Nonprofit Tech for Good

JULY 13, 2020

Posting without a mindfulness of the trending topics and conversations can cause organizations to appear insensitive and tone-deaf. However, we were mindful of the best practices that suggest brands and organizations not post about every issue or trending event so to avoid piggybacking via hollow, void content.

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Social Media Content Media Social 336

Candid

JANUARY 6, 2023

Kellogg Foundation This resource helps answer a key question on many leaders’ minds: How can leaders and companies create a culture that embodies a feeling of inclusion and a sense of belonging for all employees? Expanding Equity: Inclusion & Belonging Guidebook , by the W.K.

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Issue Resource New Mexico Mexico 86

Nonprofit Tech for Good

JANUARY 14, 2013

Not only does a hand-written thank you note make a strong impression upon the receiver, but it also makes you a better social media manager because it’s a practice in creative arts – and as all we know, the best social media managers are creative artists. In 2013, keep these two words at the forefront of your mind.

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Social Media Media Management Social 225

Have Fun - Do Good

FEBRUARY 22, 2012

." ~ Caroline Lovell, Founder, Traveling Postcards Traveling Postcards facilitates the creation of handmade art postcards that are hand delivered all over the world to bringing awareness and voice to women and girls whose lives have suffered from isolation, violence, or repression. Each card is a piece of art in my mind.

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Costa Rica Interview Afghanistan Artist 60

Museum 2.0

JANUARY 11, 2010

Three examples: In the late 1980s, the Brooklyn Children's Museum created an exhibit called Send a Letter to Snoopy. As Kathy McLean noted in Visitor Voices in Museum Exhibitions , while staff were afraid that typing on the typewriter would be too hard for some young children, "kids lined up to carefully and slowly type their letters."

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Museum Library Images Children 20

M+R

JANUARY 26, 2023

To make ends meet, artists would sometimes team up as a studio — helping each other come up with ideas, chipping in when someone was in danger of missing a deadline, teaching each other tips and tricks. But there’s no future here for my children.” I don’t mind telling you I was nervous. This is my home.

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email Work Sound Hurricane 111

Museum 2.0

NOVEMBER 7, 2010

I had a healthy second life as a slam poet, and I loved the world of artists and performance. In DC, I worked half-time for NASA as an electrical engineer and half-time for the Capital Children's Museum (now defunct) as a science educator. Bosses are like boyfriends; they're not mind readers. I made $26/hour at NASA and $7.25/hour

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Museum Boston Participatory Interview 52