Artist Environment Guide Participatory 
Museum 2.0
OCTOBER 2, 2013
In this post, George grapples with the challenges of balancing the care for a museum collection with that of contemporary artists-in-residence who are constantly reinterpreting it. Every Saturday, the curatorial team at Elsewhere , a living museum in downtown Greensboro, NC, reviews the project proposals of its artists-in-residence.
Museum 2.0
MAY 22, 2013
In other words, the more constrained the game environment, the less agency the player has. Negotiation" implies a respectful relationship between institution (or artist) and user. Visitors talk over the tour guide. Sometimes the negotiation can be exploited for artistic means. The more open, the more agency.
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Museum 2.0
NOVEMBER 11, 2008
The Art of Participation provides a retrospective on participatory art as well as presenting opportunities for visitors to engage in contemporary (“now”) works. As the museum's website puts it, "this exhibition examines how artists have engaged members of the public as essential collaborators in the art-making process."
Museum 2.0
MARCH 21, 2012
Engagement with local artists. One of the things we love about exhibiting local artists is that they are often here to talk with visitors about their work. It's not unusual to see an artist showing a visitor how she constructed something or created an effect. We do have friendly gallery hosts, but not every hour of the day.
Museum 2.0
MAY 5, 2009
Visitor Co-Created Museum Experiences This session was a dream for me, one that brought together instigators of three participatory exhibit projects: MN150 (Kate Roberts), Click! which followed a very strict formula that frustrated some participants who wanted to be treated like artists, not contributors to a data experiment.
Museum 2.0
JUNE 12, 2009
In the other case, the institution was unwilling to engage in the conversational environment and ended up isolated, fueling the fire. Here’s what happened: an art critic named Jerry Saltz posted an incendiary note on Facebook about the very low representation of women artists on the 4th and 5th floors (painting and sculpture) of MoMA.
Have Fun - Do Good
JULY 31, 2009
The other two things that happened was that I started working a lot in participatory journalism. I'm a big believer in participatory journalism, or citizen journalism, whatever you want to call it. They have a magazine called Race, Poverty and Environment Magazin e. I was always thinking, how could a freelancer pitch the world?
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