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What if museums were curated and funded by the internet, and allowed pieces to stay close to their cultural roots, displayed in a context that made sense? Native art in native museums, religious artifacts shown in temples, mosques and churches, and so on? This idea evolved into having an on-chain Museum,” says McLeod.
Last week, I sat down on a toilet in our museum and found myself looking at an interactive station intended to test a “Legends of the Stall” sign concept for the restrooms. Some of my happiest moments as a director come when I encounter awesome things in our museum that I had absolutely nothing to do with. Sorry for the delay.
I've been spending time recently interviewing people who run unusual cultural and learning venues. From a museum perspective, I think there's a lot to learn from these venues' business models, approach to collecting and exhibiting work, and connection with their audiences. Skill-sharing free schools. Community science workshops.
Writing my masters thesis for Gothenburg University’s International Museum Studies program while also working four days a week as the Director of Community Programs at the Santa Cruz Museum of Art & History this spring was certainly a challenge but also an incredible opportunity.
Two weeks ago, my museum was featured in a Wall Street Journal article by Ellen Gamerman, Everybody''s a Curator. I''m thrilled that our small community museum is on the map with many big institutions around the country. I''m glad to see coverage about art museums involving visitors in exhibitions. Community is not a commodity.
Imagine you've just been tasked with developing an innovative, future-thinking national museum for your country's history. Blueprint is the story of a group of people who tried to create a Dutch Museum of National History (INNL). The Museum directors released Blueprint as a showcase for these plans. Where would you start?
When you find a bar with your favorite song on the jukebox, or a museum room that feels like your grandmother's living room, you suddenly feel a strong affinity and are able to see yourself reflected in the space. It may be great for a natural refuge to remain hidden, but that sounds like a disaster for a restaurant or museum.
Two weeks ago, we inaugurated a Creativity Lounge on the third floor of our museum. Lisa was thrilled that her work was on display at the museum. We started a pretty fascinating (and yes, a little frustrating) dialogue about the puzzle and the question of what constitutes desired engagement in the museum.
As an arts and cultural organization, you are among the most trusted sources of information in today’s world. By sharing facts about how to lower the risk of contracting or spreading the disease, arts and cultural organizations can help keep their communities healthy and instill a sense of calm. . Conclusion: .
Last Friday night, my museum hosted a fabulous (in my biased opinion) event called Race Through Time. When Friday night rolled around, we did see a crowd that skewed decidedly younger and hipper than our standard museum audience. Late night mixers at museums for young adults. Museums are not for specific crowds alone.
When we talk about making museums or performing arts organizations more participatory and dynamic, those changes are often seen as threatening to the traditional arts experience. Museums no longer showed human horns alongside historic documents; theaters made differentiations among types of live entertainment. I can't wait.
Admittedly, many of these posts exist in a bubble of inter-referencing (which I am only exacerbating with this post): Clay Lord weighs in on the data about audience representation in Bay Area theater, and the ways that a majority culture can oppress its own value systems on others.
Five years ago, I wrote a post arguing that museum photo policies should be as open as possible. I believe that the ability to take photographs (no flash) in a museum greatly increases many people''s abilities to personalize, memorialize, and enjoy the experience. How many museums? Is there an alternative?
1: Create a Facebook culture inside your organization. Networked Nonprofits have a created a Facebook culture inside their organizations. Want to look at a few inspiring custom landing pages, check these out or cruise through these landing pages of art museums or other nonprofits. What’s missing?
and Humanity Cash , a tech venture focused on alternative digital currencies. As a platform for such local activity, more participatory forms of engagement are already envisaged—an area “culture pass” for museums and arts institutions is one exciting example—to further stimulate local activity.
You run a regional museum. This is the plan that plunged the Berkshire Museum into hot water. In July, the Berkshire Museum released its $60,000,000 New Vision , along with a funding mechanism: selling 40 of its most valuable artworks. It states that museums can only sell objects to purchase or care for other objects.
I was talking this week with Mark Allen, the founder of Machine Project (an alternative arts space in LA), about different models for community engagement in cultural institutions. A museum can be friendly, or serious, or funny, while maintaining a traditional relationship with visitors as consumers of experiences.
Alternatively, arrange pickup times and locations where participants can safely retrieve their wine and cheese before the event. When hosting an in-person auction isn’t an option, a virtual silent auction is a perfect alternative to raise money for your organization. Virtual tours for museums. Virtual silent auction.
The alternative of forcing a login means some members will be frustrated at not getting their discount and ultimately may be dissatisfied with their experience. My kids love to print helmet stickers at the local fire museum and I’m inclined to add my email address to get it sent to my inbox for a record of our visit.
Last week I was honored to be a counselor at Museum Camp , an annual professional development event hosted by the Santa Cruz Museum of Art & History (MAH). Nina Simon, the executive director of the museum, is an expert in participatory design and fantastic facilitator. I like this alternative to sticky dot voting!
What role does “promoting human happiness” play in the mission statements and actions of museums? That’s the question I’m pondering thanks to Jane McGonigal and the Center for the Future of Museums (CFM). Earlier today, the CFM offered a free webcast of Jane McGonigal’s talk on gaming, happiness, and museums.
Why do you care about and or work in museums? I don't work in museums because I love them. When I visit a new city, I don't clamor to visit museums. And while I'll visit museums out of professional (and occasionally personal) interest, I don't do it because of a deep emotional connection. And check out the comments.
