vlog Machinima Bookmarking 50

EveryAction

MARCH 16, 2017

American Edmonia "Wildfire" Lewis is considered the first woman of Native American and African descent to achieve international fame as a sculptor at a time when artists of color were hardly celebrated and slavery was still legal. Gentileschi is remembered, however, as an accomplished Baroque artist whose trials did not define her art.

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Story Angola Sierra Leone Artist 133

Beth's Blog: How Nonprofits Can Use Social Media

MAY 20, 2015

Later, when were chatting with a small group of people in the lobby, we noticed a group of teens walking by looking a little sad. Then once they visit have such a great experience that they want to stay connected with the museum through social channels. Artists have been using the right tool at the right time to make art. .”

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Digital Learning Artist Miami 50

Museum 2.0

FEBRUARY 27, 2013

All this delightful non-fiction makes me wonder: why aren't museums great at telling these same kinds of deep, intense stories? This seems strange given that museums are organized around objects. It has introduced me to corrupt university fundraisers , the true history of Tom Dooley , and the world's oldest marathon runner.

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Museum Story Captivate Artist 53

Museum 2.0

OCTOBER 22, 2008

There are lots of things visitors can’t do in museums. But what about the things that museum professionals can’t (or feel they can’t) do? This week at the ASTC conference, Kathy McLean, Tom Rockwell, Eric Siegel and I presented a session called “You Can’t Do That in Museums!” And so my question is, why are we keeping them away?

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Museum Professional Teen Map 20