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What if museums were curated and funded by the internet, and allowed pieces to stay close to their cultural roots, displayed in a context that made sense? Native art in native museums, religious artifacts shown in temples, mosques and churches, and so on? This idea evolved into having an on-chain Museum,” says McLeod.
For example, if you join a modern art museum, there is a good chance you won’t have to pay admission to other modern art museums. They can be a video interview with the donor about the mission. If you are with a job training program, maybe you make a bookmark that is focused on job interview tips. These exist already!
This week we’ve found apps from museums. Mobile apps are an interesting way for museums to advance their educational missions beyond people’s expectations. ArtClix from the High Museum of Art, Atlanta. iOS/Android: ArtClix enhances uses mobile to enhance the museum experience. MoMa by the Museum of Modern Art.
What happens when a formal art museum invites a group of collaborative, participatory artists to be in residence for a year? Will the artists ruin the museum with their plant vacations and coatroom concerts? Will the bureaucracy of the institution drown the artists in red tape? No, this is not a reality TV show.
You might try reaching out to businesses, artists, or other people in your neighborhood to see if they’d be willing to list things on your store (either as a donation or for a share of the profits) or produce branded items like mugs and hats based on popular products. 10) Hybrid concerts. 13) Scavenger hunts.
One of the best projects that illustrates the basic idea of Web2.0 - listening and conversation and stakeholders creating their own experience with your organization - comes from the Brooklyn Museum of Art. All evaluations are private; all artists are unnamed. They are sensitive to the artists who are being judged. Artist Blogs.
In April, I taught a social media workshop for artists and arts nonprofits and did some research. The Brooklyn Museum kept coming up as a stellar example, particularly its Click Exhibition , an experiment in crowd-sourced exhibits. I'm also interested about how the museum approach the issue of moderating or not.
Recently, we''ve been talking at our museum about techniques for capturing compelling audio/video content with visitors. It made me dig up this 2011 interview with Tina Olsen (then at the Portland Art Museum) about their extraordinary Object Stories project. We ended up with a gallery in the museum instead.
One of the best ways to learn is the study, observe, or interview the experts. If you think about what a museum curator does, it is very similar. One is a collection of selected articles, slide decks, and interviews with Robin Good. That’s why I invited Robin Good to skype into my session.
Lots of museums these days have video comment booths to invite visitors to tell their stories, but how many of those booths really deliver high-impact content? Last week, I talked with Tina Olsen, Director of Education and Public Programs at the Portland Art Museum, about their extraordinary Object Stories project.
." -- Tom Aageson, co-founder, Global Center for Cultural Entrepreneurship A week, or so ago I interviewed my Dad, Tom Aageson, for a special Father's Day show on the Big Vision Podcast. I've posted an edited transcript of the interview below. That business really caught on, and it produced support for the museum.
Some of the entries of what you can read on the Walker Blog, may appear at first glance to be mundane details of cube life , but then you remember that it is a museum blog and it makes the institution seem more human. Here is her response: I see you've already posted the interview you did with Reggie.
Jude, Make A Wish, American Cancer Society, and The Museum of African American History. She is a veteran touring artist, songwriter, live sound engineer and music publisher. Over the past 15 years, Allen has volunteered for small elementary schools to major museums and nonprofits raising millions of dollars.
Audience segmentation and research has become a hot topic in museums, especially when it comes to crafting appealing offerings that are customized to different kinds of visitors. I sat down with Kristen Denner, Director of Membership and Annual Fund, to learn more about the program's development and the museum's goals for its future.
Let’s say you wanted to find a model museum using Web 2.0 A place that does all this in the context of a fairly traditional collections-based museum. A place that does all this in the context of a fairly traditional collections-based museum. It’s the Brooklyn Museum. to support programs and exhibits.
This post features an interview with Sarah Schultz, a museum staffer at one of the institutions Light profiled in the book (the Walker Art Center). Guard staff who are willing to let an artist step between two panes of glass to perform. A crew that has the capacity to build a sign at the last minute. It's inherent in what we do.
I think about how hesitant I was to become an artist, because I didn't see role models, and even to this day how hard it is for me sometimes to find peers who are women of color, because of how systematically they are pushed out. I'm an artist and an institution builder. The kind of art I do is art that gets engaged into the public.
NEWS I'm speaking about how artists can use social media to market their business next week, August 8th, at Artists Building their Business in Santa Fe, NM. The event is free, but limited to 250 artists. I'll post the transcript soon for those of you who like to read interviews rather than listen to them.
Last month, artist and game designer Nikki Pugh led an utterly charming, often hilarious community residency at the City Gallery in Leicester, UK. There was a large mind map on the wall with a prompt in the middle encouraging visitors to imagine a slightly distant future with no staff present to enforce the rules in galleries or museums.
I've been spending time recently interviewing people who run unusual cultural and learning venues. From a museum perspective, I think there's a lot to learn from these venues' business models, approach to collecting and exhibiting work, and connection with their audiences. Skill-sharing free schools. Community science workshops.
But I’d been scribbling notes for an art museum label post for awhile, and then yesterday, the NY Times had a review of a new show at MOMA, Comic Abstraction. The collection is disaggregated, grouped by floor (Painting and Sculpture 1) rather than artist, movement, time period, or geography. MOMA has standard art museum labels.
American Jazz Museum Distinction – Website for Cultural Institutions Located in the Historic 18th & Vine Jazz District in Kansas City, MO, the American Jazz Museum showcases the sights and sounds of jazz through interactive exhibits and films, and features live music in their venues, The Blue Room, and Gem Theater.
