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Apple is launching a limited-edition Apple Watch for Black History Month, with a unique watch band, new watchface, and some of the proceeds going toward civil rights organizations. The watch, part of a new Black Unity Collection of products, comes with a black, green, and red striped band and face, meant to reflect the Pan-African flag.
The businesses in Fast Company s Most Innovative Companies in AR/VR reflect that trend. In the 45-minute experience, visitors stroll with friends and family through the first Impressionist exhibit and the figures that inhabited artistic Paris 150 years ago.
2 Because whats being reflected in that mirror doesnt look anything like us. Butand heres the first qualification these AI tools that are built to generate reflections of human intelligence dont reflect all of us. And a mirror can only reflect the light that reaches it. But what they do is very much like a mirror.
Spotify has released its eagerly anticipated Wrapped experience revealing the most listened to artists and albums for (most of) 2021. In the style of two truths and a lie, players can look at statements about another user’s listening history and guess which one is a lie. Spotify Wrapped 2021 | Image: Spotify. Image: Spotify.
I think about how hesitant I was to become an artist, because I didn't see role models, and even to this day how hard it is for me sometimes to find peers who are women of color, because of how systematically they are pushed out. I'm an artist and an institution builder. Yet, the art world does not reflect that.
However, the criteria you use for donor segmentation will differ from other organizations, reflecting your unique mission and donor base. Following the arts and culture nonprofit example, if one segment values cultural music their appeal could emphasize the impact of their donations on digitizing old recordings or promoting local artists.
In particular, we had a great group of 15 talking about participatory history experiences on Sunday. The conference showcased many fabulous projects-- Flux Foundation , Open Field , Shine a Light , Create Denver --that support substantive co-creation experiences for artists and amateurs alike. History and science museums.
Presentations should cover 5 areas: (a) General overview: goal, history, timing of the failure; (b) What went right? (c) During this reflection, many new ideas on how to pivot and iterate rise up. Presentations should be no longer than 10 minutes, followed by 2 minutes of Q&A from the group. c) What went wrong? (d)
In this post, George grapples with the challenges of balancing the care for a museum collection with that of contemporary artists-in-residence who are constantly reinterpreting it. Every Saturday, the curatorial team at Elsewhere , a living museum in downtown Greensboro, NC, reviews the project proposals of its artists-in-residence.
Both images and audio from the proceedings were tightly controlled (as is often the case in federal courtrooms), so the only images came from courtroom artist Vicki Behringer , who saw much of the trial from an assigned seat to the right of the jury box. I always love hearing him talk about the history of Apple.
I've now been the Director of The Museum of Art & History in Santa Cruz for two months. It really reflects what we're trying to do here to transform our institution into as relevant, dynamic, and successful an organization as possible. Lots more on this in the months to come, but I thought you might like to read the article.
Along with Bunny’s demands for scritches, Devine, an artist and self-identified nonexpert in dog science, fields hundreds of questions from humans every day. Thanks to our shared history that reaches back thousands of years, dogs already have a significant understanding of human communication and expression.
Two weeks ago, Roberto Bedoya asked several arts bloggers, including me, to write a post reflecting on Whiteness and its implications for the arts. They tell histories of white male conquest. They present masterpieces by white male artists and innovations by white male scientists.
But we've just compiled all our attendance data for the past year at the Santa Cruz Museum of Art & History (our fiscal year ends on June 30), and several people have written to me asking for the numbers behind our turnaround. design new programs with a focus on history. I promise--after this post, I'll stop writing about this.
At the Santa Cruz Museum of Art & History (MAH), we've started experimenting with a "community first" approach to program development. We had about thirty participants ranging from MAH trustees to artists, educators to architects, moms to grandfathers. It was an evening meeting with beer and chips. Then, we went honeycomb-crazy.
She’s now diving back into the drawing process, trying to evolve from the traditional motifs of flowers and leaves she embroiders on blouses to better reflect the flora in her community. Despite the long hours and creative details that their designs entail, the creations of Méndez and other artists in the community often go underappreciated.
Each video features a young, critically-acclaimed spoken-word artist – Shira Erlichman, Alvin Lau, and Deja Taylor – as well as renowned musician, DJ Spooky. We even re-skinned their MySpace page to reflect the microsite creative!). “This generation of youth is the most diverse and engaged generation in our country's history.
Over the past two years, the Santa Cruz Museum of Art & History has undergone a significant transformation of program, audience, and resources. Our revolution is predicated on three big ideas: Art and history are something you do, not just something you learn about. You want to have an artist collective sleepover at the museum?
We've been offering a host of participatory and interactive experiences at the Museum of Art & History this season. Artists work incredibly hard to produce their work. Design paired activities to reflect or at least respect the sensibility of their work, and where possible, involve them in the design. We throw those away.
Authenticity and Demystifying the Artistic Process. March of Dimes Nancy White reflects on the project in response to postings by me and Lisa from Rherotic of Me. Artistic Director Blog (Inactive). I set up an H20 list with the snippits of the history. had quite a lot of us writing, reflecting, and ranting.
One that has found remarkable success is California’s Santa Cruz Museum of Art & History. She says that the museum made changes in hiring and board recruitment practices, and invited the community in to help reshape the facility into a place that reflected and represented its people and their interests. The impact was dramatic.
Embarking on Your AAPI Heritage Month Journey Asian American and Pacific Islander Heritage Month, celebrated every May in the United States, provides an important opportunity to honor the history, culture, and achievements of Asian Americans and Pacific Islanders. Artists, writers, and cultural leaders. Their fame attracts interest.
