Museum 2.0

NOVEMBER 8, 2011

Useful differentiation in their Audience Involvement Spectrum (see image at top) between programs that provide "enhanced engagement" and those that invite audience members to make contributions that impact and alter the end result. What's the relationship between the goals of participation and the techniques employed?

Participatory 50

Participatory Arts Report Case Study 50

Museum 2.0

MARCH 6, 2013

They present masterpieces by white male artists and innovations by white male scientists. When non-white stories are told, they are always flagged as such--an exhibition of Islamist scientific inventions or women pioneers or African-American artists. Not as humans, or artists, or scientists, or dancers.

Museum 55

Museum St. Louis Artist Arts 55

Beth's Blog: How Nonprofits Can Use Social Media

JANUARY 26, 2007

The "Magritte and Contemporary Art: The Treachery of Images" exhibit at the Los Angeles County Museum of Art manages to both celebrate and betray fair use at the same time. These are canonical fair uses -- an artist who takes from another artist and uses his work to make new work.

Remix 50

Remix Los Angeles Museum Artist 50

Have Fun - Do Good

MARCH 4, 2006

Last Sunday each of us wrote a post to answer the question, “Who is your favorite artist (visual, dancer, performer, writer or musician) and why?” Anyone can submit an image that inspires them and that they think will touch or affect the person viewing it. Here is Beth's post and here is mine. You can put the info.

Blogger 40

Blogger Arts Change Azerbaijan 40

Beth's Blog: How Nonprofits Can Use Social Media

DECEMBER 16, 2010

While it is probably difficult to absolutely prove cause and effect, implementing a crowd artistic creation requires a discussion about letting go of control or at least being explicit about how creative contributions will be accepted or curated or added to the work. Do you accept everything or is there curation? A Crowd-Curated Exhibition.”

Measure 96

Measure Fund Impact Minnesota 96

Museum 2.0

JULY 1, 2011

But the point is that the MAH, like just about every other museum in the known universe, was content to define the museum experience as something removed from the outside world, a rarefied church-like space of refined artistic reflection. OK, so we made up the last couple of those prohibitions. That doesn't entail a big, expensive redesign.

Museum 31

Museum History Arts Work 31

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 5, 2006

(Disclaimer: I'm on the honorary committee because 13 years ago I worked on an online artist network with the New York Foundation for the Arts and CAMT was the partner.) Many of us started off as artists and then ended up managing arts organizations. Tell me a little bit about how you got into arts management? Actually, I???

Arts 50

Arts Technology Artist Conference 50

Museum 2.0

APRIL 16, 2008

They're now running a compelling experiment in crowd-sourced exhibition creation and curation via the photography exhibition Click. Click is an exhibition process in three parts: The Museum solicited photographs from artists via an open call on their website, Facebook group, Flickr groups, and outreach to Brooklyn-based arts organizations.

Museum 24

Museum Participatory Artist Arts 24

Museum 2.0

SEPTEMBER 9, 2009

I saw every part of our vacation through the lens of the book, and my climbing partner (a highly active and artistic guy) and I spent a lot of time analyzing the choices we did and didn't make and how they reflected our expressions of identity.

Museum 28

Museum Maslow Facilitation Photography 28

Museum 2.0

APRIL 11, 2007

The NYT article is about a photography show by artist Thomas Struth at the Marian Goodman Gallery in Manhattan. Says the reviewer, Michael Kimmelman, Mr. Struth’s pictures are about this continuum, from artists like Velázquez into the public spaces where their works end up, and to us. What are we looking for in a museum?

Museum 20

Museum Arts Washington Camera 20

Museum 2.0

NOVEMBER 14, 2007

We saw that these artists were using the wall, then telling us about it on Flickr. Do you have any image rights issues? Most of the stuff in our museum is public domain, and we have a very good policy that non-commerical photography is okay. We’re very clear about our photography policy everywhere.

Museum 27

Museum Interview Flickr YouTube 27

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 23, 2008

They're now running a compelling experiment in crowd-sourced exhibition creation and curation via the photography exhibition Click. The Museum solicited photographs from artists via an open call on their website, Facebook group, Flickr groups, and outreach to Brooklyn-based arts organizations. Artist Blogs. s Blog about?

Arts 74

Arts Social Media Examples Artist 74

Have Fun - Do Good

NOVEMBER 28, 2007

BB: You've captured so many amazing images and stories in this book, what is the image that stands out the most for you? For me, that meant photography, which I have done since I was eight, and traveling, which I love. BB: What advice do you have for artists who want to use their art for social change?

Photography 40

Photography Interview Zimbabwe Change 40

Have Fun - Do Good

SEPTEMBER 26, 2008

Here are some examples of ways people have used the arts to create social impact: 50 Crows Social Change Photography "Images inspire people to act. Examples of socially rousing photography permeate our history: Vietnam, Rwanda, 9-11’s Ground Zero. Our hope is that the information presented here will educate and inspire."

Arts 40

Arts Impact Photography Artist 40

Museum 2.0

JULY 11, 2008

It’s not really a photography show in the way I would curate a photography show.” I asked Shelley if she received any negative feedback from the artists about their work being treated like data rather than art. One of the most challenging moments in the podcast is when contemporary art curator Eugenie Tsai says, “[Click!]’s

Museum 20

Museum Artist Photography Arts 20