Beth's Blog: How Nonprofits Can Use Social Media

JULY 1, 2009

When I talk about designing participatory experiences, I often show the above graphic from Forrester Research. These are all active social endeavors that contribute positive value to the social Web. Museums see open-ended self-expression as the be-all of participatory experiences. And yet many museums are fixated on creators.

Participatory 50

Participatory Experiment Museum Teen 50

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 26, 2006

Another point of intersection here for me is Henry Jenkins recently published 72-page white paper " Confronting the Challenges of Participatory Culture: Media Education for the 21st Century." " He describes what Ian observed what happened with his youth audience. Expressions (media creation, mashups, etc).

Participatory 50

Participatory Teen Vlog Mashup 50

Museum 2.0

SEPTEMBER 26, 2012

Visitors bond and bridge through participatory experiences at MAH. Assess and Respond to Community Assets and Needs If you want to activate community engagement in your programs, you first need to work together with your communities to determine their diverse needs, assets and interests.

Museum 49

Museum Program Participatory Community 49

Museum 2.0

JUNE 24, 2010

The new building was designed to meet neighborhood needs--not just in the content covered, but in the inclusion of spaces made for particular kinds of activities sought by locals (i.e. It incorporates work by local artists, old and new construction, and is completely gorgeous. But participatory facilitation can be taught.

Museum 51

Museum Participatory Model Seattle 51

Museum 2.0

DECEMBER 29, 2009

It's my "artistic rendering" of one of the most inspirational participatory projects I know of--the Bibliotheek Haarlem Oost book drops. Too often, cultural institutions design participatory projects that require visitors to learn new tools or make sacrifices to contribute. Tags: design participatory museum.

Participatory 40

Participatory Project Library Netherlands 40

Museum 2.0

MARCH 16, 2009

When I talk about designing participatory experiences, I often show the above graphic from Forrester Research. These are all active social endeavors that contribute positive value to the social Web. Museums see open-ended self-expression as the be-all of participatory experiences. And yet many museums are fixated on creators.

Participatory 44

Participatory Experiment Museum Teen 44

Museum 2.0

JUNE 10, 2015

And so, one of the most successful, accidental, and fraught participatory projects of the past decade comes to an end. The "love locks" are not a project with an institutional or artistic director. So many participatory projects do the opposite, requiring you to take a dozen tricky steps to no meaningful end.

Participatory 20

Participatory Project Artist Instruction 20

Museum 2.0

OCTOBER 15, 2009

Over the past year, I've noticed a strange trend in the calls I receive about upcoming participatory museum projects: the majority of them are being planned for teen audiences. Why are teens over-represented in participatory projects? If your activity is compelling because it involves gimmicky new technology, it's not a good activity.

Teen 24

Teen Participatory Experiment Museum 24

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 25, 2011

And the Producers Institute is a 10-day workshop that brings together a select group of documentary filmmakers and technologists to create outreach and activism strategies using online and mobile tools for activism.

Guatemala 93

Guatemala Movie Artist Award 93

Museum 2.0

JULY 23, 2014

In the fall of 2013, they launched Re:Make , an ambitious project to redevelop the museum, live, on the floor, with a mix of staff, guest artists, and community members. A strong participatory process is not a loosey-goosey, open the doors and do whatever strategy. design inclusion institutional change participatory museum'

Museum 53

Museum Product Participatory Community 53

Museum 2.0

FEBRUARY 25, 2015

For the past two years, I''ve been working on a project to activate the concrete space adjacent to our museum as a vibrant, community plaza. We are hiring a temporary contract curator to activate the plaza this summer with 25+ cultural events. It''s an exciting, intense, educational time. multiple times per week.

Public 20

Public Activities Active Activism 20

Museum 2.0

DECEMBER 28, 2011

We've been offering a host of participatory and interactive experiences at the Museum of Art & History this season. I loved Jasper Visser's list of 30 "do's" for designing participatory projects earlier this month. Different activities need different levels of materials to appear "open for business." We throw those away.

