Museum 2.0

OCTOBER 13, 2010

On October 20, a young woman named Kate will move into Chicago's Museum of Science and Industry and live there for a month. This post is not about the Month at the Museum concept or implementation. Instead, this post focuses on a fascinating aspect of Month at the Museum: the video applications. That will come later.

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Museum Contest Video Participatory 34

Museum 2.0

MARCH 3, 2007

But I’d been scribbling notes for an art museum label post for awhile, and then yesterday, the NY Times had a review of a new show at MOMA, Comic Abstraction. The collection is disaggregated, grouped by floor (Painting and Sculpture 1) rather than artist, movement, time period, or geography. MOMA has standard art museum labels.

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Museum Arts Artist Audio 30

Museum 2.0

MAY 10, 2011

It's my second week as the Executive Director at The Museum of Art & History in Santa Cruz, CA, and boy is my everything tired. And despite the fact that I've enjoyed being at the museum for 12 hours plus for ten days in a row, I'm quickly realizing that if I want to really get some fun participatory projects going, I need some help.

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Museum History Participatory Arts 53

Museum 2.0

FEBRUARY 9, 2010

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" I was surprised by her question.

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Museum Difference Participatory Arts 29

Museum 2.0

MARCH 9, 2009

I once asked Eric Siegel, the Director of the New York Hall of Science, why museums are rarely innovative shining stars on the cutting edge of culture. He commented that as non-profits, museums are built to survive, not to succeed. Unlike startups and rock stars, museums aren't structured to shoot for the moon and burn up trying.

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Model Business Museum Los Angeles 55

Museum 2.0

SEPTEMBER 29, 2010

The artists come from all over (though many are based in the Midwest), and anyone can enter. Now, after attending with museum friends from around the country, I'm hooked. Artprize invited me to talk about art with artists, families, security guards, friends, people old and young, sophisticated and novice, drunk and sober.

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Arts Experiment Social Museum 52

Museum 2.0

JULY 26, 2010

From a museum perspective, I think there's a lot to learn from these venues' business models, approach to collecting and exhibiting work, and connection with their audiences. It's run by Jon Rubin, an artist and professor of social practice at Carnegie Mellon, and his students. PieLab (Greensboro, AL).

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Culture Alternative Museum St. Louis 49

Museum 2.0

SEPTEMBER 29, 2009

When you find a bar with your favorite song on the jukebox, or a museum room that feels like your grandmother's living room, you suddenly feel a strong affinity and are able to see yourself reflected in the space. It may be great for a natural refuge to remain hidden, but that sounds like a disaster for a restaurant or museum.

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Museum Los Angeles San Francisco Design 34

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 4, 2010

He is Deputy Director for the Contemporary Jewish Museum , and an expert in using social media in a museum setting. We were lucky enough to have a fabulous space for the workshop in the Contemporary Jewish Museum. He is Deputy Director for the Contemporary Jewish Museum, and an expert in using social. I said yes.

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Social Media Reflection Social Media 95

Museum 2.0

NOVEMBER 14, 2007

Let’s say you wanted to find a model museum using Web 2.0 A place that does all this in the context of a fairly traditional collections-based museum. A place that does all this in the context of a fairly traditional collections-based museum. It’s the Brooklyn Museum. to support programs and exhibits.

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Museum Interview Flickr YouTube 27

Museum 2.0

SEPTEMBER 7, 2010

For years, I've been fascinated and a bit perplexed by the Elsewhere Collaborative , a thrift store turned artists' studio/living museum in Greensboro, North Carolina. Over the past seven years, this exploration has been undertaken by a staff of artists and more than 35 creators each year participating in our residency program.

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Collaboration North Carolina Museum Artist 36

Museum 2.0

JUNE 10, 2010

I spent last week working with staff at the Minneapolis Institute of Art (MIA) on ways to make this encyclopedic art museum more open to visitor participation across programs, exhibitions, and events. The rules are clear: anyone who lives in Minnesota and considers her/himself an artist can contribute one piece.

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Participatory Museum Arts Artist 46

Museum 2.0

SEPTEMBER 9, 2009

Between high-altitude hijinks, run-ins with wildlife, and very long days of hiking, I finished John Falk's new book, Identity and the Museum Visitor Experience. In other words, if you are a curious person, you will go to museums to learn new things.

