Museum 2.0

OCTOBER 12, 2017

A cheerful curly-haired deli owner stands in front of 30 of us and shares a quote he loves: "Artists live in the present and write detailed histories of the future." A vision is a detailed history of the future. This is a detailed history from the future. Use the "hot pen" or automatic writing technique.

History 26

History Pennsylvania Michigan Indiana 26

Museum 2.0

APRIL 25, 2011

I've spent much of the past three years on the road giving workshops and talks about audience participation in museums. The Museum 2.0 In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean's book Visitor Voices in Museum Exhibitions.

Question 49

Question Participatory Museum Evaluation 49

Museum 2.0

MAY 5, 2009

I just returned from the American Association of Museums (AAM) annual meeting in Philadelphia. I led two sessions, one on visitor co-created museum experiences, and the other on design inspirations from outside museums. what is the value of the exhibition experience to non-participants, that is, regular museum visitors?

Slides 20

Slides Participatory Museum Children 20

Museum 2.0

MAY 4, 2007

If anyone out there is considering creating an industry catch-all site for museum-related content, I highly recommend Gamasutra as a model. Can museums afford to indulge in this kind of fantasy? But incorporating good environmental storytelling techniques from the game world doesn't mean you have to put on mouse ears (or a trenchcoat).

Game 20

Game Storytelling Lesson Museum 20

Museum 2.0

MARCH 14, 2011

In 1990, educator and cultural critic Neil Postman described a museum as "an answer to a fundamental question: what does it mean to be a human being?" Without an explicit "I" voice, the museum's perspective on humanity is oblique to say the least. Welcome to Pine Point is not a museum project. It tells layered personal stories.

History 43

History Museum Sound Voice 43

Museum 2.0

JUNE 12, 2012

Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution. So many museum exhibitions relegate the participatory bits in at the end. The Love Lounge I LOVE.

Participatory 51

Participatory Museum Blackboard Game 51

Beth's Blog: How Nonprofits Can Use Social Media

DECEMBER 16, 2010

Last month, I heard a talk by author Jonathan Salem Baskin about his soon to be published book, “ Histories of Social Media.&# The book looks at social media concepts and ideas, asks is this really new? The technology tools certainly are, but history provides a context for every behavioral quality of new media.

Measure 96

Measure Fund Impact Minnesota 96

Museum 2.0

OCTOBER 22, 2008

There are lots of things visitors can’t do in museums. But what about the things that museum professionals can’t (or feel they can’t) do? This week at the ASTC conference, Kathy McLean, Tom Rockwell, Eric Siegel and I presented a session called “You Can’t Do That in Museums!” And so my question is, why are we keeping them away?

Museum 20

Museum Professional Teen Map 20

Museum 2.0

JULY 31, 2007

This is the penultimate installment of Museum 2.0's s book club on Elaine Gurian's collection of essays, Civilizing the Museum. As Elaine puts it in the essay, When I was last involved in such an endeavor, it was when the Boston Children's Museum was small, insignificant, and unselfconscious. have portrayed Indians inaccurately."

Culture 20

Culture Storytelling Challenge Museum 20

Museum 2.0

MAY 21, 2007

It's late at night at the Museum Curator smackdown. Museum folks often talk about the time decades ago when museums began to shift from places for objects to places for visitors. My background is in science and children's museums, where it's relatively easy to keep visitors in the foreground. Is the fix in?

Museum 20

Museum Donor Arts Artist 20

Museum 2.0

FEBRUARY 27, 2013

It has introduced me to corrupt university fundraisers , the true history of Tom Dooley , and the world's oldest marathon runner. All this delightful non-fiction makes me wonder: why aren't museums great at telling these same kinds of deep, intense stories? This seems strange given that museums are organized around objects.

Museum 53

Museum Story Captivate Artist 53