Remove Aggregator Remove Artist Remove Flickr Remove Participatory
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Guest Post by Nina Simon -- Self-Expression is Overrated: Better Constraints Make Better Participatory Experiences

Beth's Blog: How Nonprofits Can Use Social Media

When I talk about designing participatory experiences, I often show the above graphic from Forrester Research. The point, in the context of this conversation, is that a minority of social media users are creators—people who write blog posts, upload photos onto Flickr, or share homemade videos on YouTube.

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Self-Expression is Overrated: Better Constraints Make Better Participatory Experiences

Museum 2.0

When I talk about designing participatory experiences, I often show the above graphic from Forrester Research. The point, in the context of this conversation, is that a minority of social media users are creators—people who write blog posts, upload photos onto Flickr, or share homemade videos on YouTube.

professionals

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Brooklyn Clicks with the Crowd: What Makes a Smart Mob?

Museum 2.0

Click is an exhibition process in three parts: The Museum solicited photographs from artists via an open call on their website, Facebook group, Flickr groups, and outreach to Brooklyn-based arts organizations. All evaluations are private; all artists are unnamed. They are sensitive to the artists who are being judged.

Museum 24
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Foot in the Door: A Powerful Participatory Exhibit

Museum 2.0

While there, I was lucky to get to experience a highly participatory exhibition that the MIA mounts once a decade: Foot in the Door. The rules are clear: anyone who lives in Minnesota and considers her/himself an artist can contribute one piece. I also think it would be useful for the MIA to aggregate blog posts, Flickr photos, etc.

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Social Architecture Part 2: Hierarchy, Taxonomy, Ideology (and Comics)

Museum 2.0

In Chapter 3, McCloud identifies six different methods by which comic artists transition from one panel to another (for example, scene-to-scene or action-to-action). X-Men) and artists. On blogs and aggregators that draw heavily from 3 and 4. Ideas design participatory museum interactives. But now, web usage is different.