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Museum shops can and should be more than just walls of collection postcards and bins of branded pencils. With captive audiences, a link to the creative, and consistent footfall, shops in museums have ample opportunity to maximise retail potential by offering products that appeal to visitors and have a clear connection to collections. .
This week we’ve found apps from museums. Mobile apps are an interesting way for museums to advance their educational missions beyond people’s expectations. ArtClix from the High Museum of Art, Atlanta. iOS/Android: ArtClix enhances uses mobile to enhance the museum experience. MoMa by the Museum of Modern Art.
Check out this inane AT&T commercial about a woman whose absorption in her smartphone is so great that Facebook updates become substantiated as pieces of art in the museum through which she strolls. It also suggests that for young people, masterpieces in museums are not nearly as interesting as a good friend''s new haircut.
If you think about what a museum curator does, it is very similar. He kindly put together two mind maps with links to tools that are free and easy to get started with. Content curation is the organizing, filtering and making sense of information on the web and sharing the very best content with your network. The Practice.
The artists come from all over (though many are based in the Midwest), and anyone can enter. Now, after attending with museum friends from around the country, I'm hooked. Artprize invited me to talk about art with artists, families, security guards, friends, people old and young, sophisticated and novice, drunk and sober.
There are lots of museums (and organizations of all kinds) looking for ways to inspire users and visitors to produce their own content and share it with the institution online. The World Beach Project is managed by the Victoria and Albert Museum in London with artist-in-residence Sue Lawty. It's not marketing hype.
My partner and I would host couch-surfers from time to time in our small one-bedroom apartment in Boston, converting our living room into a second room to host artists from around the world. She called her time in Boston “an elongated artist date.” An artist date? Like when you go on a date with an artist?
While the pandemic has had a significant impact on artists and cultural institutions, it has forced many to take a fresh look at how they are building immersive, innovative digital experiences for arts and culture. The Arkansas Museum of Fine Arts: Elevating a world-class cultural landmark.
I've now been the Director of The Museum of Art & History in Santa Cruz for two months. But the point is that the MAH, like just about every other museum in the known universe, was content to define the museum experience as something removed from the outside world, a rarefied church-like space of refined artistic reflection.
After our complete closure on March 16, 2020 due to COVID-19 , our museum staff was busier than ever preparing to navigate these uncharted times. Mapping out our timed tickets for general admission was building a structure from the ground up. Our focus was to maintain a connection with the public and our members.
.&# Ushahidi is an open source platform that facilitates crowdsourcing through the use of SMS/cellphones and online mapping. It has been used in disaster relief, for example, in Pakistan , and other scenarios from London Tube strike to election monitoring to mapping crime incidents Atlanta. (2) 2) Crowd Creation.
Last month, artist and game designer Nikki Pugh led an utterly charming, often hilarious community residency at the City Gallery in Leicester, UK. There was a large mind map on the wall with a prompt in the middle encouraging visitors to imagine a slightly distant future with no staff present to enforce the rules in galleries or museums.
I''ve mostly seen museums employ one of two methods for formal community advisors: Create special "spots" on the board of trustees for certain kinds of community representatives. CON: can feel disconnected from the primary governance of the museum or can feel like a second-class board overall. I struggle with both these options.
Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution. So many museum exhibitions relegate the participatory bits in at the end. The Love Lounge I LOVE.
In 1990, educator and cultural critic Neil Postman described a museum as "an answer to a fundamental question: what does it mean to be a human being?" Without an explicit "I" voice, the museum's perspective on humanity is oblique to say the least. Welcome to Pine Point is not a museum project. It tells layered personal stories.
This post features an interview with Sarah Schultz, a museum staffer at one of the institutions Light profiled in the book (the Walker Art Center). Guard staff who are willing to let an artist step between two panes of glass to perform. A crew that has the capacity to build a sign at the last minute. It's inherent in what we do.
Why is a photography contest an example of "crowd sourcing" wheres a community drawing contest is an example of "audience-as-artist"? I counted at least five different schemes in the six-page section on "Participatory Arts in Practice," and none of these were explicitly referenced in the subsequent case studies.
Thanks to Kyle Evans, who forwarded me the fascinating, lengthy master’s dissertation.art: Situating Internet Art in the Modern Museum by Karen Verschooren at the MIT Comparative Media Studies program. In it, Karen provides a survey of the evolving relationship of Internet art to art museums. At the info desk with the maps?
This morning, I gave the keynote address for the Washington Museums Association annual conference. It features lots of museum-based examples. But in this post, I wanted to highlight a goofy little (non-museum) project that inspires me in its simplicity and openness to mass collaboration. It's called One Million Giraffes.
I asked how their new Exploring Engagement Fund (of which my museum was an early grant recipient) was going. First, and close to home, it meant the possibility that the Irvine Foundation might become a funder of the work we do at the Santa Cruz Museum of Art & History around active arts participation and social bridging.
