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Public libraries are some of our favorites. They’re so much more than book museums. If you haven’t been to your library lately, check it out! We recently spoke with Joyce Fehl of the Curtis Memorial Library in Brunswick, Maine. It should be noted that Curtis is not a public municipal library in the traditional sense.
Ruth Cohen – American Museum of natural History. Elaine Charnov – The NY Public Library. Jason Eppink – Museum of the Moving Image. Elaine Cohen: The New York Public Library. 100 Years of the flagship library in New York. Ruth Cohen – American Museum of natural History.
For example, if you join a modern art museum, there is a good chance you won’t have to pay admission to other modern art museums. Family Lifetime memberships – When a donor joins an organization like the YMCA or a museum, can you extend the membership to the entire household. This can include museums, archives, galleries, etc.
An exhibiting artist approached me recently at an evening event at the museum. But it's a question that many museums seem to address inadequately. It's interesting to me that so many museums debate admission fees but don't get comparably riled up about open hours. he said, "I have some feedback for you. He's right.
Dear Museum 2.0 As of May 2, I will be the executive director of the Museum of Art & History at McPherson Center in Santa Cruz, CA (here's the press release ). I am closing down my consulting business at the end of April, but the Museum 2.0 Here are a few things that make the MAH an exciting museum to me: It's small.
In addition to spelling out the work that ACAC is already doing, the MOU added a requirement for ACAC to support local artists with some financial compensation. A grantwriting workshop and the continuation of arts shows in the local library are examples. Christy Crosser from Estes Park Museum Friends & Foundation, Inc.
American Jazz Museum Best Arts Website Located in the Historic 18th & Vine Jazz District in Kansas City, MO, the American Jazz Museum showcases the sights and sounds of jazz through interactive exhibits and films and features live music in their venues, The Blue Room and Gem Theater.
American Jazz Museum Gold – Cultural Institutions Website Located in the Historic 18th & Vine Jazz District in Kansas City, MO, the American Jazz Museum showcases the sights and sounds of jazz through interactive exhibits and films, and features live music in their venues, The Blue Room, and Gem Theater. Endowed by Dr.
American Jazz Museum Gold – Cultural Institutions Website Located in the Historic 18th & Vine Jazz District in Kansas City, MO, the American Jazz Museum showcases the sights and sounds of jazz through interactive exhibits and films, and features live music in their venues, The Blue Room, and Gem Theater.
Last month, I got a chance to talk with Nell Taylor, founder of the Chicago Underground Library. That means we collect university press, handmade artist books, zines made by sixth graders, poetry chapbooks from big names published in tiny local presses, and self-published poetry chapbooks sold for a dollar on the street.
From a museum perspective, I think there's a lot to learn from these venues' business models, approach to collecting and exhibiting work, and connection with their audiences. It's run by Jon Rubin, an artist and professor of social practice at Carnegie Mellon, and his students. Chicago Underground Library (Chicago, IL).
American Jazz Museum Platinum – Cultural Websites Located in the Historic 18th & Vine Jazz District in Kansas City, MO, the American Jazz Museum showcases the sights and sounds of jazz through interactive exhibits and films, and features live music in their venues, The Blue Room, and Gem Theater.
The app includes journals and trackers to allow parents to record important information about their journey, a glossary of commonly used terms, a community and resource library, directory of NICU family support partners, a postpartum checkup, and more. We partnered with the Museum to launch their new brand to the world.
This August/September, I am "rerunning" popular Museum 2.0 Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums.
Last week, Douglas McLellan of artsJournal ran a multi-vocal forum on the relationship between arts organizations and audiences, asking: In this age of self expression and information overload, do our artists and arts organizations need to lead more or learn to follow their communities more?
The speakers for this panel include: Tracy Fullerton - Electronics Arts Game Innovation Lab Ruth Cohen - American Museum of natural History Elaine Charnov - The NY Public Library Jason Eppink - Museum of the Moving Image Syed Salahuddin - Babycastles Elaine Cohen: The New York Public Library 100 Years of the flagship library in New York.
But here I sit, the director of a museum that almost closed, squirreling away money for an operating reserve. They closed for capricious financial reasons, and they left disappointed artists and participants in their wake. Consider the museum I run. We had a dedicated staff that wanted to make this museum as good as it could be.
When you find a bar with your favorite song on the jukebox, or a museum room that feels like your grandmother's living room, you suddenly feel a strong affinity and are able to see yourself reflected in the space. It may be great for a natural refuge to remain hidden, but that sounds like a disaster for a restaurant or museum.
Forum One partnered with the Museum to launch their new brand to the world. This work not only included launching a new website but also revitalizing the American Jazz Museum brand as a whole. It also won the Smithsonian National Museum of African American History and Culture a Silver Vega Award! Endowed by Dr.
Dear Museum 2.0-ers, ers, Next week, I'll be going to DC for a meeting convened by the National Academy of Sciences and the Institute of Museum and Library Services on "Museums and Libraries in the 21st Century." Over the last 50 years, public-facing museums and libraries in the U.S. From the Web 2.0
North Carolina Museum of History 1988.39.4 I’m always amazed when my colleagues tell me that the biggest barrier they face to “opening up” the content at their museums is from registrars—the people who care for collection objects. Followers of Museum 2.0 To me, this seems both discouraging and ungenerous to visitors.
This guest post was written by Rebecca Lawrence, Museum Educator, Schwenkfelder Library & Heritage Center in Pennsylvania. You can join the conversation in the blog comments, or on the Museum 2.0 The Schwenkfelder Library & Heritage Center (SLHC) is a small museum located in Pennsburg, Montgomery County, Pennsylvania.
