Alternative Artist Culture Influence 
Museum 2.0
JULY 26, 2010
I've been spending time recently interviewing people who run unusual cultural and learning venues. In the past, I've highlighted a few--like 826 Valencia and the Denver Community Museum --that I think have already influenced the way many traditional cultural organization do business. Skill-sharing free schools.
Beth's Blog: How Nonprofits Can Use Social Media
AUGUST 1, 2009
The same constructs which were discussed around combating issue fatigue can be used in creating a cultural movement around an issue. There are a few foundational questions to be asked before building a cultural movement through the use of media and storytelling. that effective cultural movements move.
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Museum 2.0
FEBRUARY 13, 2013
Admittedly, many of these posts exist in a bubble of inter-referencing (which I am only exacerbating with this post): Clay Lord weighs in on the data about audience representation in Bay Area theater, and the ways that a majority culture can oppress its own value systems on others.
Museum 2.0
DECEMBER 29, 2009
It's my "artistic rendering" of one of the most inspirational participatory projects I know of--the Bibliotheek Haarlem Oost book drops. Too often, cultural institutions design participatory projects that require visitors to learn new tools or make sacrifices to contribute. Read the original post on this project for more info.
Museum 2.0
AUGUST 8, 2010
That means we collect university press, handmade artist books, zines made by sixth graders, poetry chapbooks from big names published in tiny local presses, and self-published poetry chapbooks sold for a dollar on the street. Growing a Strong Volunteer Culture Every year, thousands of new librarians and archivists graduate from MLS programs.
Museum 2.0
SEPTEMBER 29, 2009
In his identity work , John Falk determined that people use cultural institutions to reflect their personal self-concept as learners, social leaders, spiritual pilgrims, hobbyists, and experience seekers. Tags: design Unusual Projects and Influences inclusion.
Museum 2.0
JULY 24, 2012
They voted on the best plays in the days of Sophocles, stormed the symphony halls when confronted with artistic dischord, and talked and wrote about what they saw and what they thought. In a time of intense socio-economic division, the concept of cultural hierarchy smacks of elitism. What exactly constructed the passive arts audience?
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