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One Simple Question to Make Your Work More Participatory

Museum 2.0

Wes is an artist, and this is his first time running a museum exhibition development process. This is the question I ask myself anytime I'm working on something with a participatory intent. The obvious start was to think about how we recruit the artists--using an open call to invite anyone, anywhere to participate.

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The Participatory Museum, Five Years Later

Museum 2.0

This week marks five years since the book The Participatory Museum was first released. I thought the pinnacle of participatory practice was an exhibit that could inspire collective visitor action without facilitation. Since 2010 I have seen, again and again and again, how valuable human facilitation is to the participatory process.

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Guest Post by Nina Simon -- Self-Expression is Overrated: Better Constraints Make Better Participatory Experiences

Beth's Blog: How Nonprofits Can Use Social Media

When I talk about designing participatory experiences, I often show the above graphic from Forrester Research. Museums see open-ended self-expression as the be-all of participatory experiences. Why aren’t more museums designing highly constrained participatory platforms in which visitors contribute to collaborative projects?

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What Could Kill an Elegant, High-Value Participatory Project?

Museum 2.0

It's my "artistic rendering" of one of the most inspirational participatory projects I know of--the Bibliotheek Haarlem Oost book drops. Too often, cultural institutions design participatory projects that require visitors to learn new tools or make sacrifices to contribute. Tags: design participatory museum.

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Guest Post: Community and Civic Engagement in Museum Programs

Museum 2.0

Visitors bond and bridge through participatory experiences at MAH. We seek to understand this by listening to and developing ongoing dialogues with a range of community members. I learn a ton from her every day and wanted to share her thinking--and her graduate thesis--with you. Cardboard tube orchestra at Radical Craft Night.

Museum 49
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Why We Wrote an Exhibition Philosophy

Museum 2.0

We wanted to share with people, in as clear and transparent a format as possible, our approach to developing exhibitions. In particular, we want exhibition collaborators--artists, researchers, historians, collectors--to understand our goals and how we intend to steer the exhibition development process.

Museum 38
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Guest Post: Weaving Community Collaborations into Permanent Installations at the Denver Art Museum

Museum 2.0

In this guest post, Stefania Van Dyke, Master Teacher for Textile Art and Special Projects, tells the story of how the co-creative development and visitor participation in the “Thread Studio” that accompanied their 2013 summer exhibition, Spun, changed her perspective on her own work. Some community artists even helped install the space.

Denver 35