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You’ve read about participatory grantmaking—and maybe even heard about other organizations using this model to distribute control of their funding strategy and grants decisions to the communities they serve. Not sure if participatory grantmaking is for you or maybe you need a refresher on what it is? Is this you?
Community Fund: A Participatory Grantmaking Case Study , by the Chan Zuckerberg Initiative This case study offers a first-hand look at fostering community collaboration in philanthropy. It outlines best practices and specific activities that funders can employ to safeguard and support their participatory grantmaking decision makers.
The whole process of being interviewed for the story made me question the stories we tell and words we use to describe participatory work. I struggled to present my own alternative frame ("community involvement"). What is the metaphor for participatory arts? Ideas Museum of Art and History Museums Engaging in 2.0
Imagine you've just been tasked with developing an innovative, future-thinking national museum for your country's history. Blueprint is the story of a group of people who tried to create a Dutch Museum of National History (INNL). The early participatory projects are terrific. Where would you start?
When we talk about making museums or performing arts organizations more participatory and dynamic, those changes are often seen as threatening to the traditional arts experience. What if historic arts experiences were actually a lot more participatory? But what if the "traditional" arts experiences is a myth?
and Humanity Cash , a tech venture focused on alternative digital currencies. As a platform for such local activity, more participatory forms of engagement are already envisaged—an area “culture pass” for museums and arts institutions is one exciting example—to further stimulate local activity.
Visitors bond and bridge through participatory experiences at MAH. To apply the results of my analysis to produce a community-driven program design specifically for implementation at the Santa Cruz Museum of Art & History (the MAH). You can download and read the full version of my thesis here.
It's a little living room in a lobby area that invites people to lounge on comfortable chairs, leaf through magazines and books related to art and Santa Cruz history, and generally hang out. An unnamed art museum once created an incredible interactive and participatory installation related to a temporary exhibition.
They give high-energy, interactive tours of the Metropolitan Museum and the American Museum of Natural History (AMNH). They were “preaching the museum gospel” in NYC via alternative tours at The Metropolitan Museum of Art. comfort interactives participatory museum programs Unusual Projects and Influences' Today on Museum 2.0,
Last week I was honored to be a counselor at Museum Camp , an annual professional development event hosted by the Santa Cruz Museum of Art & History (MAH). Nina Simon, the executive director of the museum, is an expert in participatory design and fantastic facilitator. I like this alternative to sticky dot voting!
I didn't grow up staring open-mouthed at natural history dioramas or wandering through art galleries. I work in museums because I hate schools and see museums as a viable alternative. There are many parallels between free-choice learning and participatory design. They are active and awesome. I go on hikes.
They also reflect the long arc of what we know is a history with a lot of inequality baked into and embedded within those thoughts, those actions. What are the alternatives? TMG: You were just talking about how, through pulling in centuries of data, a lot of these algorithms are reflections of the past. Humans will never be perfect.
But the design of Side Trip really allows those stories to flourish, both through creative acts like the poster-making and light show and through participatory expression on the rolodexes and the Youtube-a-phone. Projects design participatory museum. It is made for visitors to be creators, explorers, and participants.
I love alternativehistory novels. I was thinking I’d do a few alternativehistories of museums for the first post of the last month of the decade. As I imagined a world without Nina Simon ’s Participatory Museum , I felt sad about all the visitors whose voices (and post-it note comments) weren’t honored.
at the Brooklyn Museum , Tech Virtual at The Tech , and MN150 at the Minnesota History Center. (By Institutions tying their online and onsite activities, as the Ontario Science Centre did when it hosted a YouTube meetup , or the Smithsonian American Art Museum did when they developed an alternate reality game. There is funding.
They provide narratives to the public about how the community or nation sees itself as well as whose histories and perspectives it considers important or worthy of public attention. Even outside of schools, place names operate as a hidden curriculum. The result can be a never-ending name game.
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