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The Top 54 Auctioneers for Nonprofit Fundraising Events

Nonprofit Tech for Good

5) Tony Shaw Tony Shaw (charityworks.net) is the Director of Philanthropy for CharityWorks Auction Company, the most distinguished charity auction service in California, he has dedicated himself to charity auctions full time for over 10 years. She is a veteran touring artist, songwriter, live sound engineer and music publisher.

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Cool App Roundup: Arts Organization Edition

Tech Soup

artist's influences and the exhibit, in the artist's own words. For example, YBCA's audiences loved having access to artists' own unfiltered words. As YBCA Executive Director Ken Foster told ArtsFwd , "When we first started we were in love with the gadgets. The Dallas Museum.

Arts 63
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The Event-Driven Museum, One Year Later

Museum 2.0

I had originally assumed that this phenomenon might affect smaller museums in smaller markets more than large urban institutions, but I've since learned from colleagues at big hitters like LACMA and the Dallas Museum of Art that the majority of their visitors attend through events. These events don't just increase audience.

Museum 53
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Guest Post: Community and Civic Engagement in Museum Programs

Museum 2.0

Writing my masters thesis for Gothenburg University’s International Museum Studies program while also working four days a week as the Director of Community Programs at the Santa Cruz Museum of Art & History this spring was certainly a challenge but also an incredible opportunity.

Museum 49
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Memo from the Revolution: Six Things I've Learned from our Institutional Transformation

Museum 2.0

This past weekend, I had the opportunity to give one of the closing talks at the Theater Communications Group annual conference in Dallas. You want to have an artist collective sleepover at the museum? I occasionally meet creative directors who note that "all the new ideas have to come from my desk." Sounds great.

Museum 55
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Brooklyn Clicks with the Crowd: What Makes a Smart Mob?

Museum 2.0

Click is an exhibition process in three parts: The Museum solicited photographs from artists via an open call on their website, Facebook group, Flickr groups, and outreach to Brooklyn-based arts organizations. All evaluations are private; all artists are unnamed. They are sensitive to the artists who are being judged.

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