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What happens when a formal art museum invites a group of collaborative, participatoryartists to be in residence for a year? Will the artists ruin the museum with their plant vacations and coatroom concerts? Will the bureaucracy of the institution drown the artists in red tape? No, this is not a reality TV show.
They designed a participatory project that delivers a compelling end product for onsite and online visitors… and they made some unexpected decisions along the way. We invited a cross-section of artists, filmmakers, and advertisers to join us for a think tank. How and why did Object Stories come to be? So what did you do next?
In some cases, the artist is not comfortable, or there are insurance and liability issues. If you are interested in this topic, you might enjoy this interview with John Falk and Beverly Sheppard and Chapter 2 of The Participatory Museum. Projects interview membership. Seeing the installation process was a big one.
Think like a musician Those who have played music in a band or orchestra or sang in a choir understand the profound impact of an engaged and participatory audience. Like a good ask-me-anything session with your favorite artist, these bits of interactivity boost engagement.
In the first edition of this partnership, I interviewed Erin O'Connor Jones , the Director of Candidate Services and Managing Associate at Nonprofit Professionals Advisory Group. Interesting WorldChanging post, Just Launched: Journal of Participatory Medicine. Early registration deadline is Nov. nonprofit (valued up to $75,000 ).
It made me dig up this 2011 interview with Tina Olsen (then at the Portland Art Museum) about their extraordinary Object Stories project. They designed a participatory project that delivers a compelling end product for onsite and online visitors… and they learned some unexpected lessons along the way. interview Museums Engaging in 2.0
Louise mostly focuses on the experiences and commentary of the professionals who run these performing arts organizations, though she did interview a few participants. When asked why these artistic directors were pursuing co-creative processes, "to make great art!" was the most overwhelming answer.
Curate an exhibit of paintings, photographs, sculptures or crafts by AAPI artists. Artists, writers, and cultural leaders. Others may prefer moderated discussions or interviews. Be sure to recruit knowledgeable facilitators. You can even invite attendees to join in group dances or lessons to create an interactive experience.
I had a healthy second life as a slam poet, and I loved the world of artists and performance. For the second interview, I even built a little lie detector and brought it in. I started meeting people through the blog--both those I interviewed and early readers who commented. The Spy Museum was a dream place for me.
Seb Chan has a lovely, long interview up at Fresh+New with Helen Whitty about the Powerhouse Museum's new mini-exhibition, the Odditoreum. Last month, I met an artist who was part of a group that created a renegade podcast tour for the Portland Art Museum. The participatory element employs an accessible speculative question.
To learn more, I interviewed Brooklyn Museum project partners Shelley Bernstein, Vice Director of Digital Engagement & Technology, and Sara Devine, Manager of Audience Engagement & Interpretive Materials. Send in your question, and it can be days before the artist or curator responds with an answer. frequently!).
The Museum solicited photographs from artists via an open call on their website, Facebook group, Flickr groups, and outreach to Brooklyn-based arts organizations. All evaluations are private; all artists are unnamed. They are sensitive to the artists who are being judged. What Should Artists and Arts Organization???s
On July 9, 2009 I interviewed David about Spot.us Below is an edited transcript of the interview which you also can listen to online , or subscribe to via iTunes. The other two things that happened was that I started working a lot in participatory journalism. for the Big Vision Podcast. is and how it works: David Cohn: Spot.us
So the meeting has become more participatory. I interviewed Chris Best , who’s the CEO of Substack. I asked, “Why don’t you have a button that just lets me pay an artist on Spotify and your whole problem with musicians goes away?” Some idea that you were never going to have happens because of serendipity in the office.
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