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Museums are magical places, where history, culture, art, and science seem to come to life. Our work with museums and cultural intuitions goes way beyond websites with easy-to-find visitor information (though that’s important too!) Forum One partnered with the Museum to launch their new brand to the world.
What if museums were curated and funded by the internet, and allowed pieces to stay close to their cultural roots, displayed in a context that made sense? Native art in native museums, religious artifacts shown in temples, mosques and churches, and so on? This idea evolved into having an on-chain Museum,” says McLeod.
This week we’ve found apps from museums. Mobile apps are an interesting way for museums to advance their educational missions beyond people’s expectations. ArtClix from the High Museum of Art, Atlanta. iOS/Android: ArtClix enhances uses mobile to enhance the museum experience. MoMa by the Museum of Modern Art.
Have you ever been to a restaurant, museum or shopping mall and needed to use the bathroom? Now have you ever wondered, gosh, why don’t places just put up more clear, concise and eye-grabbing signage? If you want to place your “contact us” email address on a page, make it make sense! Have A Little Personality.
You might try reaching out to businesses, artists, or other people in your neighborhood to see if they’d be willing to list things on your store (either as a donation or for a share of the profits) or produce branded items like mugs and hats based on popular products. 10) Hybrid concerts. 13) Scavenger hunts. 15) Brand design contests.
Ruth Cohen – American Museum of natural History. Jason Eppink – Museum of the Moving Image. Ruth Cohen – American Museum of natural History. We are trying to change the visitors’ experience at the museum as well as ownership of what is in the museum, break down the walls between the public and the museum.
This is the casual attendance data from my first full month as the Executive Director of The Museum of Art & History in Santa Cruz. This graph is making me change the way I think about what our museum is for and how we should market it. Simply, I'm shifting my perspective from an exhibit-driven model to an event-driven one.
Niio , a Tel Aviv-based digital art platform featuring work ranging from contemporary artists and galleries through to NFTs, announced today it has closed $15 million Series A funding in the wake of a strategic partnership with Samsung Displays, announced last week. The NFT market is just getting started, but where is it headed?
The arts and culture focus areas in this list include performing arts, artists, art education programs, museums, visual arts, and beyond. Their arts and culture funding goes towards artists, curators, conservators, scholars, and organizations to ensure equitable access to excellent arts and cultural experiences.
I write this piece in good faith about the organizations I know best: museums. The vast majority of American museums are institutions of white privilege. They present masterpieces by white male artists and innovations by white male scientists. I never saw comparable adjectives used in the European art labels at the museum.
A year ago, I wrote a post speculating about whether events (institutionally-produced programs) might be a primary driver for people to attend museums, with exhibitions being secondary. Many museums, big and small, thrive on events. At our museum, about 68% of casual visitors (non-school tours) attended through events this year.
Dear Museum 2.0 As of May 2, I will be the executive director of the Museum of Art & History at McPherson Center in Santa Cruz, CA (here's the press release ). I am closing down my consulting business at the end of April, but the Museum 2.0 Here are a few things that make the MAH an exciting museum to me: It's small.
But NFTs are designed to give you something that can’t be copied: ownership of the work (though the artist can still retain the copyright and reproduction rights, just like with physical artwork). That really depends on whether you’re an artist or a buyer. I’m an artist. Could I pull off a museum heist to steal NFTs?
Last week, I visited the Wing Luke Asian Museum in Seattle. I've long admired this museum for its all-encompassing commitment to community co-creation , and the visit was a kind of pilgrimage to their new site (opened in 2008). I'm always a bit nervous when I visit a museum I love from afar. What if it isn't what I expected?
We connect with people both professionally and personally, at the museum and on the street. This weekend, I got my answer in Seoul--the 18th biggest city in the world--at Hello Museum. Nestled in a forest of high-rise apartment buildings, this small museum connects children and families with contemporary art. million people.
But not enough people care about it anymore, and the museum is fading into disrepair. The Silk Mill is part of the Derby Museums , a public institution of art, history, and natural history. Many people would look at the world''s oldest mechanized silk mill and say that the core content of the museum is silk. What do you do?
Gretchen Jennings convened a group of bloggers and colleagues online to develop a statement about museums'' responsibilities and opportunities in response to the events in Ferguson, Cleveland and Staten Island. Museums are a part of this educational and cultural network. Where do museums fit in? Here is our statement.
This includes summer art camps, museums, theaters, art galleries, and more. Auction an Artistic Experience Auctions are popular fundraising events that all kinds of nonprofits use to engage and connect with their supporters. Don’t be discouraged. Fundraising Peer-to-Peer Fundraising Tips for Nonprofits 8 min read Read Now 3.
One of the greatest gifts of my babymoon is the opportunity to share the Museum 2.0 First up is Beck Tench, a "simplifier, illustrator, story teller, and technologist" working at the Museum of Life & Science in Durham, NC. As a person who works for a science museum, I work in an environment that supports play.
His foundation supports a private museum that is rarely open to the public. While there are many ways for museums to reach new audiences, when it comes to specialized knowledge, it's often a question of reaching the niche who care deeply about German watches from 1822 or the evolutionary shift in raccoon striping over time.
Musical Instrument Museum. In that pursuit, I have worked for a range of nonprofit organizations focused on music, including an orchestra, a music education organization, and now the Musical Instrument Museum here in Phoenix. Click here to read Sarah Hipolito's "Switching gears: How I found my place in volunteering.
