This site uses cookies to improve your experience. To help us insure we adhere to various privacy regulations, please select your country/region of residence. If you do not select a country, we will assume you are from the United States. Select your Cookie Settings or view our Privacy Policy and Terms of Use.
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Used for the proper function of the website
Used for monitoring website traffic and interactions
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Strictly Necessary: Used for the proper function of the website
Performance/Analytics: Used for monitoring website traffic and interactions
This week we’ve found apps from museums. Mobile apps are an interesting way for museums to advance their educational missions beyond people’s expectations. You can read seafood guides including one for sushi lovers, browse a full list, or view seafoods categories for Best Choice, Good Alternative, and Avoid.
A new company in New York, Museum Hack , is reinventing the museum tour from the outside in. They give high-energy, interactive tours of the Metropolitan Museum and the American Museum of Natural History (AMNH). The tours are pricey, personalized, NOT affiliated with the museums involved… and very, very popular.
Imagine you've just been tasked with developing an innovative, future-thinking national museum for your country's history. Blueprint is the story of a group of people who tried to create a Dutch Museum of National History (INNL). The Museum directors released Blueprint as a showcase for these plans.
Writing my masters thesis for Gothenburg University’s International Museum Studies program while also working four days a week as the Director of Community Programs at the Santa Cruz Museum of Art & History this spring was certainly a challenge but also an incredible opportunity.
In a recent chapter on the history of the U.S. I can understand why somebody interested in museums wouldn't want to cover ground on health sector management. I also understand why somebody interested in health care wouldn't want to know the ins and outs of museums. Mark Hager is associate professor of nonprofit studies at ASU.
From a museum perspective, I think there's a lot to learn from these venues' business models, approach to collecting and exhibiting work, and connection with their audiences. They have an open collections policy, and they see media artifacts as objects that connect people--to art, to history, to politics, and to each other.
Two weeks ago, my museum was featured in a Wall Street Journal article by Ellen Gamerman, Everybody''s a Curator. I''m thrilled that our small community museum is on the map with many big institutions around the country. I''m glad to see coverage about art museums involving visitors in exhibitions. Community is not a commodity.
Two weeks ago, we inaugurated a Creativity Lounge on the third floor of our museum. It's a little living room in a lobby area that invites people to lounge on comfortable chairs, leaf through magazines and books related to art and Santa Cruz history, and generally hang out. Lisa was thrilled that her work was on display at the museum.
The board meetings alternated between the United States and the UK. Here are a few photos of a few of the myriad of fun activities we had from the Welcome Banner to Indy to visiting the Art Museum to Symphony on the Prairie at Conner Prairie to celebrating a birthday! Part Two – Personal Friendship.
Last Friday night, my museum hosted a fabulous (in my biased opinion) event called Race Through Time. It was a local history urban scavenger hunt that sent teams of 2-5 people out into the city to track down as many historic checkpoints as they could over the course of an evening. Late night mixers at museums for young adults.
When we talk about making museums or performing arts organizations more participatory and dynamic, those changes are often seen as threatening to the traditional arts experience. Museums no longer showed human horns alongside historic documents; theaters made differentiations among types of live entertainment. I can't wait.
and Humanity Cash , a tech venture focused on alternative digital currencies. As a platform for such local activity, more participatory forms of engagement are already envisaged—an area “culture pass” for museums and arts institutions is one exciting example—to further stimulate local activity.
I love alternativehistory novels. I was thinking I’d do a few alternativehistories of museums for the first post of the last month of the decade. As I imagined a world without Nina Simon ’s Participatory Museum , I felt sad about all the visitors whose voices (and post-it note comments) weren’t honored.
Last week, I sat down on a toilet in our museum and found myself looking at an interactive station intended to test a “Legends of the Stall” sign concept for the restrooms. Some of my happiest moments as a director come when I encounter awesome things in our museum that I had absolutely nothing to do with. Sorry for the delay.
Why do you care about and or work in museums? I don't work in museums because I love them. I didn't grow up staring open-mouthed at natural history dioramas or wandering through art galleries. When I visit a new city, I don't clamor to visit museums. I don't work in museums because I love them. I go on hikes.
Last week I was honored to be a counselor at Museum Camp , an annual professional development event hosted by the Santa Cruz Museum of Art & History (MAH). Nina Simon, the executive director of the museum, is an expert in participatory design and fantastic facilitator. I like this alternative to sticky dot voting!
This week, the Denver Art Museum (DAM) opened a new temporary exhibition called The Psychedelic Experience , featuring rock posters from San Francisco in the heyday of Bill Graham and electric kool-aid. It is an incredible museum experience. The visitor is given a copy of her poster and the museum keeps a copy as well.
