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A collective history of Winamp skins, all aggregated onto one infinitely scrolling page isn't something you know you need -- until you see it. Frankly, this is what 2020 has been missing. From Final Fantasy VII to Surge, the whole gang is here.
CardsThatGive.org aggregates some of the best holiday card programs offered by nonprofits, but some of my favorites and th0se most-recommended by the fans of the Nonprofit Organizations Facebook Page are listed below: 1. Museum of Modern Art :: View Collection. National Wildlife Federation :: View Collection.
The Brooklyn Museum has done a lot with FourSquare, like sharing promotions and building visible community; check out the write up on the FourSquare blog or on the Museum’s site. Estrella Rosenburg shares her case study using FourSquared in the 100×100 campaign on the Community Organizers 2.0 Meetup Everywhere.
The Art Museum Social Tagging Project is a group of art museums is looking at integrating folksonomies into the museum Web by developing a working prototype for tagging and term collection, and outlining directions for future development and research that could benefit the entire museum community. A tag is a user???s
I use an RSS reader to aggregate articles to read, a bookmarking tool (pinboard) to save links of interest, and conversational tools (Twitter and Facebook) to share. At our museum, Pinterest is a primary tool for brainstorming and sharing ideas. But what''s awkward for me is actually probably very good for museums. Projects'
“ Marnie talks about the importance of data aggregation and synthesis skills as a new competency for nonprofits. She says, &# Social media, and the robust search and listening tools available to us today, can help us find the people who are talking about, the people who are supporting our causes.
El Museo Reimaginado is a collaborative effort of museum professionals in North and South America to explore museums' potential as community catalysts. I'm generalizing grossly here, but for the most part, I find European museums to be conservative. I find North American museums to be risk-averse.
When a technologist calls me to talk about their brilliant idea for a museum-related business, it's always a mobile application. There are lots of wonderful (and probably not very high margin) experiments going on in museums with mobile devices. Most visitors to museums attend in social groups.
Nonprofitorgs on Twitter is an aggregator of nonprofits on Twitter and is following over 2,000 nonprofits. Brooklyn Museum With over 21,000 followers, the Brooklyn Museum, one of the oldest and largest museums in the country, is having discussions about art with art patrons and other art museums on Twitter.
Nina Simon, Museum 2.0 (We'll be doing the nitty gritty in October) For some reason, I landed on this excellent post by Nina Simon that categorizes different types of museum blogs. Examples: C3: Colorectal Cancer Coalition Un Dispatch Easter Seals Autism Blog Indiana Art Museum.
YBCA:YOU is an intriguing take on experiments in membership and raises interesting questions about what scaffolding people need to have social and repeat experiences in museums. But we were convinced that no survey, questionnaire, or aggregated data could provide the nuances and subtleties that come with a face-to-face meeting.
While some museums are using the tool in clever public-facing ways , that's not what's happening here at the MAH. At our museum, our programs team is using Pinterest to develop ideas for upcoming community events. It aggregates design inspiration in a central place we all can share. And that central place happens to be public.
We looked at the museum map on the wall. There was a recent post on the ASTC listserv from a museum planning to revamp their wayfinding system. The wayfinding question in museums—or any complex space—is multifaceted. When the aggregate names are abstract, it’s hard to know what to expect. It had considerably fewer than 1.3
Farra, along with Thomas Negron and Charles Lenchner, invited Foursquare founder Naveen Selvadurai and Brooklyn Museum's Shelley Bernstein to their June 501 Tech Club. You can see the aggregated Tweets from the NYC 501 Tech Club here. Read the article for Farra's takeaways and tips for nonprofits. he thinks are worth reading.
In 2008, I wrote a post arguing that museums should focus on the pre-visit, not the post-visit, if they want to capture and retain visitors. I said: In many ways, the ability to successfully set a powerful and useful expectation for museum experiences is MORE valuable than the ability to extend said experience. Reader, I was wrong.
Nik inquired as to how I feel about museum blogs. what's your take on museums that keep blogs? In general, yes, I think that museums maintaining blogs is an effective, cheap way to get changing content out to the public frequently. version of the news clippings tackboard on “Current Events” in hallways of some museums.
I like to ask myself this question periodically, challenging myself to find substantive ways for visitors to contribute to our museum. And when I think back on the past year, some of the most magical things that have happened at the museum have NOT been designed by us. We don't have to convince them that it's their museum.
Submitted by Nina Simon, publisher of Museum 2.0. I’ve had it with museums’ obsession with open-ended self-expression. There are so many more people who join social networks, who collect and aggregate favored content, and critique and rate books and movies. And yet many museums are fixated on creators.
I’ve had it with museums’ obsession with open-ended self-expression. There are so many more people who join social networks, who collect and aggregate favored content, and critique and rate books and movies. And yet many museums are fixated on creators. This is a problem for two reasons.
Every time a colleague tells me her museum has just hired a "community person," a part of me cringes. While subsequent museum staff have kept the project going, the community had connected with me as the focal point, and there has not been a new person who has been able to comparably rally the community to high levels of activity.
I've long believed that museums have a special opportunity to support the community spirit of Web 2.0 This month brings three examples of museums hosting meetups for online communities: On 8.6.08, the Computer History Museum (Silicon Valley, CA) hosted a Yelp! Me: Have you ever been to this museum? meetup for Elite Yelp!
Twubs is a Twitter chat management tool that aggregates tweets, pics, and video into branded hashtag pages. Museum of Me :: intel.com/museumofme. A Facebook app that creatively displays you and your Facebook friends in a virtual museum. Twubs :: twubs.com.
