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Last month, the Irvine Foundation put out a new report, Getting In On the Act , about participatory arts practice and new frameworks for audience engagement. I've often been asked about examples of participatory practice in theater, dance, and classical music, and this report is a great starting point.
It is multi-disciplinary, incorporates diverse voices from our community, and provides interactive and participatory opportunities for visitor involvement. This post focuses on one aspect of the exhibition: its participatory and interactive elements. So many museum exhibitions relegate the participatory bits in at the end.
2 Participatory Chinatown In this game, you're transported to Boston's Chinatown to view the development of new areas through the perspective of the varied citizens that make up their corner of the city. Jeff has been a DJ, music producer, graphic designer, illustrator and consultant to independent artists and small business owners.
In the history gallery, we have some blended props and artifacts, and it's rarely clear what is and is not ok to touch. Engagement with local artists. One of the things we love about exhibiting local artists is that they are often here to talk with visitors about their work. This was amazing.
We''ve seen surprising and powerful results--visitors from different backgrounds getting to know each other, homeless people and museum volunteers working together, artists from different worlds building new collaborative projects. There are some groups who we work with terrifically in their own space but who we rarely engage in ours.
Last week, Douglas McLellan of artsJournal ran a multi-vocal forum on the relationship between arts organizations and audiences, asking: In this age of self expression and information overload, do our artists and arts organizations need to lead more or learn to follow their communities more?
At the adjacent table, my colleague Stacey Garcia was meeting with a local artist, Kyle Lane-McKinley, to talk about an upcoming project. I don't know what formed the bridge between the artists and the teens in this circumstance. On the third floor, they sat down in our creativity lounge and started making collages.
The World Beach Project is managed by the Victoria and Albert Museum in London with artist-in-residence Sue Lawty. Many museums do not provide participants with clear terms surrounding their submissions, and for savvy people (especially artists!) In their personal statements, beach artists wrote about profound connections to nature.
Working with creative people taught me to think like an artist: observe, explore, dive in, look out. The “we” isn’t always staff; in most cases, our staff work with community partners in a participatory, co-creative model. An artist says: “I’ll explore the world, pull ideas from it, and craft a response.” We develop the ideas.
Facilitated/Unfacilitated Blend When we started this course, I really pushed the students to think about ways to induce unfacilitated interactions among strangers. Tags: evaluation exhibition design participatory museum usercontent. I recommend you check out the wiki and evaluation report to dig deeply into the content.
The man is artist Rocky Lewycky , whose work is part of a group show of visual artists who have won a prestigious regional fellowship. blends sculpture, repetition, and ritual performance in a political statement about the genocide of animals in factory farms. He takes a crowbar out of a Swiss Army backpack. Definitely.
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