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Getting in on the Act: New Report on Participatory Arts Engagement

Museum 2.0

Last month, the Irvine Foundation put out a new report, Getting In On the Act , about participatory arts practice and new frameworks for audience engagement. I've often been asked about examples of participatory practice in theater, dance, and classical music, and this report is a great starting point.

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17 Ways We Made our Exhibition Participatory

Museum 2.0

It is multi-disciplinary, incorporates diverse voices from our community, and provides interactive and participatory opportunities for visitor involvement. This post focuses on one aspect of the exhibition: its participatory and interactive elements. So many museum exhibitions relegate the participatory bits in at the end.

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The 5 Best Social Impact Games of 2010

NTEN

2 Participatory Chinatown In this game, you're transported to Boston's Chinatown to view the development of new areas through the perspective of the varied citizens that make up their corner of the city. Jeff has been a DJ, music producer, graphic designer, illustrator and consultant to independent artists and small business owners.

Impact 88
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Wandering Down the "Don't Touch" Line

Museum 2.0

In the history gallery, we have some blended props and artifacts, and it's rarely clear what is and is not ok to touch. Engagement with local artists. One of the things we love about exhibiting local artists is that they are often here to talk with visitors about their work. This was amazing.

Museum 49
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Using Social Bridging to Be "For Everyone" in a New Way

Museum 2.0

We''ve seen surprising and powerful results--visitors from different backgrounds getting to know each other, homeless people and museum volunteers working together, artists from different worlds building new collaborative projects. There are some groups who we work with terrifically in their own space but who we rarely engage in ours.

Social 55
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Lead or Follow: Arts Administrators Hash it Out

Museum 2.0

Last week, Douglas McLellan of artsJournal ran a multi-vocal forum on the relationship between arts organizations and audiences, asking: In this age of self expression and information overload, do our artists and arts organizations need to lead more or learn to follow their communities more?

Arts 45
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Building Community Bridges: A "So What" Behind Social Participation

Museum 2.0

At the adjacent table, my colleague Stacey Garcia was meeting with a local artist, Kyle Lane-McKinley, to talk about an upcoming project. I don't know what formed the bridge between the artists and the teens in this circumstance. On the third floor, they sat down in our creativity lounge and started making collages.