Amy Sample Ward

JUNE 21, 2011

The speakers for this panel include: Tracy Fullerton – Electronics Arts Game Innovation Lab. During the period that the 500 were selected, they learned a lot about how various social networking tools could be used as they saw participants start partnering up and organizing themselves for the game. Questions and Discussion.

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Game Culture Museum Change 140

Qgiv

JANUARY 4, 2022

Online networking event. Help your donors get better connected while raising money for your organization with an online networking event. Make sure to advertise your artists and makers on your social media platforms leading up to the opening of your shop with photos and videos. Student art show. Virtual craft fair.

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Qgiv

APRIL 30, 2024

They also offer an opportunity for guests to network with like minded people. From pop culture and historical eras to geographical locations and seasonal celebrations, the possibilities are simply endless—and we’re just getting started! You can even use these ideas for themed silent auction baskets.

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Experiment Create Fundraising Celebrate 52

Neon CRM

AUGUST 25, 2023

It’s been a rough couple years for arts-based nonprofits. As pandemic aid has run out without patrons returning in pre-2020 numbers, many arts nonprofit across the country have had to shrink programming, cut staff, or close altogether. This includes summer art camps, museums, theaters, art galleries, and more.

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Arts Ideas Organization Artist 98

Have Fun - Do Good

JUNE 29, 2010

"If we start losing cultural diversity, we begin to lose our whole sense of community because community is defined by culture. My dad is the co-founder of the Global Center for Cultural Entrepreneurship. He is also the co-founder of the International Folk Art Market. That's cultural entrepreneurship."

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Culture Global Interview New Mexico 51

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 3, 2013

” And that’s a difficult question to answer – whether it is your social or network strategy or a work of art. They are fully dedicated to their craft and want their artistic contributions to be authentic and tangible. The first step is identify what impact might look like as this post explains. “I

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Measure Impact Voice Evaluation 108

Beth's Blog: How Nonprofits Can Use Social Media

DECEMBER 1, 2010

Is that a Zen graffiti artist? Networks can help us build the capacity to take advantage of different institutional skills. She also admits that shift from artist to curator is not an easy one for many nonprofits because of the way they are structured. Sounds more like a network than an organization?

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Artist Museum Structure Nonprofit 96

Have Fun - Do Good

NOVEMBER 10, 2010

She is a lifelong artist, and was a therapist working in psychiatric hospitals before she made the leap into advertising (long story). Lisa Sonora Beam, The Creative Entrepreneur: How I Have Fun, Do Good Buy art from artists. One of the most fun ways to do good is to buy art and hand crafts directly from artists and artisans.

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Fun Artist Spain Arts 63

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 1, 2009

The discussions on issue fatigue at both on my site and ArtTribes Network, and later at SocialEdge , prompted me to start looking at the flip side of fatigue, which in the case of social issues is engagement, participation and commitment. that effective cultural movements move. Here are the three most basic: 1) Who's the audience ?

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Culture Build Change Media 84

Beth's Blog: How Nonprofits Can Use Social Media

JUNE 14, 2010

One of the big themes in our book, The Networked Nonprofit , is the importance of experiments and not to frame them as success or failure but as learning. On Friday, I facilitated the final face-to-face workshop for the Social Media Lab for 25 arts organizations inspired by Thomas Edison’s approach.

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Social Media Media San Jose Social 100

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 25, 2011

Note From Beth: Yesterday, I attended a convening called “ Beyond Dynamic Adaptability ” for arts organizations about cultural participation in the arts. Guest Post by Vincent Stehle.

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Guatemala Movie Artist Award 94

AccelEvents

JULY 14, 2021

Or, for larger events, have each virtual attendee submit a favorite family recipe and enable a networking room where attendees can meet to share and discuss their recipes. This can provide a deeper connection between attendees and strengthen any business networking that is taking place at the same time. . Speed Networking.

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Virtual Ideas Online Movie 98

CauseVox

JUNE 9, 2021

Encourage your networks to set up personal fundraising pages through CauseVox and fundraise for your nonprofit. Encourage your networks to set up personal fundraising pages and fundraise for your nonprofit. Reach out to a talented volunteer or local artist to lead the class, and purchases the necessary supplies. Virtual Race.

