Remove Artist Remove Columbus Remove Museum
article thumbnail

Why is "World Class" so Classist?

Museum 2.0

Jason Beaubien was reporting on the Soumaya Museum in Mexico City, the gleaming new art museum built as a "gift to Mexico" by the world's richest man, Carlos Slim. The news report , strangely, focused on the question of whether the Soumaya Museum is a rich man's indulgence or a truly "worthy" cultural institution.

Classes 55
article thumbnail

Dangerous/Ridiculous: Reflections on AAM

Museum 2.0

Last week, I was in Minneapolis for the American Association of Museums annual meeting. Kathleen McLean led a terrific session called "Dangerous Ridiculous" about risk-taking in museums. Interestingly, at my museum, our team is naturally better at ridiculous than we are at dangerous. I found this idea really powerful.

professionals

Sign Up for our Newsletter

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

article thumbnail

Engagement, Distraction, and the Puzzle of the Puzzle

Museum 2.0

She is a fabulous and thoughtful artist. Two weeks ago, we inaugurated a Creativity Lounge on the third floor of our museum. The same day we opened the Creativity Lounge, we opened new exhibitions throughout the building, including a paper collage show in the 3rd floor lobby by local artist Lisa Hochstein.

Museum 51
article thumbnail

Crowd Fundraising for the Arts: No Running, Walking, or Freezing Plunges Required

Connection Cafe

Museums, zoos, and aquariums are finding that crowdfundraising can be a strategic tool to add to their fundraising playbook. Here are 3 arts and cultural organizations that have given crowd fundraising a go for compelling causes: National Air & Space Museum. A young artist program you hope to get off the ground?

Arts 20
article thumbnail

Thing a Day: Good or Glib?

Museum 2.0

Others are artistic projects—Jonathon Coulton’s popular Thing a Week (he writes a song each week), Scott McCloud's " Morning Improv " comics. How can museums learn from it? Which leads me to feel that an artist can only feel comfortable exposing his/her process if either a. Where do museums fit in?

Museum 20