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Raise More Gifts From Members By Understanding Their Motivations

Bloomerang

If you’re a museum, arts, or culture organization, you may be in this same dilemma. But when you’re fundraising for arts or cultural organizations , donations don’t *just* help other people. Consider offering more aesthetic benefits like meet-the-artist events, backstage passes, tickets to dress rehearsals, and more.

Gift 84
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A look back at Issue Lab’s top philanthropic resources in 2022

Candid

Creating Cultures and Practices for Racial Equity: A Toolbox for Advancing Racial Equity for Arts and Cultural Organizations , by Race Forward This toolkit aims to help artists, arts advocates, culture bearers, and cultural workers to imagine, plan, and implement racial equity strategies in their organizations.

Issue 87
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The Top 54 Auctioneers for Nonprofit Fundraising Events

Nonprofit Tech for Good

After graduating with a BFA in drama & music from New York University’s Tisch School of the Arts, Ellen spent ten years bringing joy to audiences nightly as one of only ten lead performers in the longest running musical revue in the world—San Francisco’s “Beach Blanket Babylon.” 32) Fred Northup, Jr.

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Funding And Grant Resources For Nonprofits Serving The LGBTQ+ Community

Bloomerang

Areas served: Canada, Central Asia, Eastern Europe, Middle East, Russia, The South Caucasus, Turkey, United States, and Western Europe. Our Fund has redesigned its grant process to focus on three key areas with its discretionary grants: Health & Wellness, Social Justice & Equity, and Arts & Culture.

Grant 123
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Faith Ringgold: 30 Years of Art-Making and Activism and Video Clip on Women Artists

Beth's Blog: How Nonprofits Can Use Social Media

Click here to listen to a very brief interview Over the weekend, I attended the Technology in the Arts Conference in Pittsburgh where artist and activist Faith Ringgold was one of the keynote speakers. " I had a chance to do a quick video interview with her about her thoughts on women artists. They are brilliant!

Artist 50
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Feelings and Participation

Museum 2.0

Lumin at Detroit Institute of Art Now on to the interactives…I’ve been thinking a great deal about the function of interactives in museums. You walk out of the 21 st century and into Medieval Europe. In this case, I find the most interesting ones to be made by artists. Technology is, of course, a hot topic in immersion.

Museum 35
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The Great Good Place Book Discussion Part 2: Small Rural Museums as Third Places

Museum 2.0

The SLHC is a museum that tells the story of the Schwenkfelders, a small German protestant sect who emigrated from Europe in the 1700s and settled in Montgomery County. These young students submitted illustrated storybooks to a student art exhibit at the SLHC last year. It’s a third place three blocks away from our museum.

Place 27