Earlier this year, the New Museum and Creative Time commissioned a traveling piece by artist Jeremy Deller called "It Is What It Is: Conversations About Iraq." I saw It Is What It Is twice at the Hammer Museum. Why would I want to talk about Iraq on a visit to an art museum? Even for me, the barriers were too high.
They planned to paint the outline of Santa Cruz County, print out photos of a series of important landmarks or icons throughout the county, and then paint those items onto the map. These are both busy people, and while they are very artistic, neither is a crack drawer. I asked what plan B was if visitors didn't draw the items.
Both of these attributes are of great interest to museums, which are trying to figure out how to monetize the Web and how to use the Web to draw more people to their physical locations. You come to the museum, and THEN you post your photo in the Flickr group. Dating, like museum-going, is more about niche preferences than mass volume.
Local artists decorated and designed the 51 6-foot-tall light bulbs, which have been spread throughout the city. The program’s executive director, Bill Michener, drove one of the bulbs 1,500 miles to the Thomas Edison Museum in New Jersey and received national media coverage. The project has been a massive success.
Local artists decorated and designed the 51 6-foot-tall light bulbs, which have been spread throughout the city. The program’s executive director, Bill Michener, drove one of the bulbs 1,500 miles to the Thomas Edison Museum in New Jersey and received national media coverage. The project has been a massive success.
That means we collect university press, handmade artist books, zines made by sixth graders, poetry chapbooks from big names published in tiny local presses, and self-published poetry chapbooks sold for a dollar on the street.
The team at Thinkery has done an excellent job in getting the word out in all the right publications (Austin’s Culture Map, Austin’s Social Planner, among others) since they launched this innovative idea in December 2013. How can you explore doing something similar at your museum? Develop strong relationships with community partners.
Elisa’s focus is interactive arts, media design, and cultural management, and she has been involved in many pertinent projects, such as MUVI (the Virtual Museum of the Collective Memory of Lombardia). Environmentalists, the Museum of Natural History at CU, they all responded very enthusiastically to this.
American Jazz Museum Best Arts Website Located in the Historic 18th & Vine Jazz District in Kansas City, MO, the American Jazz Museum showcases the sights and sounds of jazz through interactive exhibits and films and features live music in their venues, The Blue Room and Gem Theater.
The conversation with Yeshi is “smart,” meaning that she asks and answers questions with a variety of images, maps, text, and videos. For instance, the San Francisco Museum of Art has 34,678 items in its collection. The bot unlocks all of the artwork of the museum for virtual viewing by anyone, anywhere and at any time.
Forum One partnered with the Museum to launch their new brand to the world. This work not only included launching a new website but also revitalizing the American Jazz Museum brand as a whole. It also won the Smithsonian National Museum of African American History and Culture a Silver Vega Award! Endowed by Dr.
Residents in the three counties that pay the millage will receive special benefits : free admission to the museum and expanded educational programming. Successful argument: Great museums improve quality of life and the value of the region. it’s just not about a museum, it’s a local AND regional “quality of life” issue.
We partnered with the Museum to launch their new brand to the world. This work not only included launching a new website but also revitalizing the American Jazz Museum brand as a whole. It also won the Smithsonian National Museum of African American History and Culture a Silver Vega Award! Endowed by Dr.
Jorge Luis Borges points out that a 1:1 scale map is useless. Daum Communication , a leading internet services provider in Korea offers a map service with a streetview option, much like Google Maps does in the States. Interactive artist, Jonathan Harris is an amazing story teller. " But what’s the point?
It comes in the form of the Dinosaur Choir, a musical instrument created by artists Courtney Brown and Cezary Gajewski. If youve ever wondered what a dinosaur might have actually sounded like, now theres a way to find out. The scan allowed them to create an initial model of the dinosaurs skull and nasal passage structure.
All this delightful non-fiction makes me wonder: why aren't museums great at telling these same kinds of deep, intense stories? Yes, I know that every platform is different, and that the captive attention we afford to radio, TV, and written material doesn't map perfectly to a free-choice wander through an exhibition.
There are lots of things visitors can’t do in museums. But what about the things that museum professionals can’t (or feel they can’t) do? This week at the ASTC conference, Kathy McLean, Tom Rockwell, Eric Siegel and I presented a session called “You Can’t Do That in Museums!” And so my question is, why are we keeping them away?
Webby Artist of the Year: D-Nice. Corporate Social Responsibility (Branded) : Detailed Voice Guidance Comes to Google Maps by Google; Kindness is Contagious by Klick Inc. KG; Mars on Earth: Devon Island Mars on Earth: Devon Island by Google Earth and Google Maps. Here’s the full list of winners. Special Achievement.
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