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What I Learned from Beck (the rock star) about Participatory Arts

Museum 2.0

It is what it sounds like: a book of original sheet music, beautifully designed and complemented with artwork and text. There are many artistic projects that offer a template for participation, whether a printed play, an orchestral score, or a visual artwork that involves an instructional set (from community murals to Sol LeWitt).

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ISO Understanding: Rethinking Art Museum Labels

Museum 2.0

But I’d been scribbling notes for an art museum label post for awhile, and then yesterday, the NY Times had a review of a new show at MOMA, Comic Abstraction. The collection is disaggregated, grouped by floor (Painting and Sculpture 1) rather than artist, movement, time period, or geography. MOMA has standard art museum labels.

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Guest Post by Nina Simon -- Self-Expression is Overrated: Better Constraints Make Better Participatory Experiences

Beth's Blog: How Nonprofits Can Use Social Media

Submitted by Nina Simon, publisher of Museum 2.0. I’ve had it with museums’ obsession with open-ended self-expression. I know this sounds strange coming from someone writing an admittedly self-expressive blog post, but hear me out. And yet many museums are fixated on creators. This is a problem for two reasons.

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Self-Expression is Overrated: Better Constraints Make Better Participatory Experiences

Museum 2.0

I’ve had it with museums’ obsession with open-ended self-expression. I know this sounds strange coming from someone writing an admittedly self-expressive blog post, but hear me out. And yet many museums are fixated on creators. Museums see open-ended self-expression as the be-all of participatory experiences.

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Kisaeng Becomes You: Taking Risks with Audience Participation

Museum 2.0

Sound scary? She was given lots of instruction and support as she was costumed and asked to help present a slow dance. They repeated their actions and instructions over and over. The artistic power of what I saw came from the palpable sense of risk--for the participants, for the dancers, and for the entire audience in the room.

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Diamond-Encrusted Skull Spawns Video Feedback Interactive: News at 11

Museum 2.0

Advertisements for the skull blanketed Amsterdam, and other museums even tried to get in on the buzz generated by its presentation. By positioning the feedback stations outside the flow of the museum (and within a solely skull-branded structure), the resultant videos were more topical and focused than museum standard.