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Excurio For bringing virtual reality experiencesand audiencesto museums Excurio builds immersive, historically accurate installations that feature a shared virtual reality for up to 100 simultaneous attendees. Other exhibits focus on the history of Notre Dame and the evolution of life on Earth across nine eras and landscapes.
Here’s a summary of some of the best answers we received: Partner with Local Businesses and Offer Valuable Information As a historical society, we obviously link with other history-focused nonprofits, but we have developed many other relationships in both the public and private sectors. Our community has an active Main Street program.
Artist and industrial design icon Ross Lovegrove s work has always looked like the space-age future and he has now partnered up with SpaceX on a project that sees him revisiting one of his most famous pieces from the past: The Bernhardt Go chair. Jude Childrens Research Hospital. It took us a while to find somebody who would take that risk.
Formed in 2004 in response to the looting of Iraqi museums and growing international art trafficking, the Art Crime Team was designed as a specialized unit of agents trained in cultural property law, art history, and international smuggling. It no longer required sophisticated training or access to museum archives.
From drag legend Kim Chi to history-maker Tona Brown, these individuals are not letting billionaires get them down. Mashable caught up with a group of queer creators rolling with the changes of the 2020s and who continue to innovate and spread messages of hope and inclusivity.
I asked my friend, Paul Bowers, to share some of his thoughts about leaving museums. If you have thoughts about leaving museums or why you're staying, reach out. Beyond the walls – a post-museum career There’s a lot of talk about people leaving their museums jobs – if you’re thinking that way, this might help.
Using an $8 million round of venture capital funding, the 2-year-old company is turning this aging warehouse into a modern stonecutting factory capable of quickly producing highly detailed decorative facades, museum-grade marble sculptures, and towering stone monuments. It’s also one humans have relied on for millennia.
If you’ve ever flown through outer space, at least while watching a documentary or a science fiction film, you’ve seen how artists turn astronomical findings into stunning visuals. So this is a really fun thing that happened,” says Jackie Faherty, the museum’s senior scientist. But what does our Oort cloud look like?” In about 1.3
Credit: Matt Unger, Carnegie Museum of Natural HistoryArtists in ancient Egypt were particularly fond of the color known as Egyptian blue—deemed the world's oldest synthetic pigment—since it was a cheap substitute for pricier materials like lapis lazuli or turquoise. They also cooled the samples at different rates.
Segovia is a city that thrives on history, culture, and civic engagement. El Adelantado not only covers cultural events comprehensively but dives deeper into the historical and artistic significance behind them. This drives growth within Segovia’s artistic community, allowing those passionate voices to flourish.
It’s like a priceless painting locked in a dusty, forgotten wing of a museum. A history lesson. And nobody pays to watch a history lesson on a Friday night. They’re building workflows, training models on some of the best cinematic data in history, and developing a legion of AI-fluent creatives. But you don’t watch it.
Image: Winamp Skin Museum. If any of that is triggering a nostalgic response, then you’ll probably enjoy the Winamp Skin Museum. On Twitter, Eldredge notes he’s still taking collections for the project if you have any skins you want to donate, and he describes the collection as capturing “an iconic moment in internet art history.”.
Museums are magical places, where history, culture, art, and science seem to come to life. Our work with museums and cultural intuitions goes way beyond websites with easy-to-find visitor information (though that’s important too!) Forum One partnered with the Museum to launch their new brand to the world.
Dear Museum 2.0 As of May 2, I will be the executive director of the Museum of Art & History at McPherson Center in Santa Cruz, CA (here's the press release ). I am closing down my consulting business at the end of April, but the Museum 2.0 Here are a few things that make the MAH an exciting museum to me: It's small.
This week we’ve found apps from museums. Mobile apps are an interesting way for museums to advance their educational missions beyond people’s expectations. ArtClix from the High Museum of Art, Atlanta. iOS/Android: ArtClix enhances uses mobile to enhance the museum experience. MoMa by the Museum of Modern Art.
Ruth Cohen – American Museum of natural History. Jason Eppink – Museum of the Moving Image. Ruth Cohen – American Museum of natural History. For years we have been producing digital media to fulfill our mission of educating the public about science and history.
The video features art from artist Loveis Wise, music produced by Elijah Jamal, and the poem is read by LeVar Burton. Although Juneteenth is a significant moment in US history, it is not currently designated as an official federal holiday, although most states now recognize it.
This is the casual attendance data from my first full month as the Executive Director of The Museum of Art & History in Santa Cruz. This graph is making me change the way I think about what our museum is for and how we should market it. First Fridays are raucous and fabulous events. They are made for people to enjoy.
Musician Lil Nas X is up first on October 6th with a collaboration with artist Rudy Willingham, while Grimes is collaborating with Brittany Broski (“Kombucha Girl”), and separately with Bella Poarch. TikTok plans to auction them alongside a selection of limited edition NFTs it’ll sell weekly throughout October.
I write this piece in good faith about the organizations I know best: museums. The vast majority of American museums are institutions of white privilege. They tell histories of white male conquest. They present masterpieces by white male artists and innovations by white male scientists.
A year ago, I wrote a post speculating about whether events (institutionally-produced programs) might be a primary driver for people to attend museums, with exhibitions being secondary. Many museums, big and small, thrive on events. At our museum, about 68% of casual visitors (non-school tours) attended through events this year.