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Ideas Online Fundraising Charity 98

NTEN

JUNE 21, 2011

The speakers for this panel include: Tracy Fullerton - Electronics Arts Game Innovation Lab Ruth Cohen - American Museum of natural History Elaine Charnov - The NY Public Library Jason Eppink - Museum of the Moving Image Syed Salahuddin - Babycastles Elaine Cohen: The New York Public Library 100 Years of the flagship library in New York.

Game 52

Game Culture Change Museum 52

Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 11, 2006

The above powerpoint is from 1999 and excerpted from day-long workshops I used to lead when I worked at NYFA and design and ran a program called "KIT: Knowledge in Technology - Technology Planning for Arts Organizations." "to most of us (including me), social networking???using using the web???s

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Social Network Network Guide Participatory 50

Museum 2.0

DECEMBER 15, 2014

When basketball players are offering more cogent commentary on racial issues than cultural institutions, you know we have a cultural relevance problem. Museums are a part of this educational and cultural network. Schools and other arts organizations are rising to the challenge. What should be our role(s)?

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Museum Blogger Cleveland Missouri 52

Museum 2.0

SEPTEMBER 26, 2012

Writing my masters thesis for Gothenburg University’s International Museum Studies program while also working four days a week as the Director of Community Programs at the Santa Cruz Museum of Art & History this spring was certainly a challenge but also an incredible opportunity.

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Museum Program Participatory Community 49

Have Fun - Do Good

FEBRUARY 18, 2012

Organizer, Bakesale for Japan listen Naomi Natale, Founding Artist, One Million Bones listen Halle Butvin, Founder and Director, One Mango Tree listen Carinne Brody, Doctoral Candidate in Public Health at UC Berkeley. Author, The Generosity Plan listen Samin Nosrat, Cook, Teacher, Writer, Accidental Activist. Co-Editor, Reproduce and Revolt!

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Podcast Interview San Francisco Director 60

Nonprofit Tech for Good

DECEMBER 2, 2009

MySpace was and still is (for some) the easiest social networking site to grow a community quickly. As a regualr MySpace user, there is no denying that MySpace is more diverse than any other social networking site. MySpace is also the number one accessed social networking website on mobile devices today. They are all on MySpace.

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Myspace Teen Facebook Social Network 189

Have Fun - Do Good

OCTOBER 30, 2009

I talked with Julia Cameron, author of The Artist's Way , this month for the Arts and Healing Network's podcast: The Artist's Way Every Day: A Chat with author, Julia Cameron I have 3 new posts up on the Global Center for Cultural Entrepreneurship blog: Social Media Resources and Inspiration for Independent Filmmakers Kickstarter: Funding Platform (..)

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Green Los Angeles Gift San Francisco 40

Beth's Blog: How Nonprofits Can Use Social Media

FEBRUARY 7, 2007

My first job in nonprofit and technology was as community manager for an online network of artists called ArtsWire in 1993 before the Web. The online interaction design was patterned after the Well - it was described as a WELL for artists. Protecting the cultural commons means protecting certain ways of being human.

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Artist Second Life Audio Copyright 50

Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 17, 2015

This makes it difficult for staff to strike a meaningful, sustainable balance between work and self-care because it does not permeate a organization’s culture or fundamentally change staff behavior. The most recent one was during the The National Arts Marketing Project Conference. Practicing self-care is an abundance mindset.

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Nonprofit Culture Practice Policy 50

Have Fun - Do Good

FEBRUARY 18, 2011

Marisa Handler, Author, Loyal to the Sky: Notes from an Activist Listen Read Cami Walker, Founder, 29-Day Giving Challenge Listen Read Marianne Manilov, National Team Leader, The Engage Network Listen Read Favianna Rodriguez, Political Digital Artist and Printmaker. Co-Editor, Reproduce and Revolt!

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Interview Podcast San Francisco Director 58

Neon CRM

SEPTEMBER 21, 2023

Peer-to-Peer Events Arts & Culture Events Community Events Educational Events Events for Grown-Ups Events for Kids & Families Nonprofit Peer-to-Peer Events Peer-to-peer events raise funds and generate buzz by having your supporters and participants get their networks involved in your event.

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Ideas People Local Classes 52

Museum 2.0

SEPTEMBER 20, 2011

We created Race Through Time in partnership with a local networking group called Santa Cruz Next , whose primary aim is to support and celebrate ways that young professionals can and are changing our community for the better. The event was oversold, and participants raved about the experience. Museums are not for specific crowds alone.

