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Do artists and scientists see the same thing in the shape of trees? Piet Mondrian was an early 20th-century abstract artist and art theorist obsessed with simplicity and essence of form. As a scientist who studies branching patterns in living things, Im starting to think so. Cherry Blossoms by Matsumura Goshun (17521811).
What I’m doing is an artistic interpretation of an artistic interpretation.”. What I’m doing is an artistic interpretation of an artistic interpretation,” he says. He’d previously dismissed the idea of visiting Rome because he thought it was a “tourist trap,” but now says “there are specific museums I want to hit up.”.
An exhibiting artist approached me recently at an evening event at the museum. But it's a question that many museums seem to address inadequately. It's interesting to me that so many museums debate admission fees but don't get comparably riled up about open hours. he said, "I have some feedback for you. He's right.
What happens when a formal art museum invites a group of collaborative, participatory artists to be in residence for a year? Will the artists ruin the museum with their plant vacations and coatroom concerts? Will the bureaucracy of the institution drown the artists in red tape? No, this is not a reality TV show.
Two recent events have got me thinking about pranks and unauthorized activities in museums. Improv Everywhere staged an event at the Metropolitan Museum in which an actor posing as King Philip IV of Spain signed autographs in front of his portrait, as painted by Diego Velazquez in the 1620s. I feel like it's more complicated than that.
I get excited about a lot of things in my work at the Santa Cruz Museum of Art & History. That's how I felt when artist Ze Frank got in touch to talk about a potential museum exhibition to explore a physical site/substantiation for his current online video project, A Show (s ee minute 2:20, above).
They recall other artistic work that breaks fourth walls--classically in theater, and more recently in new media projects. This makes me wonder: how do we break the fourth wall in museums? How do we use the essential tools of museum-ness to disrupt, surprise, and delight people? interactives Unusual Projects and Influences'
One of the greatest gifts of my babymoon is the opportunity to share the Museum 2.0 First up is Beck Tench, a "simplifier, illustrator, story teller, and technologist" working at the Museum of Life & Science in Durham, NC. As a person who works for a science museum, I work in an environment that supports play.
Many of them, like the lightbulb , the phonograph , and the motion picture camera , were brilliant creations that have a huge influence on our everyday life. They discovered a group of influencers won Twitter who were passionate fans of the company and have since enlisted them to spread the word. Contemporary Jewish Museum.
This includes summer art camps, museums, theaters, art galleries, and more. Auction an Artistic Experience Auctions are popular fundraising events that all kinds of nonprofits use to engage and connect with their supporters. This may be some of your lead performers, popular visual artists, or directors. Don’t be discouraged.
That contemporary art museum is on the front of the LA Times again," she said. I can't believe that an art museum can be front page news in LA for days." He was mandated to turn the ship around financially and to expand the reach of the museum in the community. The discussion then shifted to the overall direction of the museum.
George Scheer is the director and co-founder of Elsewhere Collective, a fascinating "living museum" in a former thrift store in Greensboro, NC. In this post, George grapples with the challenges of balancing the care for a museum collection with that of contemporary artists-in-residence who are constantly reinterpreting it.
artist's influences and the exhibit, in the artist's own words. For example, YBCA's audiences loved having access to artists' own unfiltered words. The Dallas Museum. museum, expanding access to the mobile tours even further. YBCA has developed apps with both educational and social.
With an impressive portfolio that includes collaborations with celebrities like Melissa McCarthy, Jimmy Fallon, Jerry Seinfeld, and recently teaming up with Oscar winner Brendan Fraser for a fundraising collaboration, Brett’s influence extends across the globe. She is also a 3rd generation auctioneer focusing on benefits.
I think about how hesitant I was to become an artist, because I didn't see role models, and even to this day how hard it is for me sometimes to find peers who are women of color, because of how systematically they are pushed out. I'm an artist and an institution builder. Who are some of your influences?
From a museum perspective, I think there's a lot to learn from these venues' business models, approach to collecting and exhibiting work, and connection with their audiences. It's run by Jon Rubin, an artist and professor of social practice at Carnegie Mellon, and his students. PieLab (Greensboro, AL).
American Jazz Museum Platinum – Cultural Websites Located in the Historic 18th & Vine Jazz District in Kansas City, MO, the American Jazz Museum showcases the sights and sounds of jazz through interactive exhibits and films, and features live music in their venues, The Blue Room, and Gem Theater.
He is Deputy Director for the Contemporary Jewish Museum , and an expert in using social media in a museum setting. We were lucky enough to have a fabulous space for the workshop in the Contemporary Jewish Museum. ArtsLab SF View more presentations from Beth Kanter. I said yes.
Their annual report, the State of Babies Yearbook , frames rigorous research, unbiased analyses, and clear communications to influence decision-makers positioned to improve public policies and interventions in support of children and families. We partnered with the Museum to launch their new brand to the world.
The artists come from all over (though many are based in the Midwest), and anyone can enter. Now, after attending with museum friends from around the country, I'm hooked. Artprize invited me to talk about art with artists, families, security guards, friends, people old and young, sophisticated and novice, drunk and sober.
This citywide festival showcased work by 1,517 artists competing for a $200,000 top cash prize awarded by public vote. The Brooklyn Museum just finished the public stage of GO , a "community-curated open studio project." The Brooklyn Museum just finished the public stage of GO , a "community-curated open studio project."
But here I sit, the director of a museum that almost closed, squirreling away money for an operating reserve. They closed for capricious financial reasons, and they left disappointed artists and participants in their wake. Consider the museum I run. We had a dedicated staff that wanted to make this museum as good as it could be.
