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Raise More with These Three Tips to Engage Each Donor Segment

Qgiv

Demographics like a donor’s age, education level, and occupation are the clearest places to start with donor segmentation. For instance, a large nonprofit focused on preserving arts and culture might segment its audience by location and focus its stories on the most well-known museums or cultural landmarks in a donor’s state.

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A look back at Issue Lab’s top philanthropic resources in 2022

Candid

Kellogg Foundation This resource helps answer a key question on many leaders’ minds: How can leaders and companies create a culture that embodies a feeling of inclusion and a sense of belonging for all employees? Expanding Equity: Inclusion & Belonging Guidebook , by the W.K.

professionals

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Guest Post: Infusing “Social” into Social Justice Organizations

Beth's Blog: How Nonprofits Can Use Social Media

Chalk up my vote for 2011’s “Best Debut Artist” and “Best Supporting Actor.”. In this sound bite culture, social justice organizations must carve out nuanced positions on complex social issues, from racial and gender equity to immigration reform.

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Equity in Arts Funding: We're Not There Yet. We're Not Even Close.

Museum 2.0

This week, the National Committee for Responsive Philanthropy released a new paper by Holly Sidford called Fusing Arts, Culture, and Social Change. We may say that we want to support programming and cultural opportunities for low-income and non-white people, but that's not where the money is going. The title may sound innocuous.

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How to find free things: nonprofit students edition 

Candid

Candid also encourages nonprofits to report the demographic makeup of their board, leadership, and staff so you can better understand where the organization lands in terms of diversity, equity, and inclusion (DEI). . Candid Learning . Candid Learning also hosts live trainings on topics such as corporate giving and starting nonprofits.

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From Multicultural to Intercultural: Evolution or Spectrum of Engagement?

Museum 2.0

To actively weave together cultures across differences instead of accentuating the distinctions among them. In cross-cultural communities, there is some reaching across boundaries. But I also appreciate the complexity and interdependence of these constructs--especially in cultural institutions.

Museum 50
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On White Privilege and Museums

Museum 2.0

They present masterpieces by white male artists and innovations by white male scientists. When non-white stories are told, they are always flagged as such--an exhibition of Islamist scientific inventions or women pioneers or African-American artists. Not as humans, or artists, or scientists, or dancers.

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