This guest post was written by Ruben Huele and describes the scenario-based strategic process used at the Dutch Natural HistoryMuseum, Naturalis , to innovate the redevelopment of their permanent collection. Please share your own experiences with alternative strategic planning processes in the comments! Following the Museum 2.0
This week, I heard about a neat renegade art/museum awakening project in Providence, RI: Urban Curators. By utilizing frames that one might expect to find in an art museum or gallery, viewers are forced to make connections between the urban landscape and the museum environment. Tags: Museums Engaging in 2.0
A Community-Based Approach to Collecting and Cataloging CUL is a replicable model for community archives that accepts every piece of print media from a certain area without making quality or importance judgments, going back as far in history as possible. One lives a double life as a soul music collector and DJ.
I've been thinking recently about ways to represent issues (social, political, scientific) in museum settings. Museums often pursue the dual goals of presenting accurate, objective information while encouraging visitors to think for themselves, take a stand, engage with the issue at hand. But is stand-taking always right for museums?
Relative to other museums, I think we spend less time producing an "onstage" experience and more time collaborating with community organizations behind the scenes to empower them to produce. Our museum is growing, and I'm always weighing different ways to expand our impact. I feel great about this approach.
If you have top-level landing pages and want to encourage users to interact more with them instead of the pages below, a standard basic menu may be a better alternative. Example 2: The American Museum of Natural History in New York shows a clear hierarchy of content. Instead, it serves to group content.
No one would contest the idea that most museum exhibitions, art shows, films, books, in short, most content experiences, have value both for the new and return user. Most visitor-generated museum experiences are about creating, not curating, content. Why would someone want to contribute metadata to the museum experience?
Join Our Newsletter is displayed first, followed by links to social media accounts on the Newport Harbor Nautical Museum website. Long Island Children’s Museum has “Join Our Email List” at the top of their website. Harbor HistoryMuseum asks for only the basics. Add it to your Facebook Apps.
How does this question play out in museums? At the 2013 American Alliance of Museums annual conference, a group of exhibition designers explored authenticity in a session called Is it Real? They explored a huge range of museum objects and grey areas of "realness." To remake a thing correctly is to discover its essence.
But Vi doesn't work in a science museum. Beth Harris and Steven Zucker, who are well known in museums for their excellent Smarthistory website and podcasts. Beth Harris and Steven Zucker's content about art history is social and dialogue-based in format. the way the best museums do.
A little less than three years ago at the Computer Science Museum in Mountain View, Calif. The bitter history of the sweetest ingredient. Now, the company has a new name, Supplant, and $24 million in venture capital financing to start commercializing its low-cost sugar substitute made from the waste materials of other plants.
But here I sit, the director of a museum that almost closed, squirreling away money for an operating reserve. What''s the alternative to this waste? Consider the museum I run. We had a dedicated staff that wanted to make this museum as good as it could be. I am part of the problem. And proud of it. But some will.
We've morphed ourselves into an alternatehistory. The museums of the world are collaborating to bring you #MuseumGames every Sunday, with a new crossword puzzle each week featuring clues from all sorts of museums. ??: While donations are going down, global interest in museums seem a boom industry.
Yeah, the Whaling Museum in New Bedford. I’ve been to the Whaling Museum in New Bedford. Use fields provided for alternate names if you can for those nicknames. You may want to know things like their volunteer interest, their history. They’re so like history”? Steven: And it’s not 2:00 a.m.
Today, Museum 2.0 I started the Museum 2.0 blog in 2006 as a personal learning exercise about "the ways that museums do and can evolve from 1.0 I started the Museum 2.0 blog in 2006 as a personal learning exercise about "the ways that museums do and can evolve from 1.0 and watched the Museum 2.0
Another alternative to the Leaders Summit on Climate is the American Climate Leadership Summit , an online gathering of environmental activists happening April 27th - 29th. The University of Utah is planning to present a series of online performance events on April 22nd, most taking place at the campus’ Natural HistoryMuseum of Utah.
Let's dig into the history books. In fact, according to the Museum of London , shoplifters and suffragettes would have served sentences at Islington's notorious Holloway Prison around the same time in the early 1900s. So in other words, this was an alternative route to become a modern woman." Who were the Forty Elephants?
You've probably heard of the Creation Museum , opening tomorrow near Cincinatti. The Creation Museum is itself a creation of the Answers in Genesis ministry, and has the most unique museum mission statements I've ever seen. Does the true story about the history of our universe feel true? The Bible is true."
And despite the incredible tech Verity has built to leap to alternate timelines at will, she is defeated, leaving her enemy the queen of the universe. That is Nish's father, tortured perpetually by museum visitors. That's the absolute horror that candy creator Maria (Siena Kelly) must face in "Bête Noire." — K.P. Total: 9.5
We organize all of the trending information in your field so you don't have to. Join 12,000+ users and stay up to date on the latest articles your peers are reading.
You know about us, now we want to get to know you!
Let's personalize your content
Let's get even more personalized
We recognize your account from another site in our network, please click 'Send Email' below to continue with verifying your account and setting a password.
Let's personalize your content