Museum 2.0

JULY 7, 2010

As Peter wrote: If someone enjoys Arts Event A because it’s social, informal, energetic, fun, and hip, why should we expect her to also enjoy Arts Event B if B is individual, formal, quiet, serious, and traditional (at least in its presentation, if not artistically)? But there's a big problem with the parallel strategy.

Audience 40

Audience Museum Oakland Participatory 40

Museum 2.0

NOVEMBER 7, 2010

Last week marked four years for the Museum 2.0 People--especially young folks looking to break into the museum business--often ask me how I got here. Ed Rodley recently wrote a blog post about museum jobs entitled "Getting Hired: It's Who You Know and Who Knows You." hour at the Museum. I made $26/hour at NASA and $7.25/hour

Museum 52

Museum Boston Participatory Interview 52

Museum 2.0

OCTOBER 15, 2009

Over the past year, I've noticed a strange trend in the calls I receive about upcoming participatory museum projects: the majority of them are being planned for teen audiences. Teens are developmentally focused on social identity-building and may feel more compelled to share their voices and express themselves than others than other visitors.

Teen 24

Teen Participatory Experiment Museum 24

Museum 2.0

JUNE 25, 2009

In this guest post, Bruce Wyman, Director of Technology at the Denver Art Museum, shares his process for developing interactive technologies to extend familiar experiences in art museums. You may remember the Denver Art Museum from this post about their newest (highly interactive) exhibit space, Side Trip.

Experiment 20

Experiment Technology Denver Artist 20

Museum 2.0

MAY 5, 2009

I just returned from the American Association of Museums (AAM) annual meeting in Philadelphia. I led two sessions, one on visitor co-created museum experiences, and the other on design inspirations from outside museums. what is the value of the exhibition experience to non-participants, that is, regular museum visitors?

Slides 20

Slides Participatory Museum Children 20

EveryAction

MARCH 16, 2017

American Edmonia "Wildfire" Lewis is considered the first woman of Native American and African descent to achieve international fame as a sculptor at a time when artists of color were hardly celebrated and slavery was still legal. Gentileschi is remembered, however, as an accomplished Baroque artist whose trials did not define her art.

Story 133

Story Angola Sierra Leone Artist 133

Museum 2.0

NOVEMBER 17, 2007

The interview includes stories about some of his projects, and a delving into questions about what makes viral content compelling, how to draw people into an uncomfortable environment, and ways that art--or museum content--can become more pervasive by being hidden in the corners of life. What do you think has made you successful?

Discussion 20

Discussion Game Oklahoma Museum 20

Have Fun - Do Good

JANUARY 16, 2009

I think about how hesitant I was to become an artist, because I didn't see role models, and even to this day how hard it is for me sometimes to find peers who are women of color, because of how systematically they are pushed out. I'm an artist and an institution builder. The kind of art I do is art that gets engaged into the public.

Artist 40

Artist Digital Arts San Francisco 40

Museum 2.0

JUNE 12, 2012

--Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution. So many museum exhibitions relegate the participatory bits in at the end. The Love Lounge I LOVE.

Participatory 51

Participatory Museum Blackboard History 51

Museum 2.0

JULY 31, 2007

This is the penultimate installment of Museum 2.0's s book club on Elaine Gurian's collection of essays, Civilizing the Museum. As Elaine puts it in the essay, When I was last involved in such an endeavor, it was when the Boston Children's Museum was small, insignificant, and unselfconscious. have portrayed Indians inaccurately."

Culture 20

Culture Storytelling Challenge Museum 20

Museum 2.0

JULY 10, 2007

This week, a look at Chapters 16 and 17 of Elaine Gurian's Civilizing the Museum. In many institutions, these questions cause problems that cost both emotionally and economically. Why don't more museums do this? The real question is how the team approach affects the visitor experience. But what about the soul of the exhibition?

Team 20

Team Museum Chapter Design 20

Connection Cafe

JANUARY 5, 2016

Best Looking Emails: This is a tie between the Museum of Modern Art and charity: water for showing that you can still design beautiful emails despite all the constraints. Last chance: The best way to solve the worst problems is in this email. Sinatra: Voice for a Century. Close out your year with clean water. We ♥ goats.

email 20

email Fundraising Gift Children 20

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 27, 2009

Chris Anderson’s The Long Tail Note from Beth: In 1993, I worked as the "network weaver" for an online network for individual artists called "Arts Wire" where I facilitated online conversations, provided technology support and training. In the last few years, the Smithsonian American Art Museum. Museums are changing.

Museum 83

Museum Arts Artist Conservancy 83