Museum 2.0

MARCH 16, 2009

I’ve had it with museums’ obsession with open-ended self-expression. When I talk about designing participatory experiences, I often show the above graphic from Forrester Research. These are all active social endeavors that contribute positive value to the social Web. And yet many museums are fixated on creators.

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Participatory Experiment Museum Teen 44

Museum 2.0

JUNE 29, 2009

By a strange and lucky coincidence, I was at the Experience Music Project and Science Fiction Museum (EMPSFM) in Seattle for a two-day workshop. EMPSFM is one of a handful of museums worldwide for which the death of the King of Pop is a very big deal. Are museums only relevant when they can serve our most pressing needs?

Museum 34

Museum Teen Learning Music 34

Museum 2.0

FEBRUARY 9, 2010

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" I was surprised by her question.

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Museum Difference Participatory History 29

Museum 2.0

JANUARY 16, 2013

It's not every day that a visitor buys pizza for everyone in the museum. Then again, Saturday was hardly normal at the Santa Cruz Museum of Art & History. The group was mostly young (teens to thirties) and nerd-diverse: a little bit punk, a little bit hacker, a little bit craft grrl. It was pretty freaking amazing.

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Reflection Community Museum Participatory 43

Museum 2.0

AUGUST 19, 2015

One of my favorite comments on the first post in this series came from Lyndall Linaker, an Australian museum worker, who asked: " Who decides what is relevant? Who interprets the interests of the community and decides on the relevant themes and activities for the year? The program works because it is teen-centered, not museum-centered.

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Teen Museum Voice Arts 20

Museum 2.0

SEPTEMBER 20, 2011

Last Friday night, my museum hosted a fabulous (in my biased opinion) event called Race Through Time. The event was oversold, and participants raved about the experience. When Friday night rolled around, we did see a crowd that skewed decidedly younger and hipper than our standard museum audience. Performances just for teens.

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Audience Develop Museum History 52

Museum 2.0

AUGUST 3, 2008

I’ve received a few inquiries over the last year about museums and geocaching. to ask him all the dumb questions about geocaching and museums you can imagine… and a few more. to ask him all the dumb questions about geocaching and museums you can imagine… and a few more. Leary , is something of an expert. I sat down with Seth!

Museum 20

Museum Teen Arts Project 20

Museum 2.0

MARCH 27, 2009

This week, the Denver Art Museum (DAM) opened a new temporary exhibition called The Psychedelic Experience , featuring rock posters from San Francisco in the heyday of Bill Graham and electric kool-aid. I happened to be at DAM for work and got to experience this amazing exhibit. It is an incredible museum experience.

Denver 21

Denver Museum Arts Remix 21

Museum 2.0

APRIL 18, 2008

Thanks to Bryan Kennedy from the Science Museum of Minnesota for providing this overview/reflection on the Museums and the Web conference that recently concluded in Montreal. Museums and the Web 2008 guest blogger Bryan Kennedy here. The back-channel was an especially active and important part of the conference this year.

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Museum Web Teen Flickr 20

Museum 2.0

AUGUST 18, 2008

I've long believed that museums have a special opportunity to support the community spirit of Web 2.0 This month brings three examples of museums hosting meetups for online communities: On 8.6.08, the Computer History Museum (Silicon Valley, CA) hosted a Yelp! Me: Have you ever been to this museum? meetup for Elite Yelp!

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Museum Hosting Model Community 22

Museum 2.0

JULY 31, 2013

I spent the weekend queuing up posts for my forthcoming blog-cation--nine weeks of guest posts and reruns from the Museum 2.0 You''re in for a treat, with upcoming posts on creativity, collections management, elitism, science play, permanent participatory galleries, partnering with underserved teens, magic vests, and more.

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Museum Participatory Reflection Conference 35

Museum 2.0

SEPTEMBER 12, 2012

In the spirit of a popular post written earlier this year , I want to share the behind the scenes on our current almost-museumwide exhibition at the Santa Cruz Museum of Art & History, Santa Cruz Collects. Coming off that experience, we wanted to prove that we could have great design AND great participation in this show.

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Participatory Museum History International 44

Museum 2.0

NOVEMBER 7, 2010

Last week marked four years for the Museum 2.0 People--especially young folks looking to break into the museum business--often ask me how I got here. Ed Rodley recently wrote a blog post about museum jobs entitled "Getting Hired: It's Who You Know and Who Knows You." hour at the Museum. I made $26/hour at NASA and $7.25/hour

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Museum Boston Participatory Job 52

Museum 2.0

APRIL 7, 2009

Which of these descriptions exemplifies participatory museum practice? Museum invites community members to participate in the development and creation of an exhibit. Museum staff create an exhibit by a traditional internal design process, but the exhibit, once open, invites visitors to contribute their own stories and participation.

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Participatory Design Difference Museum 27

Museum 2.0

DECEMBER 14, 2009

Unsurprisingly, some of my favorite museums are small, funky places run by iconoclasts—but that’s not useful to most professionals who work for organizations in which they have little control over size or leadership matters. I worked on one project in which the client institution thought they wanted unfettered teen expression.

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Project Museum Teen North Carolina 22

Museum 2.0

FEBRUARY 18, 2010

They were nervous but ready for the challenge, and when I explained the idea of social objects (external objects that can be the basis for conversation) they got pretty engaged in the activity. After this was all over, we talked about the experience. What's your experience? And in this way, they're no different from many adults.

Life 21

Life Teen Culture Attitude 21

Museum 2.0

AUGUST 7, 2008

Please let me know (since I'm listening) whether this length is a benefit or a detriment to your experience. For many museums, visitor research--how people use the museum, navigate exhibits, and understand content--may be an equally important arena in which to adopt groundswell listening techniques.