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Museum Facilitation Maslow Personal 28

Museum 2.0

JULY 12, 2010

When I first started exploring the site, I assumed it was mostly a place for charismatic hipsters and a few star artists with enough social media savvy and clever video production capabilities to produce enticing pitches. game and the Neversink Valley Museum's capital campaign launch materials. The museum's page is much simpler.

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Fund Museum Pledge Gift 49

Museum 2.0

FEBRUARY 12, 2009

The conventional wisdom on museum memberships is that they are "one size fits many" programs whose primary benefits are free entrance to the museum and insider access to exhibition openings. But what about all the other people who love your museum? Want to know how the Brooklyn Museum is answering this question?

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Museum Audience Program Artist 24

Museum 2.0

AUGUST 25, 2010

at the Brooklyn Museum, where you could track how people of various levels of art expertise rated crowd-contributed photographs. I've been thinking about this as I prep some interactive prototypes for the Experience Music Project and Science Fiction Museum, a Seattle-based museum of pop culture. There was Click!

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Audience Museum Chart Artist 38

Museum 2.0

MARCH 25, 2008

I'd love to see a museum offer temporary tattoos instead of stickers at entry. I spent about 5 hours in a busy tattoo studio (interesting how they are rebranding away from "parlor"), both times on Sundays, and my highly uninformed impression is that most of the people who walked in the door are not museum-goers. People ask questions.

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Museum Arts Artist Culture 23

Beth's Blog: How Nonprofits Can Use Social Media

JULY 1, 2009

Submitted by Nina Simon, publisher of Museum 2.0. I’ve had it with museums’ obsession with open-ended self-expression. And yet many museums are fixated on creators. Museums see open-ended self-expression as the be-all of participatory experiences. This is a problem for two reasons.

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Participatory Experiment Museum Teen 50

Museum 2.0

JUNE 8, 2010

This guest post was written by Rebecca Lawrence, Museum Educator, Schwenkfelder Library & Heritage Center in Pennsylvania. You can join the conversation in the blog comments, or on the Museum 2.0 The Schwenkfelder Library & Heritage Center (SLHC) is a small museum located in Pennsburg, Montgomery County, Pennsylvania.

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Place Museum Discussion Pennsylvania 27

Museum 2.0

MARCH 15, 2010

People often ask me which museums are my favorite. I visit lots of perfectly nice, perfectly forgettable museums. In some cases, that's based on subject matter, as at the Museum of Jurassic Technology or the American Visionary Art Museum. Some are scrappy and iconoclastic, like the City Museum in St.

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Museum Support St. Louis Children 41

Museum 2.0

MARCH 16, 2009

I’ve had it with museums’ obsession with open-ended self-expression. And yet many museums are fixated on creators. Museums see open-ended self-expression as the be-all of participatory experiences. First, exhibits that invite self-expression appeal to a tiny percentage of museum audiences.

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Participatory Experiment Museum Teen 44

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 12, 2009

Here is an example of an artistic program or creative process undertaken as a crowd and it isn't a cheap publicity stunt. Jerry Michalski use the metaphor of the global brain to describe this. Now wonder some arts organizations - museums, orchestras, and now operas - have embraced crowdsourcing as a creative technique.

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Analysis Music San Francisco Mashup 88

Museum 2.0

JULY 9, 2009

Seb Chan has a lovely, long interview up at Fresh+New with Helen Whitty about the Powerhouse Museum's new mini-exhibition, the Odditoreum. The Odditoreum is another wrinkle in the study of visitors' understanding and interpretation of authenticity in museums. I enjoyed listening to it (virtually, not at the museum).

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Museum Alternative Arts Portland 22

Museum 2.0

NOVEMBER 9, 2007

Not that I won’t still occasionally write about games, but they will no longer have a weekly presence on this blog ( though you can always find lots of them by clicking the "game" tag in the topic list to the right). The Open Source Museum project at The Tech is a grant-funded grand experiment. Tags: Tech Virtual.

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Open Source Museum Open Game 22

Museum 2.0

JULY 20, 2007

I read recently about an awesome project at the San Jose Museum of Art in 2001, Collecting Our Thoughts, in which visitors were invited to write the labels for an art exhibition (more another time). But it's a lot of fun, and it could be a great way to construct a personalized takeaway from a museum experience. Pick a plural noun.