Dear Museum 2.0 readers, I'm almost done with the first draft of The Participatory Museum: A Practical Guide , a book that explores the theory, practice, and design techniques for involving visitors and community members in the creation and sharing of cultural content. Tags: participatory museum.
Trendswatch 2015 , the annual forecasting report from the Center for the Future of Museums , is now available! So when AAM and Blackbaud hosted Trends Watch 2015: Using Open Data and Personalization at Museums with Elizabeth Merritt , Michael Edson , and Stephen Watson , attending it was a definite no-brainer!
posted by Karla Lant Lead Writer, Museum of Science and Sustainability. The best marketing campaigns aim to influence culture. Join the open source culture. The open source culture allows many organizations to use the innovations and labor of others and in turn contribute your own organizational strengths and capabilities.
This week, I heard about a neat renegade art/museum awakening project in Providence, RI: Urban Curators. The project achieves this elevation by literally hanging gold, gallery-style frames in derelict spaces within the city, framing objects and views that are of aesthetic or cultural value. Tags: Museums Engaging in 2.0
There are many folks who've written about the problems with "value" membership and have recommended that cultural institutions reorient toward offering "affinity" or "relationship" memberships. Unsurprisingly, museums are loathe to cut or alter membership programs that successfully serve visitors' needs and generate revenue.
Growing a Strong Volunteer Culture Every year, thousands of new librarians and archivists graduate from MLS programs. You go online, and that’s why physical culture is at risk. CUL strives to preserve media, but it’s equally important to us that we encourage existing media cultures and create new access points.
This is the second part of a two-part interview with John Falk and Beverly Sheppard on their book Thriving in the Knowledge Age: New Business Models for Museums and Other Cultural Institutions. I love this idea, but I often find that museum staff are really nervous about making any changes that might alienate current members/donors.
The museum was in huge financial trouble. but I felt like I didn't have any alternative formats to draw on. My expertise was on inviting strangers to participate in public settings like museums. Creating event-specific rules can level the playing field, make the implicit explicit, and create a specific culture for the event.
We share an abiding interest in exploring the community-enhancing roles of libraries, archives, and museums (LAMs), especially in terms of the practice of hospitality and service within the institution. Nina's research keeps finding that the right kind of constraints work to produce a better participatory museum experience.
Culture Change. It is important to explore both positives and negatives perceptions and alternatives. Beth Kanter, Social Media Strategy Is Everywhere in the Organization - Indianapolis Museum of Art. Message in A Box : Search Engine Optimization. Message in A Box Email Marketing. Message in A Box : Web Site Planning.
Welcome to the first installment of the Museum 2.0 While every post at Museum 2.0 Elaine Gurian, author of this summer’s book, Civilizing the Museum , will also be popping into the conversation as her time and interest permits. And if you're planning ahead, next week we'll look at chapter 6, Timeliness: A discussion for museums.
Today, the Luce Center at the Smithsonian American Art Museum (SAAM) is launching what they claim is the first ever alternate reality game (ARG) in a museum. Why would an art museum create an ARG? To tap into maker culture. To expand their audiences. The game website is clear. Coincidence? I think so.
She is an expert in alternate reality gaming (ARGs), the first woman to keynote at the Game Developers Conference, and she’s thrown down the gauntlet for a game designer to win a Nobel Prize in the sciences by 2032. I think about this a lot with regard to museums and data. Jane McGonigal wants to make it happen.
Alternatively, you can also pre-record your live-stream. Some great crowdfunding options include: Virtual programs Employee salaries or sick leave Operational expenses The services you provide (especially if you are on the front lines with COVID) Cultural competency/improvements Supporting the community. Virtual Race.
I've been thinking recently about ways to represent issues (social, political, scientific) in museum settings. Museums often pursue the dual goals of presenting accurate, objective information while encouraging visitors to think for themselves, take a stand, engage with the issue at hand. But is stand-taking always right for museums?
Welcome to the second in the four-part series on comfort (and its boundaries) in museums, a day late but just as tasty. I came out of it truly amazed by the power of the museum—not just to elicit laughter, but also to induce bizarre and voluntary acts of silliness in front of and with strangers. By sending people on missions.
In almost all cases, museums assure me that they want to be in conversation, that they want to be responsive, that they want to “really hear” what people think. Sadly, it was the second story that was about a museum. Is this a research project? It is an exhibit of user-generated content? Is it a conversation? Let’s start there.
The longer I consult with museums and cultural institutions, the more time I spend peering into people's eyes, wondering: do folks here feel able to innovate? But overall, I found his approach effective and strongly preferable to the common alternative--an anthology of case studies devoid of connections or overriding conclusions.
I used that instruction recently to kick off a meeting at a museum planning a participatory education space. We spend most of our time studiously ignoring strangers, and it takes extraordinary situations to overcome those cultural mores and fears. Interestingly, at the City Museum in St. Tags: participatory museum.
While virtual fundraising events were simply a quick alternative, they actually proved to be a convenient and effective way to engage with donors. You can procure items that encourage residents to explore the city in a fun way, such as local restaurant gift certificates or tickets to museums or sports games.
While they're scrambling to figure out "new media" alternate entities spring up around them that exist only online. Museum APIs: What Are They Good For? In Museums, context can be hard to come by. Cultural institutions are increasingly developing APIs and linked-data repositories. Submitted by Dave Cohn.
How does this question play out in museums? At the 2013 American Alliance of Museums annual conference, a group of exhibition designers explored authenticity in a session called Is it Real? They explored a huge range of museum objects and grey areas of "realness." To remake a thing correctly is to discover its essence.
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