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Audience Develop Museum History 52

Museum 2.0

JULY 12, 2010

Or produce an art exhibit with elementary school students. When I first started exploring the site, I assumed it was mostly a place for charismatic hipsters and a few star artists with enough social media savvy and clever video production capabilities to produce enticing pitches. Kickstarter is a symptom of changes in donor culture.

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Fund Museum Pledge Game 49

Museum 2.0

OCTOBER 17, 2012

Architecture of participation with network effects: each person who participates contributes something meaningful and lasting. We invited local artists and community groups to perform. We make room for interns and artists and people who walk in the door with crazy ideas. based on Tim O'Reilly's four key elements of Web 2.0:

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Museum Artist Remix Professional 47

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 31, 2006

My first online community builder/facilitator job was with Arts Wire, an online network for artists, that used a unix-based, text-based online discussion software. into gaining web social (networking) skills. Is an online facilitator of people using social networkings -- are they a passive observer or an instigator?

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Report Time Social Facilitation 50

Museum 2.0

FEBRUARY 12, 2009

This week, an interview with Brooklyn Museum 1stfans managers Will Cary (membership) and Shelley Bernstein (technology) and artist An Xiao. So you weren't targeting "Brooklyn artists" or some other demographic group. Some people want the in-person events, some people want to connect on social networks, and some 1stfans do both.

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Museum Audience Program Artist 24

Museum 2.0

AUGUST 8, 2010

That means we collect university press, handmade artist books, zines made by sixth graders, poetry chapbooks from big names published in tiny local presses, and self-published poetry chapbooks sold for a dollar on the street. Growing a Strong Volunteer Culture Every year, thousands of new librarians and archivists graduate from MLS programs.

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Chicago Library Public Culture 48

Museum 2.0

JUNE 12, 2009

Here’s what happened: an art critic named Jerry Saltz posted an incendiary note on Facebook about the very low representation of women artists on the 4th and 5th floors (painting and sculpture) of MoMA. When those spaces are factored in, there are more than 250 works by female artists on view now. Let’s start there.

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Conversation Museum Artist Minneapolis 21

Have Fun - Do Good

JULY 31, 2009

We're taking the art of freelancing for writers, and making it much more transparent and much more public. On Spot.us, we're trying to bring in a culture of transparency in journalism, where we say, "Invite the public into the reporting from day one. We started our conversation by David explaining what Spot.us

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Interview Fund Report Community 40

Museum 2.0

JULY 1, 2008

We rarely offer alcoholic beverages, comfortable seating, background music, or free admission to go with the art, lectures, and interactive experiences now available in many hybrid retail spaces. The popular option at this time is to try to beat the experiential competition and ignore the Web-based cultural shift.

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Museum Library Participatory Wikipedia 20

ASU Lodestar Center

JANUARY 17, 2015

I recently had the opportunity to travel to Paris, France to attend the 5ème conférence de fundraising pour le secteur culturel (5th conference on fundraising for the cultural sector) put on by the Association Française des Fundraisers (French Association of Fundraisers). It was wonderful to again be immersed in French culture and language.

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Professional Global Develop France 40

ASU Lodestar Center

JANUARY 7, 2015

posted by Maureen O''Brien Development Director Musical Instrument Museum I recently had the opportunity to travel to Paris, France to attend the 5ème conférence de fundraising pour le secteur culturel (5th conference on fundraising for the cultural sector) put on by the Association Française des Fundraisers (French Association of Fundraisers).

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Professional Global Develop France 40

Have Fun - Do Good

SEPTEMBER 26, 2008

This week's Ask Britt question, sent in by a reader, is, "How can I combine the creative arts with social impact? The arts are a wonderful way to make a difference in the world because they are fun, engaging, and oftentimes help you to tell stories, all key elements to attracting and keeping people involved in a cause. Great question!

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Arts Impact Photography Artist 40

Beth's Blog: How Nonprofits Can Use Social Media

JANUARY 28, 2013

Talking about risk-taking and potential for failure is difficult in the nonprofit and philanthropic sector, but having it part of an organization’s culture so it is free of stigma and that everyone learns is even harder. Are there nonprofits that have a culture of placing Little Bets or affordable losses and learning from them?

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