Design 45

Design Participatory Learning Instruction 45

Museum 2.0

MARCH 20, 2013

This week, the Santa Cruz Weekly's cover story is about my museum (the Santa Cruz Museum of Art & History ) and the work we have done to make it a more participatory, community-centered place over the past two years. Perry describes me as the "conductor" of a community-programmed orchestra.

Story 31

Story Georgia Participatory Museum 31

Museum 2.0

NOVEMBER 11, 2008

The Art of Participation provides a retrospective on participatory art as well as presenting opportunities for visitors to engage in contemporary (“now”) works. As the museum's website puts it, "this exhibition examines how artists have engaged members of the public as essential collaborators in the art-making process."

Participatory 20

Participatory Arts Design Museum 20

Museum 2.0

APRIL 10, 2013

These are unpaid, part-time internships in which you will make a significant contribution to our work, and at the same time, learn a heck of a lot about participatory design and community engagement. Participatory Performing Artist-in-Residence program. and I have always wanted to find ways to invite them in.

San Francisco 23

San Francisco Participatory Artist Museum 23

Museum 2.0

MAY 22, 2013

Negotiation" implies a respectful relationship between institution (or artist) and user. Sometimes the negotiation can be exploited for artistic means. The theater is dark and the artist breaks the fourth wall and asks for conversation. Will we encourage these activities, denounce them, or divert them?

Game 40

Game Artist Museum Participatory 40

Museum 2.0

DECEMBER 14, 2011

It was Friday, a few hours before the drawing activity, and my colleagues were worried that it would be too challenging for people to draw the icons and landmarks selected. We often avoid drawing as a community art activity because visitors can get really judgmental of their own abilities, and our staff just felt that this might be too hard.

Participatory 43

Participatory Classroom Help Artist 43

Museum 2.0

FEBRUARY 29, 2012

In particular, we want exhibition collaborators--artists, researchers, historians, collectors--to understand our goals and how we intend to steer the exhibition development process. We see our visitors as partners in actively interpreting and exploring exhibition content. But we weren't explicitly making those goals public.

Museum 38

Museum Artist Participatory History 38

Museum 2.0

SEPTEMBER 18, 2013

I''ve seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."

Museum 45

Museum Question Participatory Evaluation 45

Museum 2.0

JANUARY 18, 2012

When talking about active audience engagement with friends in the museum field, I often hear one frustrated question: how can we get adults to participate? The common museum knowledge on this issue is that adults are timid, that we have lost some of the wonder, impulsiveness, and active creativity of childhood days.

Interaction 47

Interaction Design Museum Participatory 47

Museum 2.0

AUGUST 28, 2013

The Denver Art Museum is no stranger to community collaborations, but we’ve been dipping in our toe a little more deeply when it comes to developing permanent participatory installations. Community artists gave their honest feedback, and we crafted a display based on these discussions and their contributions.

Denver 35

Denver Museum Arts Collaboration 35

Museum 2.0

JULY 12, 2011

Fifteen people engage in the prescribed activities. We held a free yoga class in the plaza outside the museum and invited artists to come and draw/paint the yoga-doers in motion. For me, Downward Draw provided an unusual opportunity to examine the more casual end of the participatory spectrum. Ready for a math problem?

Participatory 41

Participatory Museum Measure Activities 41

Museum 2.0

JULY 23, 2019

Today, I wanted to think about participatory elements, something so essential to this blog. With this in mind, when we produce participatory experiences, while our impetus is to serve our power users with extra content or “check for understanding” interactives, there are so many other ways to use interactives.

Museum 35

Museum Participatory Interaction Classroom 35

Museum 2.0

OCTOBER 24, 2012

To that end, our exhibitions are full of participatory elements. We actively seek participation and develop structured opportunities for visitors to collaborate with us. the most powerful evidence of it happening is when our active role as designers/facilitators becomes invisible.

Platform 41

Platform Open Museum Participatory 41

Museum 2.0

APRIL 25, 2011

I've seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."

