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It must be articulate enough to measure progress against, inspiring enough to move people to action, and still broad enough to withstand the test of time. With this clarity of purpose, the nonprofit can focus on its culture. This is where participatory practice comes in to play.
Technical Program Manager, Head of Societal Context Understanding Tools and Solutions (SCOUTS), Google Research AI-related products and technologies are constructed and deployed in a societal context : that is, a dynamic and complex collection of social, cultural, historical, political and economic circumstances. Posted by Donald Martin, Jr.,
One person had brought up the idea of open source as a model for egalitarian participatory economics, and I made a brief comment that it wasn’t all that egalitarian, really. I think that the culture barrier is a really big deal, especially when it comes to dealing with very technical issues. But it needs addressing. {
Chris Brogan’s ritual suggests selecting three words, but I modify it by articulating key themes. I continued an active schedule of teaching workshops on self-care for nonprofit professionals and creating a culture of well being in the nonprofit workplace as well as numerous keynote presentations.
Major research studies by the NEA and others demonstrate that adults well into their 60s are highly motivated to participate actively with cultural experiences. There are many participatory experiences that appeal primarily to adults, and they are designed distinctly for adults. But I don't think that theory holds up.
There's a constant dialogue in participatory work about how to make peoples' contributions meaningful. I've written about different structures for participatory processes (especially in museums), and recently, I've been interested in how we can apply these structures to the design of public space.
Come to this two-day bootcamp to: Articulate your goals for community participation at your organization. Develop compelling, powerful participatory offers and promises for your prospective partners. Tour MAH participatory exhibitions and shadow MAH community events. And it's not just for museum people.
We asked the whole group to brainstorm communities/constituencies who they thought could make a stronger connection with art, history, and culture. At the Santa Cruz Museum of Art & History (MAH), we've started experimenting with a "community first" approach to program development. Six goals for MAH community programs.
What happens when a formal art museum invites a group of collaborative, participatory artists to be in residence for a year? Several artists offer surprising insights into making participatory projects appealing to visitors. Frequently, we get stuck on developing participatory projects or events that serve as many people as possible.
Third, you need to align your idea with institutional culture. This may sound obvious and natural, but it’s easy to underestimate the power of institutional culture. Sometimes staff are unaware of their own cultural biases and requirements even as they manage new projects. There are some ideas that will never fly where you work.
to better articulate what you are really trying to do with your project concept. This relationship bit helped me think about how different kinds of folks will be involved with a highly participatory, community-co-created project in the long-term. readers, who I see as potential co-conspirators).
They articulate the basic questions and knee-jerk reactions in our own minds, carrying us deep into the content from a common starting place. After listening to this clip a few times, I wondered: what if museums dropped the authoritative voice, the cultural voice, the friendly teacher voice, and adopted a novice voice?
A Workshop for Algorithmic Efficiency in Practical Neural Network Training Workshop Organizers include: Zachary Nado , George Dahl , Naman Agarwal , Aakanksha Chowdhery Invited Speakers include: Aakanksha Chowdhery , Priya Goyal Human in the Loop Learning (HiLL) Workshop Organizers include: Fisher Yu, Vittorio Ferrari Invited Speakers include: Dorsa (..)
How do you measure and articulate the value of museums and libraries? How do you measure and articulate the value of museums and libraries? There was strong interest in the NAS report addressing the specific value and use of museums and libraries as part of the cultural, educational, and civic landscape of the U.S.
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