I get excited about a lot of things in my work at the Santa Cruz Museum of Art & History. That's how I felt when artist Ze Frank got in touch to talk about a potential museum exhibition to explore a physical site/substantiation for his current online video project, A Show (s ee minute 2:20, above).
This week, I''m celebrating three years on the job as the executive director of the Santa Cruz Museum of Art & History. This spring marked a big conceptual shift for me and the museum. We are now squarely out of turnaround and into growth mode. Most significantly, we are adding three full-time positions to our team.
Writing my masters thesis for Gothenburg University’s International Museum Studies program while also working four days a week as the Director of Community Programs at the Santa Cruz Museum of Art & History this spring was certainly a challenge but also an incredible opportunity.
Last week, I visited the Wing Luke Asian Museum in Seattle. I've long admired this museum for its all-encompassing commitment to community co-creation , and the visit was a kind of pilgrimage to their new site (opened in 2008). I'm always a bit nervous when I visit a museum I love from afar. What if it isn't what I expected?
Forum One’s recent design work with the Smithsonian National Museum of African American History and Culture (NMAAHC) Simmons Talks series was a dream come true: an opportunity to put passion behind a design that I believe in and honor the work of others who inspire me. Endowed by Dr. Ruth J.
But not enough people care about it anymore, and the museum is fading into disrepair. The Silk Mill is part of the Derby Museums , a public institution of art, history, and natural history. Many people would look at the world''s oldest mechanized silk mill and say that the core content of the museum is silk.
Gretchen Jennings convened a group of bloggers and colleagues online to develop a statement about museums'' responsibilities and opportunities in response to the events in Ferguson, Cleveland and Staten Island. Museums are a part of this educational and cultural network. Where do museums fit in? Here is our statement.
New records for sales of the digital good seem to be reached each week with an upcoming sale of NFT artist Beeple’s ‘Everydays’ compilation went for $69 million in March, 2021 (source: The Verge ). For a little history here, the game CryptoKitties was the first major use case for NFTs and has been a huge success.
I've now been the Director of The Museum of Art & History in Santa Cruz for two months. But the point is that the MAH, like just about every other museum in the known universe, was content to define the museum experience as something removed from the outside world, a rarefied church-like space of refined artistic reflection.
One of the greatest gifts of my babymoon is the opportunity to share the Museum 2.0 First up is Beck Tench, a "simplifier, illustrator, story teller, and technologist" working at the Museum of Life & Science in Durham, NC. As a person who works for a science museum, I work in an environment that supports play.
In 1990, educator and cultural critic Neil Postman described a museum as "an answer to a fundamental question: what does it mean to be a human being?" Without an explicit "I" voice, the museum's perspective on humanity is oblique to say the least. Welcome to Pine Point is not a museum project. It tells layered personal stories.
For instance, a large nonprofit focused on preserving arts and culture might segment its audience by location and focus its stories on the most well-known museums or cultural landmarks in a donor’s state. What is your donor’s giving history? Using giving history to steer donor segmentation is another effective approach.
Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" I was surprised by her question.
Last week, my museum hosted Hack the Museum Camp , a 2.5 day adventure in which teams of adults--75 people, of whom about half are museum professionals, half creative folks of various stripes--developed an experimental exhibition around our permanent collection in our largest gallery.
On October 20, a young woman named Kate will move into Chicago's Museum of Science and Industry and live there for a month. This post is not about the Month at the Museum concept or implementation. Instead, this post focuses on a fascinating aspect of Month at the Museum: the video applications. That will come later.
I'm thrilled to share this brilliant guest post by Marilyn Russell, Curator of Education at the Carnegie Museum of Art. This is a perfect example of a museum using participation as a design solution. Our colleagues in the Museum of Natural History were eager collaborators. I hope more museums do things like this.
George Scheer is the director and co-founder of Elsewhere Collective, a fascinating "living museum" in a former thrift store in Greensboro, NC. In this post, George grapples with the challenges of balancing the care for a museum collection with that of contemporary artists-in-residence who are constantly reinterpreting it.
We just opened new exhibitions at The Museum of Art & History , including one on woodworking that includes QR codes. I presume that most Museum 2.0 I've been seeing them in museums (and parks ) for a couple of years now, and I've used them in a couple projects, but I never felt a desire to write about them.
She is a fabulous and thoughtful artist. Two weeks ago, we inaugurated a Creativity Lounge on the third floor of our museum. It's a little living room in a lobby area that invites people to lounge on comfortable chairs, leaf through magazines and books related to art and Santa Cruz history, and generally hang out.
This important awareness month is dedicated to honoring the contributions of Indigenous American Indians and the history of the country’s first stewards. Parker, a Seneca Indian who worked as the director of the Museum of Arts and Science in Rochester, N.Y. November is National Native American Heritage Month!
Last month, MAH curator Susan Hillhouse and I sat down and wrote an exhibition philosophy for our museum. In particular, we want exhibition collaborators--artists, researchers, historians, collectors--to understand our goals and how we intend to steer the exhibition development process.
How do you help visitors know what they can and cannot do in your museum? Most museums have this figured out: they have signs, they have guards, they have cases over the objects. And this works pretty well in science museums, where designers talk about "hardening" exhibits to withstand the more aggressive touchers among us.
TCG is the industry association for non-profit theaters, the way AAM is for museums. Given TCG''s multi-year Audience (R)evolution initiative, I took the opportunity to write a new talk about what revolution has looked like at our small museum in Santa Cruz. We heard again and again that the museum was cold and uncomfortable.
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