Museum 2.0

MARCH 14, 2011

Without an explicit "I" voice, the museum's perspective on humanity is oblique to say the least. Welcome to Pine Point is a kind of virtual museum exhibition about the town, told from the perspective of Michael Simons, an artist who grew up in the nearby town of Yellowknife and visited Pine Point as a boy.

History 43

History Museum Sound Voice 43

Museum 2.0

JUNE 6, 2018

The Santa Cruz Museum of Art & History keeps growing and experimenting in our quest to build a stronger, more connected community. The positions are: OFBYFOR ALL Communications Catalyst : to fuel the OFBYFOR ALL movement by organizing civic and cultural professionals online and at conferences around the world.

Job 20

Job Community Build Work 20

Museum 2.0

SEPTEMBER 25, 2013

North Carolina Museum of History 1988.39.4 In this courageous guest post, Adrienne Berney, a Collections Care Trainer who works primarily with history museums, gives us an insider’s guide to these issues. But this is not always the first priority for professionals in the museum field. Followers of Museum 2.0

Accessibility 44

Accessibility Open Museum North Carolina 44

Whole Whale

SEPTEMBER 8, 2023

” For nonprofits, this shows the value of thoroughly researching your donors’ demographics, history, and motivations before crafting appeals. A relatable human voice connects. Talk to fundraising professionals experienced at spurring immediate response. The ads were hailed as beautiful, artistic, and innovative.

Lesson 59

Lesson Fundraising Digital Test 59

Museum 2.0

JUNE 12, 2013

Over the past two years, the Santa Cruz Museum of Art & History has undergone a significant transformation of program, audience, and resources. Our revolution is predicated on three big ideas: Art and history are something you do, not just something you learn about. You want to have an artist collective sleepover at the museum?

Museum 55

Museum Learning History Arts 55

Museum 2.0

DECEMBER 15, 2014

Artists and arts organizations are contributing their spaces and their creative energies. And pop culture icons, from basketball players to rock stars , are making highly visible commentary with their clothes and voices. Where do museums fit in? It has held programs related to Ferguson since August and is planning more for 2015.

Museum 52

Museum Blogger Cleveland Missouri 52

Beth's Blog: How Nonprofits Can Use Social Media

JANUARY 28, 2013

Lifting my arms and voices to say “I FAILED, NOW LETS MOVE ON.”Led Presentations should cover 5 areas: (a) General overview: goal, history, timing of the failure; (b) What went right? (c) Think Ted-X style presentations of nonprofit professional failures. Best moment of #MIForum ?Lifting ”Led by @ kanter.

Impact 118

Impact Learning DC Nonprofit 118

Museum 2.0

SEPTEMBER 7, 2010

For years, I've been fascinated and a bit perplexed by the Elsewhere Collaborative , a thrift store turned artists' studio/living museum in Greensboro, North Carolina. Our archeology did not aim to uncover the hidden voice of my grandmother, but instead to begin an ongoing practice of recreation.

Collaboration 36

Collaboration North Carolina Museum Artist 36

Museum 2.0

APRIL 2, 2014

There are many artistic projects that offer a template for participation, whether a printed play, an orchestral score, or a visual artwork that involves an instructional set (from community murals to Sol LeWitt). Beck talks about this in the context of learning to play music as a young artist. There are twenty songs in Song Reader.

Participatory 52

Participatory Arts Music Learning 52

Museum 2.0

JUNE 16, 2020

Each week, I’ve been ceding the blog to others as a chance to hear many voices share their thoughts about our field, where we are, and where we are going. This field is varied, and each voice adds to our collective understanding of the situation. For this week, I’m re-posting Andrea Montiel de Shuman’s Medium post with permission.

Museum 22

Museum Detroit Arts Leadership 22

EveryAction

MARCH 16, 2017

Whether quietly spearheading some of the world's most groundbreaking scientific and medical research or not-so-quietly leading revolutions on the battlefield, our history is ripe with stories of ferocious, adventurous, enlightened, and persistent women. Gabriela Mistral. Katherine Johnson, Dorothy Vaughan, and Mary Jackson. Dorothy Arzner.

Story 133

Story Angola Sierra Leone Artist 133

Museum 2.0

MAY 5, 2009

which followed a very strict formula that frustrated some participants who wanted to be treated like artists, not contributors to a data experiment. Their use of the web to connect independent artists all over the world was striking and very surprising. At professional conferences, we tend to spend most of our time analyzing.

Slides 20

Slides Participatory Museum Children 20

Have Fun - Do Good

MAY 4, 2010

The level of joy and celebration was unforgettable because of what we were making happen, and the history we were making each day that we were there. AD: I definitely have had very similar experiences to Melinda in terms of my professional history. This is a history in the making. From that point, my path shifted.

Director 40

Director Ghana Africa North America 40

Have Fun - Do Good

SEPTEMBER 26, 2008

Examples of socially rousing photography permeate our history: Vietnam, Rwanda, 9-11’s Ground Zero. Our web site serves as an international resource for anyone interested in the healing potential of art, especially environmentalists, social activists, artists, art professionals, health care practitioners, and those challenged by illness.

Arts 40

Arts Impact Photography Artist 40

Have Fun - Do Good

JUNE 30, 2007

A blog was really perfect for me, because first of all, it was a very casual voice -- it's not very formal. I want to thank Britt for putting the panel together and just for her work in inspiring women leaders, and getting our voices out there, and recognizing our work - and also to the organizers. I was a paid, professional dancer.

Podcast 40

Podcast Arts Oakland St. Louis 40