Museum 2.0

OCTOBER 1, 2014

Recently, we''ve been talking at our museum about techniques for capturing compelling audio/video content with visitors. It made me dig up this 2011 interview with Tina Olsen (then at the Portland Art Museum) about their extraordinary Object Stories project. We ended up with a gallery in the museum instead.

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Qgiv

AUGUST 23, 2024

For instance, a large nonprofit focused on preserving arts and culture might segment its audience by location and focus its stories on the most well-known museums or cultural landmarks in a donor’s state. However, using a donor’s geographic location in your segmentation strategy can open exciting new possibilities.

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Museum 2.0

FEBRUARY 19, 2014

Every day for the past two months, a man has entered the largest gallery in my museum. The man is artist Rocky Lewycky , whose work is part of a group show of visual artists who have won a prestigious regional fellowship. His project, Is It Necessary? It also complicates the question of what is acceptable in a museum.

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Forum One

MAY 17, 2023

Check out the rest of this post to learn more about each of our Vega Award-winning projects. We partnered with the Museum to launch their new brand to the world. This work not only included launching a new website, but also revitalizing the entire American Jazz Museum brand as a whole.

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Forum One

MAY 3, 2023

Freedman’s Bureau Search Portal (NMAAHC) Excellence – Website for Cultural Institutions In 2016 NMAAHC launched the Freedmen’s Bureau Transcription Project in the Smithsonian Transcription Center. million pages of documents in the Freedmen’s Bureau archive, the largest transcription project ever undertaken by the Smithsonian.

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Nonprofit Tech for Good

DECEMBER 14, 2022

For example, if you join a modern art museum, there is a good chance you won’t have to pay admission to other modern art museums. You can create small posters for sponsor businesses to show off that they are giving back and sponsoring your org, team, project, or campaign. This can include museums, archives, galleries, etc.

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Museum 2.0

MARCH 6, 2013

I write this piece in good faith about the organizations I know best: museums. The vast majority of American museums are institutions of white privilege. They present masterpieces by white male artists and innovations by white male scientists. I never saw comparable adjectives used in the European art labels at the museum.

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Museum 2.0

OCTOBER 29, 2014

They recall other artistic work that breaks fourth walls--classically in theater, and more recently in new media projects. This makes me wonder: how do we break the fourth wall in museums? How do we use the essential tools of museum-ness to disrupt, surprise, and delight people? Maybe there is no fourth wall at all.

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Care2

JULY 13, 2012

This week we’ve found apps from museums. Mobile apps are an interesting way for museums to advance their educational missions beyond people’s expectations. ArtClix from the High Museum of Art, Atlanta. iOS/Android: ArtClix enhances uses mobile to enhance the museum experience. MoMa by the Museum of Modern Art.

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Museum 2.0

JULY 23, 2014

But not enough people care about it anymore, and the museum is fading into disrepair. The Silk Mill is part of the Derby Museums , a public institution of art, history, and natural history. Many people would look at the world''s oldest mechanized silk mill and say that the core content of the museum is silk. What do you do?

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Museum 2.0

JULY 11, 2012

I get excited about a lot of things in my work at the Santa Cruz Museum of Art & History. That's how I felt when artist Ze Frank got in touch to talk about a potential museum exhibition to explore a physical site/substantiation for his current online video project, A Show (s ee minute 2:20, above).

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Association TV

NOVEMBER 16, 2021

Have you ever been to a restaurant, museum or shopping mall and needed to use the bathroom? We particularly appreciate search bar suggestions, like how Spotify invites users to search not only a song title but an artist or a podcast too. You begin by looking up and around for any sort of signage.

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Museum 2.0

MARCH 24, 2011

Two recent events have got me thinking about pranks and unauthorized activities in museums. Improv Everywhere staged an event at the Metropolitan Museum in which an actor posing as King Philip IV of Spain signed autographs in front of his portrait, as painted by Diego Velazquez in the 1620s. I feel like it's more complicated than that.

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Museum 2.0

AUGUST 25, 2016

They wanted to help museums and galleries across the UK make significant, sustained changes in the ways they engage community partners and visitors as participants in their work. The result, Our Museum , is an extraordinary funding program with a focus on community participation. didn't mince words. Here are my three top takeaways.

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Nonprofit Tech for Good

JULY 22, 2024

Jude, Make A Wish, American Cancer Society, and The Museum of African American History. She is a veteran touring artist, songwriter, live sound engineer and music publisher. Over the past 15 years, Allen has volunteered for small elementary schools to major museums and nonprofits raising millions of dollars.

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Forum One

DECEMBER 13, 2023

Forum One partnered with the Museum to launch their new brand to the world. This work not only included launching a new website but also revitalizing the American Jazz Museum brand as a whole. This project took home six awards this year! This beautifully designed branding and website won five awards this year!

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Museum 2.0

OCTOBER 17, 2012

When I started this blog in 2006, I made a multi-media introduction to the concept of "museum 2.0" Venue as content platform instead of content provider: the museum becomes a stage on which professionals and amateurs can curate, interpret, and remix artifacts and information. The museum gets better the more people use it.

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Museum 2.0

JUNE 6, 2011

This is the casual attendance data from my first full month as the Executive Director of The Museum of Art & History in Santa Cruz. This graph is making me change the way I think about what our museum is for and how we should market it. Simply, I'm shifting my perspective from an exhibit-driven model to an event-driven one.

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DipJar

AUGUST 9, 2022

They’re so much more than book museums. The library’s physical art gallery was converted to a digital one that continued to present the work of area artists. Charlie Hewitt – an artist from New York who grew up using Curtis Memorial Library – felt frustrated with so much negativity in the world.