This month's Big Vision Podcast interview is a special one with. In addition to being the co-Founder of the Global Center, he is also the Executive Director of the Museum of New Mexico Foundation. In addition to being the co-Founder of the Global Center, he is also the Executive Director of the Museum of New Mexico Foundation.
When you find a bar with your favorite song on the jukebox, or a museum room that feels like your grandmother's living room, you suddenly feel a strong affinity and are able to see yourself reflected in the space. It may be great for a natural refuge to remain hidden, but that sounds like a disaster for a restaurant or museum.
Forum One partnered with the Museum to launch their new brand to the world. This work not only included launching a new website but also revitalizing the American Jazz Museum brand as a whole. It also won the Smithsonian National Museum of African American History and Culture a Silver Vega Award!
The conventional wisdom on museum memberships is that they are "one size fits many" programs whose primary benefits are free entrance to the museum and insider access to exhibition openings. But what about all the other people who love your museum? Want to know how the Brooklyn Museum is answering this question?
I’ve been busy interviewing people who work for nonprofits for my next book, The Happy Healthy Nonprofit : Strategies for Impact without Burnout, with Aliza Sherman. Nina Simon, a long time colleague and author of the Museum 2.0 ENVIRONMENTAL : manipulating surroundings/conditions to create a supportive space.
Last week marked four years for the Museum 2.0 People--especially young folks looking to break into the museum business--often ask me how I got here. Ed Rodley recently wrote a blog post about museum jobs entitled "Getting Hired: It's Who You Know and Who Knows You." hour at the Museum. I made $26/hour at NASA and $7.25/hour
There, dancers post videos to compete for likes, artists and artisans sell their works, and in the comments viewers offer prayers and encouragement. Yet within days of the first shelter-in-place orders, I received Facebook invitations to groups such as Social Distance Powwow and Quarantine Dance Specials 2020.
Seb Chan has a lovely, long interview up at Fresh+New with Helen Whitty about the Powerhouse Museum's new mini-exhibition, the Odditoreum. The Odditoreum is another wrinkle in the study of visitors' understanding and interpretation of authenticity in museums. I enjoyed listening to it (virtually, not at the museum).
This image goes directly against more traditional hip-hop album artwork, which tends to feature a portrait of the artist in varying forms. Here’s a combination of both interviews, which have been condensed and lightly edited for clarity. Cover artwork for Run The Jewels’ first album. El-P, you came up with the original logo design.
In 1990, educator and cultural critic Neil Postman described a museum as "an answer to a fundamental question: what does it mean to be a human being?" Without an explicit "I" voice, the museum's perspective on humanity is oblique to say the least. Welcome to Pine Point is not a museum project. It tells layered personal stories.
NEWS Below is a roundup of blog posts and podcast interviews I've published since my last Have Fun Do Good Link Love (where did the month go?): 4 Steps for Selling Your Art: Interview with Alyson B.
I’ve always been inspired by the creative ways the Brooklyn Museum uses technology to connect visitors to museum content. To learn more, I interviewed Brooklyn Museum project partners Shelley Bernstein, Vice Director of Digital Engagement & Technology, and Sara Devine, Manager of Audience Engagement & Interpretive Materials.
Last week, as part of my museum's year-long Loyalty Lab project , we hosted a workshop for Bay Area museum professionals with special guests Ian Kizu-Blair and Sam Lavigne of the game design firm Situate. Our goal was to help people see the museum as a Friday night habit. When you mastered arcane rules to achieve your goal.
He starts most shows with a few minutes of news from the nonprofit and philanthropic sector, and then transitions into an interview. During most interviews, he ask his guest if they have a quote, saying or mantra that keeps them going. Interview topics range from religion, to ethics, to spirituality. Listen/subscribe on iTunes.
Elisa’s focus is interactive arts, media design, and cultural management, and she has been involved in many pertinent projects, such as MUVI (the Virtual Museum of the Collective Memory of Lombardia). Environmentalists, the Museum of Natural History at CU, they all responded very enthusiastically to this.
posted by Maureen O'Brien Development Director Musical Instrument Museum. As the development director at the Musical Instrument Museum (MIM), which celebrates the music of every country in the world, my team has a platform to fundraise internationally. The conference took place November 26 & 27 (yes, Thanksgiving!)
posted by Maureen O''Brien Development Director Musical Instrument Museum I recently had the opportunity to travel to Paris, France to attend the 5ème conférence de fundraising pour le secteur culturel (5th conference on fundraising for the cultural sector) put on by the Association Française des Fundraisers (French Association of Fundraisers).
This could be sessions with your CEO and board, interviews with your field workers/program staff and any initiatives where you have the potential to share information with your donors. Here’s a look at the Faurschou Foundation’s Virtual Tour of their Museum in Brooklyn, NY: [link]. Here’s their virtual luncheon program: 4.
They received over 4,000 submissions from all 50 states, which were judged by a panel of seven—including museum staff and outside artists. Some of these artists, regardless of the status of their submission, continued contributing to the site for a year. Tags: exhibition interview usercontent. 14,000 people voted.
We partnered with the Museum to launch their new brand to the world. This work not only included launching a new website but also revitalizing the American Jazz Museum brand as a whole. It also won the Smithsonian National Museum of African American History and Culture a Silver Vega Award!
In this guest post, Bruce Wyman, Director of Technology at the Denver Art Museum, shares his process for developing interactive technologies to extend familiar experiences in art museums. You may remember the Denver Art Museum from this post about their newest (highly interactive) exhibit space, Side Trip.
“Ultimately, this year-long celebration will illuminate everyone to the importance of after-school programming and the success of Lighthouse for the past 25 years,” Pete Allman, the co-founder and board president, said in an interview with L Magazine. Designs include starry night, an owl and a giant metallic hand holding a lightbulb.
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