About three months ago Beth Kanter wrote about the Crowdsourcing of Vision at the Smithsonian Museum. Crowdsourcing collective wisdom refers to the aggregation of anonymously produced data from groups of independent, diverse and decentralized people (crowds). That's where this post about crowdsourcing came out of it!
Don't want to deal with RSS readers or feed aggregators? Well, now, thanks to Feedblitz, Museum 2.0 You'll see a new box in the sidebar where you can sign up for a weekly email with the full content of that week's Museum 2.0 comes right to your (email) door.
I spent last week working with staff at the Minneapolis Institute of Art (MIA) on ways to make this encyclopedic art museum more open to visitor participation across programs, exhibitions, and events. All artworks delivered to the museum during the submission period will be accepted and presented; no one is turned away.
Thanks to Bryan Kennedy from the Science Museum of Minnesota for providing this overview/reflection on the Museums and the Web conference that recently concluded in Montreal. Museums and the Web 2008 guest blogger Bryan Kennedy here. This multi-museum collaborative is undertaking a thoughtful process to tackle these issues.
Imagine that your museum is ready to start creating content on a small-scale in Web 2.0. Imagine you are the Boston Museum of Science, and you are ready to make some videos to post on YouTube. When I search for "Boston Museum of Science" on YouTube, I find 83 videos. You're ready to make a few videos to post on YouTube.
On Musematic , Holly Witchey has rigorously recorded her recent experience at WebWise, a " IMLS/RLG/OCLC/Getty sponsored conference" on Libraries and Museums in the Digital World that was held March 1-2. To museum ears, this is fairly blasphemous--the idea that people want to use our content, not our exhibits. content providers.
Which museums have experience creating collection tagging systems? The Museum Computer Network and Museum Software Foundation have teamed up to bring you MuseTech Central , a site where you can share your own technical projects and search through a growing resource list of others. Who's doing audio tours on iPods?
Further, they don't even need to create their own content, just as a museum curator rarely hangs his/her own work next to a Da Vinci. Packrat: I think of digital pack rats as using tags and rss to aggregate information - the huge, unfiltered tag stream. Steve Rubel called them "Aggregators." The other terms.
On a recent trip to DC, an old friend showed me around a new exhibit at the US Holocaust Memorial Museum (USHMM), From Memory to Action: Meeting the Challenge of Genocide. The paper is perforated with one section for the promise, which visitors keep, and another section for a signature, which visitors leave at the museum.
On Monday, I gave the keynote at the Museums in Conversation conference in Tarrytown, NY. I learned to cultivate creative greed while working on Operation Spy at the International Spy Museum, where I was lucky to be working on a project that was so new to us that we didn't have any pre-established models or structures for doing it.
I've become convinced that successful paths to participation in museums start with self-identification. The easiest way to do that is to acknowledge their uniqueness and validate their ability to connect with the museum on their own terms. Who is the "me" in the museum experience? Not so at museums.
At our museum, we''re making a big effort to increase our engagement with local Latino families. I started by: subscribing to some mainstream aggregators, like Huffington Post Latino Voices , Latino USA , Colorlines , Codeswitch. How did I find these sources? Salvador gave me suggestions of websites and influencers to check out.
How can you make your museum website more effective in driving traffic and raising awareness of your institution? But there is a simpler, more impactful way for museum websites to become more visible, cited, and visited in the online landscape. Museums are creating “walled gardens,” and it hurts online visibility and impact.
These virtual libraries are meant to support different aspects of student learning, making the aggregate and perhaps distributed content of a physical library more accessible. " Research on virtual worlds used for education, libraries, and museums continues to expand.
The museums of the world are collaborating to bring you #MuseumGames every Sunday, with a new crossword puzzle each week featuring clues from all sorts of museums. ??: While donations are going down, global interest in museums seem a boom industry. Do we refer to Mar a #museum social media guru, maven, connoisseur?
I'll be doing a presentation on a panel at the Museum Computer Network Conference in two weeks on this topic and in early 2008 for the Legal Services Corporation. You talk about aggregating content, but what about comments/conversation on the blog? | View | Upload your own. This is work in progress. What data matters most?
I've written before about three types of museum users: contributors, lurkers, and judges. Digression: Some people have commented that my hierarchy of social participation suffers this fault by implying that museums should be trying to level up to higher social engagement. design participatory museum.
Seb Chan of fresh + new, the blog from the Powerhouse Museum in Australia, ran with this idea to comment on the impact of disaggregation on the way that visitors use museum collections available on the web. I'd like to approach this concept from a physical, in-museum perspective. Aggregation is often a very personal thing.
context: How are museums encouraging stickiness and user investment in their proposed and in some cases, already developed, post 2.0 situation unless museums can get the ???stickiness??? Seb Chan, of the Fresh + New Blog, raises an interesting question about web site stickness in a web2.0 era websites. I expect it isn???t stickiness???
It’s a news aggregator that pulls from your social media feed to create an e-newspaper that you can send out. Check out the San Francisco Ballet Tumblr site, or the Philadelphia Museum of Art to see how nonprofit organizations are using the site. This site helps us eliminate some of the steps and streamline the process.
But the aspect that most excited me were the discussions about active participation in museums. But the concepts behind them are powerful and useful in the discussion about the future of museums. No museum is as flexible or participatory as the Web has become. dynamic content aggregation and network machines).
Last month at the AAM conference, a speaker said, "we should all be using measures of quality of life to measure success at our museums." Many museums (mine included) are fairly new to collecting visitor data. In others, someone is already aggregating it. I got excited. "We I got tingly. She killed the mood.
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