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Another point of intersection here for me is Henry Jenkins recently published 72-page white paper " Confronting the Challenges of Participatory Culture: Media Education for the 21st Century." the ability to adopt alternative identities for the purpose of improvisation. Expressions (media creation, mashups, etc).
This question is a byproduct of the reality that most participatory projects have poorly articulated value. When a participatory activity is designed without a goal in mind, you end up with a bunch of undervalued stuff and nowhere to put it. Are you making that shift in your thinking about participatory project design?
Visitors bond and bridge through participatory experiences at MAH. The program is an experimental playground that bridges artists, students, chefs, comedians, hairdressers, bartenders, dancers, wrestlers and even tattoo artists to produce a community-led event. Cardboard tube orchestra at Radical Craft Night.
She is a fabulous and thoughtful artist. The same day we opened the Creativity Lounge, we opened new exhibitions throughout the building, including a paper collage show in the 3rd floor lobby by local artist Lisa Hochstein. Note: Thanks to Lisa Hochstein for allowing me to quote her emails in this post.
Last month, I met an artist who was part of a group that created a renegade podcast tour for the Portland Art Museum. The participatory element employs an accessible speculative question. The participatory element is modeled well by the "official" content. I enjoyed listening to it (virtually, not at the museum).
I think the bathroom wall made this possible by being an alternative for those who wanted to be a little less focused and just have fun with sharpies. Tags: evaluation exhibition design participatory museum usercontent. There was not a SINGLE off-topic or inappropriate submission on the post-it walls.
The groups can use three different approaches: physical, artistic, or traditional word presentation. Not only does the activity support local artists, it challenges how outsiders and insiders engage with each other and share knowledge in a conference setting. The VSA will be doing post-conference evaluations to find out.
Here’s what happened: an art critic named Jerry Saltz posted an incendiary note on Facebook about the very low representation of women artists on the 4th and 5th floors (painting and sculpture) of MoMA. When those spaces are factored in, there are more than 250 works by female artists on view now. Let’s start there. But don't despair.
It's my "artistic rendering" of one of the most inspirational participatory projects I know of--the Bibliotheek Haarlem Oost book drops. Too often, cultural institutions design participatory projects that require visitors to learn new tools or make sacrifices to contribute. Tags: design participatory museum.
So you see a lot of backlash against AI right now, because you see artists who have been ripped off by AI platform companies that have scraped their artwork and used it without compensation or credit.9 What are the alternatives? Were using them instead in ways that someone else can make money from most quickly.
When we talk about making museums or performing arts organizations more participatory and dynamic, those changes are often seen as threatening to the traditional arts experience. What if historic arts experiences were actually a lot more participatory? But what if the "traditional" arts experiences is a myth?
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