The majority of our public programs at the Santa Cruz Museum of Art & History are created and produced through community collaborations. It’s not unusual for us to meet with an environmental activist, a balloon artist, a farmer, and the Mayor of Santa Cruz all in one day. Large and small (or no) followings.
--Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution. The sole gallery holds extraordinary paintings by Joan Brown, mostly reflecting her deep love of cats.
In this case this nation mission has the goal to turn Spain into the entrepreneurial nation with the greatest social impact in history,” says Polo. So at the end of the day, by 2030, we have created the entrepreneurial nation with the highest social impact in history.” Francisco Polo. opens in a new window) license.
I have felt in the past that some of the MCA's holiday videos were a bit too pretentious, but this year's edition is full of joy and a message that really reflects what they do in Denver. I'm sometimes wary of studies of "innovation," but I like how this one could be used reflectively within an organization to assess openness to change.
Women Center Stage has launched women artists' work like Iris Bahr, who wrote and performed " Dai " at the festival, and is now performing her piece on Culture Project's main stage, and Staceyann Chin , who did a workshop of, "Border/Clash" as part of the Women Center Stage festival, and went on to produce fuller productions of the piece.
We also wanted to: Inspire visitors to engage in active looking: notice, reflect, react, and respond to the works of art and to the interdisciplinary quality of the exhibition. Our colleagues in the Museum of Natural History were eager collaborators. Reassert the "forum"? We had very few "throw away"?
History Museums OPPORTUNITIES - History museums are in many ways the best-suited for visitor participation. As cultural anthropology has swung away from a vision of authoritative history and toward the embrace of multiple perspectives, there is potential for those stories to come from all over the place, including visitors themselves.
Trans artist Matt Lubchansky tweeted “my brain is in hell” alongside screenshots of the Euphoria and Gaingels Twitter profiles. Twitter users don’t reflect the entire human population, but the argument that played out was a microcosm of a larger historical conflict within queer communities.
Summertime concerts at the history museum? When I reflected on our museum, I realized we have some inconsistencies in how we calculate attendance. Louis Post-Dispatch published the kind of "how sausage is made" story that rarely gets written about the arts. It''s about museum attendance and how the five big, free museums in St.
Reading The Great Good Place provides an opportunity as museum professionals to identify third places in our community, reflect upon our relationship to them, and consider the ways our museum could be a third place for members in the community. How can a local history museum connect with third places in the community?
As one African-American artist on a prominent museum board told me, "I felt even more tokenized than if I had been part of some kind of Artists'' Council or African-American Council." So here''s the story of how we are trying to take another approach at the Santa Cruz Museum of Art & History, through a group called C3.
We wanted to reflect this diversity of identities by inviting all kinds of artists and artworks into the gallery. The exhibition includes artwork about the ocean by over 250 artists of all backgrounds and abilities, grouped into ten poetic metaphors for the ocean. But some visitors--especially some artists--hate it.
These are the slides and notes for the talk I gave at the American Alliance of Museums conference on Monday, April 27 about the Santa Cruz Museum of Art & History. When I became the director of the Santa Cruz Museum of Art & History four years ago, I took this work with me. We exist for people who live in Santa Cruz County.
Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. Art museums are the least likely to empower their own staff to initiate participatory projects but the most likely to work with artists whose approach to participation might be quite extreme.
In reflecting on the sample, I’ve made some broad reflections on museum workers and visitors. In this case, I find the most interesting ones to be made by artists. The American Museum of Natural History had two wonderful moments happening this summer. Me with a friend As I keep saying, I’ve been to a few museums of late.
Art museums are the least likely to empower their own staff to initiate participatory projects but the most likely to work with artists whose approach to participation might be quite extreme. I'd love to hear more peoples' reflections on this. A lot of these projects are about getting people to be more social and active in museums.
There are maker spaces popping up for all kinds of artists, crafters, and independent entrepeneurs who want a shared space to congregate, share ideas, and work on projects. That people will key into their love of art or science or history online, then show up at the museum, get a "taste of community," and just want more?
This essay, written in 1991, reflects Elaine's experience on the planning staff for the National Museum of the American Indian (NMAI) on the Mall as an "insider/outsider"--a "hired gun" with museum know-how facilitating the creation of someone else's museum. She was an intended insider--someone who NMAI was supposedly both "by" and "for."
Environmentalists, the Museum of Natural History at CU, they all responded very enthusiastically to this. So the value of the mechanisms is to let people find and reflect on what natural heritage is—how it can be defined, represented, and shared. So we wanted to create a mechanism to have these connections over sustained time.
Our Story I came to the Santa Cruz Museum of Art & History four years ago. As one visitor recently commented, "the MAH has become 'our' museum, a reflection of us and a place where we can appreciate art, share it with each other, learn and make new connections." At the time, we were fighting for survival. We had to make a change.
June 2nd is Black Out Tuesday, a day of collective disconnect from work meant to help people reflect and come together in support of the Black community. ViacomCBS is also participating in a blackout lasting 8 minutes and 46 seconds across its network and cable channels starting 5PM ET on Monday.
The Field Museum Store offers gifts for those interested in science and cultural, natural, and human history. The Getty Store enhances knowledge and appreciation of the arts by providing unique high-quality merchandise and books that reflect the Getty Museum as a whole. Perfect gifts for the nonprofit techie! 1) 4ocean :: 4ocean.com.
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