It started as a handout for a session that Stacey and I are doing at the California Association of Museums, and then I realized it was so darn useful that it was worth sharing with all of you. The majority of our public programs at the Santa Cruz Museum of Art & History are created and produced through community collaborations.
A platform for museum staff to serve as facilitators of safe spaces for difficult conversations? Then bow your head and say a silent "tak" (that's "thank you" in Danish) to the creators of the Living Library. What is the Living Library? The Living Library is inspirational.
Local libraries may also be open hosting egg-hunters for a good cause. This is an amazing April Fool’s idea from the Frederic Remington Art Museum : Their annual April Fool’s Day Ball invites users to contribute at normal event-pricing tiers (attendance, attendance + pre-party, attendance + after-party), but then not show up.
I've spent much of the past three years on the road giving workshops and talks about audience participation in museums. The Museum 2.0 In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean's book Visitor Voices in Museum Exhibitions.
Meanwhile, library geeks are talking about tagging. Games for Social Change gaming and libraries was recently published and the author is the Shifted Librarian and My Avatar Wears Tight Jeans and 4 Other Things I learned from Internet Librarian 2006 is worth the read from Michael Stephens. Its part of the " Have Money Will Vlog."
This week, we consider Chapter 11 of Elaine Gurian's Civilizing the Museum , "Function Follows Form: How mixed-used spaces in museums build community," but first, a short and relevant note about my writing process. We haven't yet solved the internet quandary, so most days, I bike to town to work from the library or cafes.
Payne," member of the incredibly popular Santa Cruz roller derby team, wants to pitch a partnership with our museum. Yes to the heirloom seed library that now graces our lobby. We've actually gotten some of our best partnerships (like the seed library) because another organization said no. And then I feel like a jerk.
This week marks five years since the book The Participatory Museum was first released. Across the museum field, the questions about visitor participation have gone from "what?" Over the past four years, I''ve been running a small regional art and history museum in Santa Cruz, CA. and "why?" to "how?".
Earlier this year, the New Museum and Creative Time commissioned a traveling piece by artist Jeremy Deller called "It Is What It Is: Conversations About Iraq." I saw It Is What It Is twice at the Hammer Museum. Why would I want to talk about Iraq on a visit to an art museum? Even for me, the barriers were too high.
Thanks to Kyle Evans, who forwarded me the fascinating, lengthy master’s dissertation.art: Situating Internet Art in the Modern Museum by Karen Verschooren at the MIT Comparative Media Studies program. In it, Karen provides a survey of the evolving relationship of Internet art to art museums. Citizen science programs. On the website?
Me with a friend As I keep saying, I’ve been to a few museums of late. In reflecting on the sample, I’ve made some broad reflections on museum workers and visitors. Our visitors often see museums as a genre, not unlike hospitals or libraries. But, while adjacent, museums differ from formal classrooms in numerous ways.
I''m not sure how well this is working for us in museum-land. As our culture explodes in embracing creativity across the professional/amateur spectrum, museums have two choices: we can sharpen the line. If done poorly (uncritically), it turns the museum into yet another place to watch cat videos. we can embrace the embrace. #1
We partnered with the Museum to launch their new brand to the world. This work not only included launching a new website but also revitalizing the American Jazz Museum brand as a whole. It also won the Smithsonian National Museum of African American History and Culture a Silver Vega Award! Endowed by Dr.
Like the Living Library project , the advice booth was a platform that connected strangers with strangers--not just staff with strangers. They reminded me of street vendors or great science museum cart educators, imparting an energy to the space without overwhelming it. This is a good lesson for museum talk-back design.
Three examples: In the late 1980s, the Brooklyn Children's Museum created an exhibit called Send a Letter to Snoopy. As Kathy McLean noted in Visitor Voices in Museum Exhibitions , while staff were afraid that typing on the typewriter would be too hard for some young children, "kids lined up to carefully and slowly type their letters."
But I couldn''t fully imagine how a museum or an arts center could embody it. Over three days, 52 artist teams erected experimental projects along San Francisco''s biggest thoroughfare. The result was a true experiment in designing the future--right here, right now--with artists and planners and civic leaders at the helm together.
The nonprofit creates books, media campaigns, and museum exhibits about preserving North America's wild places. Cary Creative Center in North Carolina is an upcycling nonprofit that provides used artistic materials to people. Find our in-depth profile of Information Technology Exchange on TechSoup for Libraries.
I just returned from the American Association of Museums (AAM) annual meeting in Philadelphia. I led two sessions, one on visitor co-created museum experiences, and the other on design inspirations from outside museums. what is the value of the exhibition experience to non-participants, that is, regular museum visitors?
All weekend, we've heard uplifting stories about amazing work you all are doing to involve people from all walks of life in museums. There is no other museum conference going on somewhere else in the world today where professionals are sharing proud case studies and helpful tips on how to exclude people. But museums do exclude people.
You can procure items that encourage residents to explore the city in a fun way, such as local restaurant gift certificates or tickets to museums or sports games. Lock-ins – A lock-in at a school or a library with your supporters and their families can be a fun idea. Art show – Are there any local artists in your area?
One of the best projects that illustrates the basic idea of Web2.0 - listening and conversation and stakeholders creating their own experience with your organization - comes from the Brooklyn Museum of Art. All evaluations are private; all artists are unnamed. They are sensitive to the artists who are being judged. Artist Blogs.
But Vi doesn't work in a science museum. Beth Harris and Steven Zucker, who are well known in museums for their excellent Smarthistory website and podcasts. the way the best museums do. Does this mean Khan Academy is competitive with museums? She would be the best science center educator ever.
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