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Museum Teen Second Life Discussion 20

Museum 2.0

MAY 5, 2009

I just returned from the American Association of Museums (AAM) annual meeting in Philadelphia. I led two sessions, one on visitor co-created museum experiences, and the other on design inspirations from outside museums. what is the value of the exhibition experience to non-participants, that is, regular museum visitors?

Slides 20

Slides Participatory Museum Children 20

Museum 2.0

AUGUST 3, 2009

Last month, the Christian Science Monitor published an article entitled, "Museums' new mantra: Connect with community." It took me a couple weeks (and various museum blog responses ) to realize what bugs me about this article--it treats "connecting with community" as a marketing ploy, a "mantra" rather than a mission.

Community 22

Community Museum San Diego San Francisco 22

Museum 2.0

JULY 9, 2007

Last week, Elaine Gurian and I talked about radical change in museums. Former museum start-up queen, Jen is taking a small organization whose goal is to promote girls’ involvement in math and science through research and programming to new, innovative, exciting places. Braincake isn’t some fakey attempt to pander to teens.

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Interview Museum Teen Myspace 20

Museum 2.0

SEPTEMBER 16, 2007

Sure, it's social, but people stick to their own "pods"--families, teens, adults--and don't diverge or merge. But the best reason I can imagine has to do with barriers and shared experience. Out on the boardwalk, or at the zoo or a museum, there's a common experience of the sights, sounds, smells, activities of the place.

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Museum Participatory Teen Game 20

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 3, 2008

I wanted to listen to what was on their minds in general, although I was particularly keen on hearing any discussions or snippets about social change, nonprofits, and activism. EngageJoe.com blogs about his experiences spearheading and contributing to social change mashups and working with nonprofits on online strategy. Philanthropy.

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Blogger Change Social Philanthropy 50

Museum 2.0

MAY 16, 2007

The recent flurry of restrictions that has sent teens fleeing? into the museum is the potential to encourage more positive in-museum interactions among strangers. I want in-person museum experiences to be more like experiences on social sites like Flickr, where strangers connect and form relationships around content.

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Museum Myspace Facilitation Social Network 20

Museum 2.0

OCTOBER 30, 2007

This week, we're looking at the first section, Talking Back and Talking Together , which features comment boards, talk-back walls, and discussion forums at a variety of museums. A bit of business before we get started: next Tuesday, we'll cover section 2, Contributing Personal Experience. I invite you to do the same in the comments.

Voice 20

Voice Museum Pledge Lesson 20

Museum 2.0

JUNE 12, 2012

Going to MAH and seeing the LOVE exhibition on First Friday was a wonderful experience. Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution. The Love Lounge I LOVE.

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Participatory Museum Blackboard Game 51

EveryAction

MARCH 16, 2017

But her experience and those of the residents in her community inspired her greatest work, A Raisin in the Sun , the first play written by an African American to be produced on Broadway. Lorraine Hansberry. Edmonia Lewis. Gentileschi is remembered, however, as an accomplished Baroque artist whose trials did not define her art. Dorothy Arzner.

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Story Angola Sierra Leone Artist 133

Museum 2.0

MAY 8, 2013

Like a lot of organizations, my museum struggles with two conflicting goals: The museum should be for everyone in our community. We''re more successful when we target particular communities or audiences and design experiences for them. It''s impossible for any organization or business to do a great job being for everyone.

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Museum Social Arts History 55

Museum 2.0

APRIL 18, 2012

Last Friday, I witnessed something beautiful at my museum. A group in their late teens/early 20s were wandering through the museumwide exhibition on love. When I walked by the first time, the teens were collaging and Kyle and Stacey were talking. At museums, we mostly bond with the friends and family with whom we attend.

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Community Teen Build Social 42

Museum 2.0

FEBRUARY 7, 2011

Maybe it's a live music concert, or a museum visit, or a play. Museums and other venues are offering special programs for teens, for hipsters, for people who want a more active or spiritual or participatory experience. You have a great time. What will it take for you to do it again?

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Arts Museum Music Calendar 50

Museum 2.0

APRIL 30, 2007

James Yasko is writing an article for an upcoming issue of Museum News on museums and Web 2.0. Here's the question: What advice do you have, as one who keeps up with technology as it relates to museums, to a group looking to incorporate Web 2.0 Has your tagging system increased overall google hits for the museum?

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Museum Advice Interview Web 20

Museum 2.0

NOVEMBER 18, 2008

In many museums, comment cards are currently the most "participatory" part of the visitor experience. These services could be a powerful, cheap alternative to comment cards--especially those that are focused towards making suggestions about the museum. Simple, understandable functionality. Focuses users on prioritizing ideas.

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Comment Tools Museum Conversation 20

Museum 2.0

SEPTEMBER 11, 2007

When I talk with museum people about virtual worlds, the conversation usually centers on Second Life. And sure, by some metrics, it's the biggest, most fully realized 3D world out there, full of user-generated content, sex shops and waterslides, and a whole lot of buggy, experimental experiences. So what does this mean for museums?

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Second Life Teen Virtual Museum 20

Museum 2.0

AUGUST 27, 2014

Like a lot of organizations, our museum sends out a weekly email to folks who are interested in upcoming events, exhibitions, and happenings at our museum. In the past few months, we''ve started to experiment with sharing documentation on the e-blast. marketing Museum of Art and History web2.0' Just the facts, ma''am.

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Museum Teen Language Help 38

Bloomerang

APRIL 2, 2021

And we’re going to talk about this, how to create that frictionless, seamless experience for your donors. Now, and I can even speak from my own experience, the majority of the time I spend on social media is connecting with brands, and celebrities, and causes that I’ve never met. We couldn’t do tours. Totally free.

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Social Media Trend Video Marketing 82