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Ze Frank Takes Over (My) Museum

Museum 2.0

I get excited about a lot of things in my work at the Santa Cruz Museum of Art & History. That's how I felt when artist Ze Frank got in touch to talk about a potential museum exhibition to explore a physical site/substantiation for his current online video project, A Show (s ee minute 2:20, above).

Museum 45
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How Do You Inspire Visitors to Take Action After They Leave?

Museum 2.0

This month, we opened a new exhibition at the MAH, Lost Childhoods: Voices of Santa Cruz County Foster Youth and Foster Youth Museum (brief video clip from opening night here ). Then, we worked with one of the commissioned exhibition artists, Melody Overstreet, to create an artwork that weaves all these little things into one tapestry.

Action 44
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Museum 2.0 at ASTC: Come Tour the Best Tech Museum in LA!

Museum 2.0

The ASTC (the Association of Science and Technology Centers) annual meeting is coming up in LA (home of my childhood), and Museum 2.0 In a world of increasingly sterile museum environments, the Museum of Jurassic Technology is a beacon of emotion, strangeness, and wonder. And if you want a more traditional Museum 2.0

Museum 20
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Five Reasons to Come to MuseumCamp 2017

Museum 2.0

Dear friends, We're about a month from the deadline to apply for MuseumCamp 2017 at the Santa Cruz Museum of Art & History (MAH). A month before MuseumCamp, the MAH is opening a new exhibition, Lost Childhoods , co-developed with foster youth, youth advocates, and artists in our community. Sleep in a museum.

Museum 26
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Want to Co-Create an Exhibition on a Hot Issue? Introducing the Community Issue Exhibition Toolkit

Museum 2.0

We partnered with foster youth, former foster youth, artists, and community advocates to create an exhibition that used art to spark action on issues facing foster youth. The lessons I learned from Lost Childhoods are at the heart of the OF/BY/FOR ALL project we're building now. Short story: we learned a lot.

Issue 45
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Competition in the Gallery

Museum 2.0

They received over 4,000 submissions from all 50 states, which were judged by a panel of seven—including museum staff and outside artists. Some of these artists, regardless of the status of their submission, continued contributing to the site for a year. The top 100 selections were sent to Washington for final judging.

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Curated Collaborative Filtering: Listening to Pandora

Museum 2.0

How is a museum like a radio station? It’s called Pandora , and its successes reveal interesting lessons about aggregating museum content. You enter a seed artist or song (or several) and Pandora starts playing music that it interprets as related in some way to your selections.