When you find a bar with your favorite song on the jukebox, or a museum room that feels like your grandmother's living room, you suddenly feel a strong affinity and are able to see yourself reflected in the space. It may be great for a natural refuge to remain hidden, but that sounds like a disaster for a restaurant or museum.
MuseumCamp is an annual professional development event at the Santa Cruz Museum of Art & History in which teams of diverse, creative people work on quick and dirty projects on a big theme. We encouraged teams to think like artists, not researchers. It strengthens your community. How do you measure that? To be speculative.
Diane Ragsdale responds with some thoughts on how funders could influence these issues, whether they should, and how organizations might respond. I recently met Jada Wright-Green, a museum professional who runs a site called Heritage Salon that looks at issues and possibilities in the African-American museum community.
Forum One partnered with the Museum to launch their new brand to the world. This work not only included launching a new website but also revitalizing the American Jazz Museum brand as a whole. It also won the Smithsonian National Museum of African American History and Culture a Silver Vega Award!
Negotiation" implies a respectful relationship between institution (or artist) and user. Sometimes the negotiation can be exploited for artistic means. The theater is dark and the artist breaks the fourth wall and asks for conversation. The museum invites art-making in the elevator. Visitors talk over the tour guide.
For years, I've been fascinated and a bit perplexed by the Elsewhere Collaborative , a thrift store turned artists' studio/living museum in Greensboro, North Carolina. Over the past seven years, this exploration has been undertaken by a staff of artists and more than 35 creators each year participating in our residency program.
Parker, a Seneca Indian who worked as the director of the Museum of Arts and Science in Rochester, N.Y. There are plenty of museums and museum exhibits dedicated to telling American Indian history and helping people better understand Indigenous culture. The earliest efforts were led in the early 1900s by Dr. Arthur C.
The book of the same title that he edited is rocking my world, both as a museum professional who cares about inclusion and as a new mother. As we start the process at our museum of updating our permanent history gallery, one of our specific goals is to increase intergroup understanding in our community. Implicit Associations test.
Concert tickets Buying concert tickets has become like a competitive sport, as passionate fans flood ticket platforms to see their favorite artist live. For example, if your town is known for gorgeous cherry blossom trees, offering paintings with these trees by a local artist can inspire bidding.
Last week, Douglas McLellan of artsJournal ran a multi-vocal forum on the relationship between arts organizations and audiences, asking: In this age of self expression and information overload, do our artists and arts organizations need to lead more or learn to follow their communities more?
This is an issue we are actively grappling with at our museum. We receive frequent inquiries from artists and community members about how thy might submit exhibition proposals for consideration by our institution. At many museums, the curatorial process is completely closed and undiscoverable --"don''t call us, we''ll call you."
There are many artistic projects that offer a template for participation, whether a printed play, an orchestral score, or a visual artwork that involves an instructional set (from community murals to Sol LeWitt). Beck talks about this in the context of learning to play music as a young artist. There are twenty songs in Song Reader.
Power in Partnerships: Collaborate with Hispanic businesses or influencers for events or initiatives. Artistic Appreciation: Display the art, music, and literature of Latino artists. Artistic Appreciation: Display the art, music, and literature of Latino artists. Want to learn more about Hispanic Heritage Month?
Are there artists or other influencers who might be interested in partnering with your organization to support you through NFTs? Her clients include the International Fund for Animal Welfare, the American Museum of Natural History, and the American Red Cross. . What types of content might have value? What’s Dark Mode?
Below are two excellent e-books put out by the National Arts Marketing Project, one on artistic interventions in uncommon places , and one on taking a leap of faith with "weird" programming. Full disclosure: my museum is profiled in the latter.) creative placemaking institutional change Unusual Projects and Influences'
This guest post, written by Philippa Tinsley, Collections Manager for the Worcester City Art Gallery and Museum (UK), describes the innovative Top 40 exhibition they mounted in the summer of 2009. In my experience, museum professionals aren’t big reality TV viewers.
In 1990, educator and cultural critic Neil Postman described a museum as "an answer to a fundamental question: what does it mean to be a human being?" Without an explicit "I" voice, the museum's perspective on humanity is oblique to say the least. Welcome to Pine Point is not a museum project. It tells layered personal stories.
This morning, I gave the keynote address for the Washington Museums Association annual conference. It features lots of museum-based examples. But in this post, I wanted to highlight a goofy little (non-museum) project that inspires me in its simplicity and openness to mass collaboration. It's called One Million Giraffes.
I've written before about the inspiring work that the Brooklyn Museum of Art is doing with their community-focused efforts. Click is an exhibition process in three parts: The Museum solicited photographs from artists via an open call on their website, Facebook group, Flickr groups, and outreach to Brooklyn-based arts organizations.
posted by Maureen O'Brien Development Director Musical Instrument Museum. As the development director at the Musical Instrument Museum (MIM), which celebrates the music of every country in the world, my team has a platform to fundraise internationally. O’Brien graduated Phi Beta Kappa from the University of Wisconsin?Madison,
posted by Maureen O''Brien Development Director Musical Instrument Museum I recently had the opportunity to travel to Paris, France to attend the 5ème conférence de fundraising pour le secteur culturel (5th conference on fundraising for the cultural sector) put on by the Association Française des Fundraisers (French Association of Fundraisers).
Way better than that video at Museum X where the director drones on about the new initiatives of the year. This article sparked some interesting discussion online with colleagues from natural history museums, which deal with damage and touching very differently than art institutions do. How should (and do) we treat them?
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