Question 49

Question Participatory Museum Evaluation 49

Museum 2.0

APRIL 26, 2018

Audiences of all backgrounds found ways to connect with museums as it presented exhibitions with the help of foster youth, migrant farmers, roller-derby girls, mushroom hunters, surfers and incarcerated artists, among others. What does this list have in common?

Audience 49

Audience Washington Museum Intergenerational 49

Museum 2.0

MAY 10, 2011

I'm also making the 2011-2012 budget, getting to know our terrific staff and volunteers, and starting up a few small participatory projects to launch us into being a more community-driven institution. Right now, we have monthly family art activities. It could be an exhibit jam. It could be an urban history scavenger hunt. Family days.

Museum 53

Museum History Participatory Arts 53

Museum 2.0

FEBRUARY 9, 2010

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? For this reason, I see history museums as best-suited for participatory projects that involve story-sharing and crowdsourced collecting (e.g.

Museum 29

Museum Difference Participatory History 29

Museum 2.0

OCTOBER 30, 2013

Earlier this fall, I read this headline: "Stanford study: Participation in a cultural activity may reduce prejudice." I eagerly read about a new social psychology research study in which whites, Asians, and Latinos engaged in a simple collaborative activity--making a music video together. I wanted to know more.

Measure 47

Measure Arts People Museum 47

Museum 2.0

MARCH 21, 2012

As we make the museum more family-friendly in a number of ways (activities, casual spaces, interactive bits), we have a lot more kids in the galleries. Engagement with local artists. One of the things we love about exhibiting local artists is that they are often here to talk with visitors about their work. This was amazing.

Museum 49

Museum Denver Artist Milwaukee 49

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 23, 2008

The Museum solicited photographs from artists via an open call on their website, Facebook group, Flickr groups, and outreach to Brooklyn-based arts organizations. All evaluations are private; all artists are unnamed. They are sensitive to the artists who are being judged. What Should Artists and Arts Organization???s

Arts 74

Arts Social Media Examples Artist 74

Museum 2.0

OCTOBER 1, 2014

They designed a participatory project that delivers a compelling end product for onsite and online visitors… and they learned some unexpected lessons along the way. We invited a cross-section of artists, filmmakers, and advertisers to join us for a think tank. Projects participatory museum storytelling usercontent'

Museum 43

Museum Story Project Design 43

Museum 2.0

APRIL 15, 2015

Over three days, 52 artist teams erected experimental projects along San Francisco''s biggest thoroughfare. The result was a true experiment in designing the future--right here, right now--with artists and planners and civic leaders at the helm together. creative placemaking design participatory museum public space social bridging'

San Francisco 20

San Francisco Arts Design Marketing 20

Museum 2.0

JULY 17, 2012

It happened because we: partnered with local artists and community organizations whose passion and generosity made it possible for us to create incredible events. actively sought out community needs to respond to. You can see here that 86% of our growth in attendance from 2011 to 2012 is due to community programs.

Museum 47

Museum History Arts Artist 47

Museum 2.0

DECEMBER 15, 2014

Artists and arts organizations are contributing their spaces and their creative energies. Yet our posts contain similar phrases such as “21st century museums,” “changing museum paradigms,” “inclusiveness,” “co-curation,” “participatory” and “the museum as forum.” There is hardly a community in the U.S.

Museum 52

Museum Blogger Cleveland Missouri 52

Museum 2.0

AUGUST 9, 2011

She is a fabulous and thoughtful artist. The same day we opened the Creativity Lounge, we opened new exhibitions throughout the building, including a paper collage show in the 3rd floor lobby by local artist Lisa Hochstein. Note: Thanks to Lisa Hochstein for allowing me to quote her emails in this post.

Museum 51

Museum Arts History Columbus 51

Museum 2.0

AUGUST 14, 2013

We ran with it and have since generated data about decision-making, cooperation, competition and negotiation for scientists (and also some artists) to play with. He''ll be able to watch how certain activities evolve into coordination and what kinds of histories the people who most easily coordinate have in common.

Museum 51

Museum Roles Game Participatory 51