This is the second installment of a book discussion about Ray Oldenburg’s book The Great Good Place. This guest post was written by Rebecca Lawrence, Museum Educator, Schwenkfelder Library & Heritage Center in Pennsylvania. You can join the conversation in the blog comments, or on the Museum 2.0
Demographics like a donor’s age, education level, and occupation are the clearest places to start with donor segmentation. For instance, a large nonprofit focused on preserving arts and culture might segment its audience by location and focus its stories on the most well-known museums or cultural landmarks in a donor’s state.
The arts and culture focus areas in this list include performing arts, artists, art education programs, museums, visual arts, and beyond. Their arts and culture funding goes towards artists, curators, conservators, scholars, and organizations to ensure equitable access to excellent arts and cultural experiences.
Some of the entries of what you can read on the Walker Blog, may appear at first glance to be mundane details of cube life , but then you remember that it is a museum blog and it makes the institution seem more human. This is a place to honestly show people what happens at an. week to writing. Words of advice to others. institution.
George Scheer is the director and co-founder of Elsewhere Collective, a fascinating "living museum" in a former thrift store in Greensboro, NC. Elsewhere is at the top of my list of places I would most like to visit. This past July, artist Guillermo Gómez proposed to restore a piece of art.
Margaret shared these thoughts about "museums for use" on her blog , and I asked her to adapt a version for the Museum 2.0 Should a museum be a destination or a place for everyday use? The Rhode Island School of Design was established in 1877 alongside its Museum of Art, an important resource for RISD students.
I'm thrilled to share this brilliant guest post by Marilyn Russell, Curator of Education at the Carnegie Museum of Art. This is a perfect example of a museum using participation as a design solution. Our colleagues in the Museum of Natural History were eager collaborators. It is great to feel more of a part of the museum!" "All
I think about how hesitant I was to become an artist, because I didn't see role models, and even to this day how hard it is for me sometimes to find peers who are women of color, because of how systematically they are pushed out. I'm an artist and an institution builder. The kind of art I do is art that gets engaged into the public.
Imagine if you didn’t need an expensive camera, artistic mastery, or a ton of time to create what was in your mind’s eye. Note the clear language to identify the object, the action, the background or context, and then most importantly the artistic style that the output should create. A picture is worth a thousand words. Also, whales!
Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" I was surprised by her question.
If you think about what a museum curator does, it is very similar. One 21 century work place literacy is sense-making of information together and alone. Content curation is the organizing, filtering and making sense of information on the web and sharing the very best content with your network. That’s less true.
NEWS I'm speaking about how artists can use social media to market their business next week, August 8th, at Artists Building their Business in Santa Fe, NM. The event is free, but limited to 250 artists. Lemme know what you think. Pre-registration by August 7 is required. A box lunch will be provided.
I had specifically asked about places that feel welcoming, and the responses were about exclusive experiences. Exclusive places reinforce our identities powerfully. You never say, "this place is so me" when talking about a generic public space. Secret places are a pleasure to discover and share. What's going on here?
I'm fascinated by these places because of their ability to attract diverse audiences to idiosyncratic experiences, and I'm curious how they stay afloat. From a museum perspective, I think there's a lot to learn from these venues' business models, approach to collecting and exhibiting work, and connection with their audiences.
She is a fabulous and thoughtful artist. Two weeks ago, we inaugurated a Creativity Lounge on the third floor of our museum. The same day we opened the Creativity Lounge, we opened new exhibitions throughout the building, including a paper collage show in the 3rd floor lobby by local artist Lisa Hochstein.
The "Magritte and Contemporary Art: The Treachery of Images" exhibit at the Los Angeles County Museum of Art manages to both celebrate and betray fair use at the same time. These are canonical fair uses -- an artist who takes from another artist and uses his work to make new work. It's really out of our hands.
I've now been the Director of The Museum of Art & History in Santa Cruz for two months. But the point is that the MAH, like just about every other museum in the known universe, was content to define the museum experience as something removed from the outside world, a rarefied church-like space of refined artistic reflection.
How do you help visitors know what they can and cannot do in your museum? Most museums have this figured out: they have signs, they have guards, they have cases over the objects. And this works pretty well in science museums, where designers talk about "hardening" exhibits to withstand the more aggressive touchers among us.
TCG is the industry association for non-profit theaters, the way AAM is for museums. Given TCG''s multi-year Audience (R)evolution initiative, I took the opportunity to write a new talk about what revolution has looked like at our small museum in Santa Cruz. We heard again and again that the museum was cold and uncomfortable.
As Ben Cameron recently said, "I don''t know any artist who started a theater company saying, ''let''s go out and improve some test scores!''" It prevents us from focusing on research that could transform our own work. But what is the value of a study that tells us that museum visits make a difference? She needed money.
This guide is a great place to start to generate ideas for items and packages that will captivate your audience at your next auction event. Concert tickets Buying concert tickets has become like a competitive sport, as passionate fans flood ticket platforms to see their favorite artist live.
The artists come from all over (though many are based in the Midwest), and anyone can enter. Now, after attending with museum friends from around the country, I'm hooked. Artprize invited me to talk about art with artists, families, security guards, friends, people old and young, sophisticated and novice, drunk and sober.
The Washington Post covered the MAH's transformation as part of an article about museums engaging new audiences. The whole second half of the article was dedicated to our work: Smaller museums can be especially scrappy in finding ways to connect with the community. It’s something that any museum, of any size, can work toward.
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