This site uses cookies to improve your experience. To help us insure we adhere to various privacy regulations, please select your country/region of residence. If you do not select a country, we will assume you are from the United States. Select your Cookie Settings or view our Privacy Policy and Terms of Use.
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Used for the proper function of the website
Used for monitoring website traffic and interactions
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Strictly Necessary: Used for the proper function of the website
Performance/Analytics: Used for monitoring website traffic and interactions
This post reflections on the training design as well as my content notes. Before the session, I spent some time reviewing Museum Facebook Pages – luckily the MIDEA project has them organized into this handy list. I had hoped to find a good example of a museum or an arts organization with a custom landing tab.
I have a confession to make: I've never cared much about museums on the Web. When smart people talk about digital museums and virtual experiences, I nod and compartmentalize it as someone else's bailiwick. And it breaks a lot of conventional rules about museum homepages. Is this the future of all museum websites?
What happens when a formal art museum invites a group of collaborative, participatory artists to be in residence for a year? Will the artists ruin the museum with their plant vacations and coatroom concerts? But for museum and art wonks, it could be. Will the bureaucracy of the institution drown the artists in red tape?
This August/September, I am "rerunning" popular Museum 2.0 Diane is both visionary and no-nonsense about deconstructing the barriers that many low-income and non-white teenagers and families face when entering a museum. Most large American museums are reflections of white culture. blog posts from the past.
Tony’s diverse background reflects his passion for giving and helping others. Jude, Make A Wish, American Cancer Society, and The Museum of African American History. Steve’s diverse background reflects his passion for giving and helping others. 21) Allen Alley Allen Alley (linkedin.com/allenalley) isn’t really an auctioneer.
At the Santa Cruz Museum of Art & History (MAH), we've started experimenting with a "community first" approach to program development. Here are a few things that I think helped make this experience valuable: We started from communities' needs, not the museum's. For example, one of our groups was focused on commuters.
Last week, I sat down on a toilet in our museum and found myself looking at an interactive station intended to test a “Legends of the Stall” sign concept for the restrooms. Some of my happiest moments as a director come when I encounter awesome things in our museum that I had absolutely nothing to do with. Sorry for the delay.
When you count attendance to your museum, do you include: people who eat in the cafe? It''s about museum attendance and how the five big, free museums in St. Summertime concerts at the history museum? Outdoor movies at the art museum? If a kid gets dragged to a museum with their parents, do they count?
Diane is both visionary and no-nonsense about deconstructing the barriers that many low-income and non-white teenagers and families face when entering a museum. Most large American museums are reflections of white culture. Louis homeless shelters to introduce them to the local museums. Why can't new visitors do the same?
I've written about different structures for participatory processes (especially in museums), and recently, I've been interested in how we can apply these structures to the design of public space. A key aspect of this rung is the degree to which children are engaged in critical reflection. Non-Participation 6.
For example, when supporters become members at an art museum or buy season tickets to the ballet, theyre supporting a nonprofit. They also receive tangible benefits discounted admission to the museum, or simply seeing Swan Lake. What inspires their support, beyond the incentive of free guest pass at the museum?
Residents in the three counties that pay the millage will receive special benefits : free admission to the museum and expanded educational programming. I'm focusing on the community response to the prospect of the millage and the way the public debate reflects broader conversations about the public value of the arts. Rebuttal: none.
Last week marked four years for the Museum 2.0 People--especially young folks looking to break into the museum business--often ask me how I got here. Ed Rodley recently wrote a blog post about museum jobs entitled "Getting Hired: It's Who You Know and Who Knows You." hour at the Museum. I made $26/hour at NASA and $7.25/hour
We're launching it with partners at community-based libraries, parks, museums, and cultural centers around the world. As our staff and board became reflective OF our community, more people felt represented. We turned a struggling museum into a thriving community center that is of, by, and for our county. The result?
This week''s guest post is written by Julie Bowen, VP of Experience and Engagement at the Canadian Museum of Nature in Ottawa. Years ago, I was running a workshop at a conference introducing a creativity technique to museum professionals. But it would never work in my museum because my boss would never go for it.”
I don't think she is saying SL is a fad that will go away as other people without her depth of knowledge have articulated. These posts have sparked some thoughtful reflections, from a folks on the Second Life Educator's List and I'm going to quote and summarize a few: The Second Life Doubter's Club. D) is to going. whenever i???
Unsurprisingly, some of my favorite museums are small, funky places run by iconoclasts—but that’s not useful to most professionals who work for organizations in which they have little control over size or leadership matters. What new projects might allow you to better reflect those aspirations? It’s nice to have both.
Every museum has a number for its operating cost per visitor. Most museums don't strategically set this number--too many operating costs are fixed by building needs--but they can use it to assess how expensive each visitor interaction is and evaluate the efficacy of programs. So where do online initiatives fit in?
Last week, Elaine Gurian and I talked about radical change in museums. Former museum start-up queen, Jen is taking a small organization whose goal is to promote girls’ involvement in math and science through research and programming to new, innovative, exciting places. But my background is in museum startups.
All weekend, we've heard uplifting stories about amazing work you all are doing to involve people from all walks of life in museums. There is no other museum conference going on somewhere else in the world today where professionals are sharing proud case studies and helpful tips on how to exclude people. But museums do exclude people.
You can join the conversation in the blog comments, or on the Museum 2.0 It was by articulating it that Oldenberg allowed a common platform of understanding through which others could develop, debate and refine these concepts. Every Tuesday in June, this blog will feature a guest post examining some aspect of the book.
On June 4, we opened The Tech Virtual Test Zone , a new 2000 sq ft gallery at The Tech Museum of Innovation featuring exhibits on the theme of art, film, and music that were originally developed in Second Life by a community of creative amateurs. Some museum pros have been puzzled by this. We inspired a community and got real results.
They take care of your facility, give tours of your museum, welcome attendees to your annual gala, and pass out medals at fundraising races. Your volunteers should be able to clearly articulate what your organization stands for and what makes it worth volunteering for. Volunteers are the backbone of any nonprofit organization.
And then unpacking some case studies that can articulate some of these strategies in action. Is that when fundraising expectations are clearly articulated during recruitment 52% of CEOs report that their boards are actively engaged in an organization’s fundraising efforts.
There are lots of things visitors can’t do in museums. But what about the things that museum professionals can’t (or feel they can’t) do? This week at the ASTC conference, Kathy McLean, Tom Rockwell, Eric Siegel and I presented a session called “You Can’t Do That in Museums!” And so my question is, why are we keeping them away?
What’s in the crystal ball for museums and libraries? The IMLS (Institute for Museum and Library Services) has commissioned a preliminary proposal for an NAS (National Academy of Sciences) report on museums and libraries in the 21st century. What are the essential differences and similarities between libraries and museums?
We organize all of the trending information in your field so you don't have to. Join 12,000+ users and stay up to date on the latest articles your peers are reading.
You know about us, now we want to get to know you!
Let's personalize your content
Let's get even more personalized
We recognize your account from another site in our network, please click 'Send Email' below to continue with verifying your account and setting a password.
Let's personalize your content