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Museum 2.0

SEPTEMBER 26, 2012

Writing my masters thesis for Gothenburg University’s International Museum Studies program while also working four days a week as the Director of Community Programs at the Santa Cruz Museum of Art & History this spring was certainly a challenge but also an incredible opportunity.

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Museum 2.0

DECEMBER 15, 2014

Gretchen Jennings convened a group of bloggers and colleagues online to develop a statement about museums'' responsibilities and opportunities in response to the events in Ferguson, Cleveland and Staten Island. Museums are a part of this educational and cultural network. Where do museums fit in? Here is our statement.

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Museum 2.0

AUGUST 14, 2013

One of the greatest gifts of my babymoon is the opportunity to share the Museum 2.0 First up is Beck Tench, a "simplifier, illustrator, story teller, and technologist" working at the Museum of Life & Science in Durham, NC. As a person who works for a science museum, I work in an environment that supports play.

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Museum 2.0

MAY 21, 2014

I''ve now been the executive director of the Santa Cruz Museum of Art & History for three years. Over the past three years, we''ve tripled our attendance, doubled our budget, and, most importantly, established deep and diverse relationships with community members, artists, and organizations across Santa Cruz County.

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Museum 2.0

JULY 10, 2013

Here in Santa Cruz, we''re brushing off our tents and lining up the counselor whistles for Hack the Museum Camp , a 2.5 We have 75 campers here from around the world who will be working in teams to develop exhibits based on artifacts from our permanent collection that challenge museum conventions and traditional exhibit design practice.

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Museum 2.0

AUGUST 28, 2013

Earlier in 2013, I was amazed to visit one of the new “Studio” spaces at the Denver Art Museum. The Denver Art Museum is no stranger to community collaborations, but we’ve been dipping in our toe a little more deeply when it comes to developing permanent participatory installations.

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Museum 2.0

OCTOBER 2, 2013

George Scheer is the director and co-founder of Elsewhere Collective, a fascinating "living museum" in a former thrift store in Greensboro, NC. In this post, George grapples with the challenges of balancing the care for a museum collection with that of contemporary artists-in-residence who are constantly reinterpreting it.

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Museum 2.0

NOVEMBER 27, 2013

Detail on distribution of artworks in the Tate collection by birthdate of artists, visualized by Florian Krautli. What does "big data" look like for museums? Last month, the Tate joined the party when they opened up their collection database to the world on GitHub, a website where programmers collaborate on projects.

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Forum One

DECEMBER 13, 2023

We partnered with the Museum to launch their new brand to the world. This work not only included launching a new website but also revitalizing the American Jazz Museum brand as a whole. This project took home six awards this year! This beautifully designed branding and website won five awards this year!

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Celebrate Award Colorado Museum 46

Museum 2.0

JULY 17, 2013

Last week, my museum hosted Hack the Museum Camp , a 2.5 day adventure in which teams of adults--75 people, of whom about half are museum professionals, half creative folks of various stripes--developed an experimental exhibition around our permanent collection in our largest gallery.

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Nonprofit Tech for Good

MARCH 25, 2022

You might try reaching out to businesses, artists, or other people in your neighborhood to see if they’d be willing to list things on your store (either as a donation or for a share of the profits) or produce branded items like mugs and hats based on popular products. 10) Hybrid concerts. 13) Scavenger hunts.

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Museum 2.0

APRIL 14, 2011

Dear Museum 2.0 As of May 2, I will be the executive director of the Museum of Art & History at McPherson Center in Santa Cruz, CA (here's the press release ). I am closing down my consulting business at the end of April, but the Museum 2.0 Here are a few things that make the MAH an exciting museum to me: It's small.

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Museum 2.0

FEBRUARY 23, 2017

Dear friends, We're about a month from the deadline to apply for MuseumCamp 2017 at the Santa Cruz Museum of Art & History (MAH). Dive into co-creative project design. A month before MuseumCamp, the MAH is opening a new exhibition, Lost Childhoods , co-developed with foster youth, youth advocates, and artists in our community.

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Museum 2.0

SEPTEMBER 18, 2013

This August/September, I am "rerunning" popular Museum 2.0 Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums.

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Beth's Blog: How Nonprofits Can Use Social Media

DECEMBER 1, 2010

Is that a Zen graffiti artist? She uses the word “curate&# which makes me imagine nonprofits as museum curators. Museum curators have expertise in a particular area of art, they know the ecosystem around the art – the artists, the patrons, other collectors, and other museum curators interested in that art form.

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Museum 2.0

JULY 11, 2017

The Santa Cruz Museum of Art & History keeps growing and experimenting in our quest to build a stronger, more connected community. The Exhibitions Catalyst will lead the way in bringing together artists and diverse partners in the development of powerful exhibitions. We are dreaming big, reaching out, and going deep.

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Museum 2.0

OCTOBER 10, 2012

Let's look at the statistics from three big participatory projects that wrapped up recently. This citywide festival showcased work by 1,517 artists competing for a $200,000 top cash prize awarded by public vote. The Brooklyn Museum just finished the public stage of GO , a "community-curated open studio project."

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Museum 2.0

NOVEMBER 6, 2012

I'm thrilled to share this brilliant guest post by Marilyn Russell, Curator of Education at the Carnegie Museum of Art. In a straightforward way, Marilyn explains how her team developed a participatory project to improve engagement in a gallery with an awkward entry. It is great to feel more of a part of the museum!" "All

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