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Museum Game San Jose Artist 20

Museum 2.0

SEPTEMBER 4, 2007

The ASTC (the Association of Science and Technology Centers) annual meeting is coming up in LA (home of my childhood), and Museum 2.0 In a world of increasingly sterile museum environments, the Museum of Jurassic Technology is a beacon of emotion, strangeness, and wonder. And if you want a more traditional Museum 2.0

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Museum Tech Childhood Conference 20

Museum 2.0

OCTOBER 8, 2007

This week, with the gracious help of Eric Siegel of the New York Hall of Science , Museum 2.0 In the spirit of that question, Museum 2.0 Tags: exhibition Museums Engaging in 2.0 is launching an experiment in collaborative exhibition design. When is the wisdom of crowds really successful? Projects design.

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Museum Experiment Voice New York 20

Museum 2.0

SEPTEMBER 20, 2010

Audience segmentation and research has become a hot topic in museums, especially when it comes to crafting appealing offerings that are customized to different kinds of visitors. I sat down with Kristen Denner, Director of Membership and Annual Fund, to learn more about the program's development and the museum's goals for its future.

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Interview Director Museum Benefit 46

Museum 2.0

NOVEMBER 30, 2009

This guest post, written by Philippa Tinsley, Collections Manager for the Worcester City Art Gallery and Museum (UK), describes the innovative Top 40 exhibition they mounted in the summer of 2009. In my experience, museum professionals aren’t big reality TV viewers. Just like live reality TV, Top 40 felt like a risk at times.

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Museum Chart Picture Arts 23

Museum 2.0

JUNE 22, 2007

Over three days, 60 programmers/artists/composers/pranksters worked all hours to create finished computer-based games from scratch. Whatever it is, museum program and exhibit designers, take note: I want a museum jam. Or find a space to hold a public show of the products, a sort of museum carnival?

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Museum Game Conference Artist 20

sgEngage

NOVEMBER 30, 2010

and “On Sunday, are you most likely to be: at brunch, at church, at a museum, or watching the big game?&# Its also valuable for small business, artists, and much more. Tags: nptech , Social Media , Web 2.0 Two of the questions were “Which of these places would you most like to visit?

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Trend Nonprofit Blackbaud New York 97

Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 10, 2006

Found via the NpTech Tag at blip.tv. tools and nonprofits, be sure to tag 'em with 2ndwave (And, if you're wondering how Nancy embedded her powerpoint, she did it with SlideShare (more here ). Tagging and Social Bookmarking Social Bookmarking Showdown is a quick overview/review of the major social bookmarking services.

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Wiki Vlog Bookmarking Social Network 50

Museum 2.0

JULY 7, 2010

As Peter wrote: If someone enjoys Arts Event A because it’s social, informal, energetic, fun, and hip, why should we expect her to also enjoy Arts Event B if B is individual, formal, quiet, serious, and traditional (at least in its presentation, if not artistically)? Tags: programs visitors. You can't always do "and."

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Audience Museum Oakland Participatory 40

Museum 2.0

JULY 17, 2007

This week, we consider Chapter 11 of Elaine Gurian's Civilizing the Museum , "Function Follows Form: How mixed-used spaces in museums build community," but first, a short and relevant note about my writing process. Museums are naturally tuned to some of these but not all. short streets and frequent opportunities to turn corners.

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Museum Los Angeles Arts Children 20

Museum 2.0

AUGUST 29, 2007

Thanks to Kyle Evans, who forwarded me the fascinating, lengthy master’s dissertation.art: Situating Internet Art in the Modern Museum by Karen Verschooren at the MIT Comparative Media Studies program. In it, Karen provides a survey of the evolving relationship of Internet art to art museums. Citizen science programs. On the website?

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Museum Web Arts Internet 20

Museum 2.0

JULY 1, 2008

Dear Museum 2.0-ers, ers, Next week, I'll be going to DC for a meeting convened by the National Academy of Sciences and the Institute of Museum and Library Services on "Museums and Libraries in the 21st Century." Over the last 50 years, public-facing museums and libraries in the U.S. Tags: Core Museum 2.0

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Museum Library Participatory Web 20

Museum 2.0

JUNE 17, 2010

This morning, I gave the keynote address for the Washington Museums Association annual conference. It features lots of museum-based examples. But in this post, I wanted to highlight a goofy little (non-museum) project that inspires me in its simplicity and openness to mass collaboration. It's called One Million Giraffes.

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Collaboration Museum Project Minneapolis 34