Museum 2.0

MARCH 6, 2013

I write this piece in good faith about the organizations I know best: museums. The vast majority of American museums are institutions of white privilege. They present masterpieces by white male artists and innovations by white male scientists. I never saw comparable adjectives used in the European art labels at the museum.

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Museum St. Louis Artist Arts 55

Museum 2.0

AUGUST 6, 2014

MuseumCamp is an annual professional development event at the Santa Cruz Museum of Art & History in which teams of diverse, creative people work on quick and dirty projects on a big theme. We encouraged teams to think like artists, not researchers. Every active research method is an intervention. How do you measure that?

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Experiment Impact Social Museum 52

Museum 2.0

OCTOBER 1, 2014

Recently, we''ve been talking at our museum about techniques for capturing compelling audio/video content with visitors. It made me dig up this 2011 interview with Tina Olsen (then at the Portland Art Museum) about their extraordinary Object Stories project. We ended up with a gallery in the museum instead.

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Museum Story Project Design 43

Museum 2.0

JANUARY 25, 2012

Stacey has been collaborating with local artists to produce a series of content-rich events that invite visitors to participate in a range of hands-on activities. Instead, Stacey thought, why not make the feedback experience an activity unto itself? It invited visitors to memorialize their experience.

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Participatory Activities Activism Active 50

Museum 2.0

OCTOBER 17, 2012

When I started this blog in 2006, I made a multi-media introduction to the concept of "museum 2.0" Venue as content platform instead of content provider: the museum becomes a stage on which professionals and amateurs can curate, interpret, and remix artifacts and information. The museum gets better the more people use it.

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Museum Artist Remix Professional 47

Museum 2.0

JUNE 27, 2012

A year ago, I wrote a post speculating about whether events (institutionally-produced programs) might be a primary driver for people to attend museums, with exhibitions being secondary. Many museums, big and small, thrive on events. At our museum, about 68% of casual visitors (non-school tours) attended through events this year.

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Museum Arts Dallas History 53

Museum 2.0

MAY 21, 2014

I''ve now been the executive director of the Santa Cruz Museum of Art & History for three years. Over the past three years, we''ve tripled our attendance, doubled our budget, and, most importantly, established deep and diverse relationships with community members, artists, and organizations across Santa Cruz County.

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Museum Director Teen History 49

Cloud 4 Good

SEPTEMBER 13, 2022

Such strategies help bridge the gap between physical and digital experiences, expand brand loyalty and recognition, as well as build trust sustainably. For example, Pencils of Promise will be hosting, for the first time in two years, its PoP Gala on October 20 at the Museum of the Moving Image in New York City. Stanfill, Ph.D.

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Technology New York City Donor New York 83

Museum 2.0

AUGUST 14, 2013

One of the greatest gifts of my babymoon is the opportunity to share the Museum 2.0 First up is Beck Tench, a "simplifier, illustrator, story teller, and technologist" working at the Museum of Life & Science in Durham, NC. As a person who works for a science museum, I work in an environment that supports play.

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Museum Roles Game Participatory 51

Museum 2.0

JULY 11, 2017

The Santa Cruz Museum of Art & History keeps growing and experimenting in our quest to build a stronger, more connected community. The Exhibitions Catalyst will lead the way in bringing together artists and diverse partners in the development of powerful exhibitions. We are dreaming big, reaching out, and going deep.

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Work Artist Museum Press 37

Museum 2.0

APRIL 14, 2011

Dear Museum 2.0 As of May 2, I will be the executive director of the Museum of Art & History at McPherson Center in Santa Cruz, CA (here's the press release ). I am closing down my consulting business at the end of April, but the Museum 2.0 Here are a few things that make the MAH an exciting museum to me: It's small.

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History Museum Arts Consultant 55

Museum 2.0

AUGUST 28, 2013

Earlier in 2013, I was amazed to visit one of the new “Studio” spaces at the Denver Art Museum. The Denver Art Museum is no stranger to community collaborations, but we’ve been dipping in our toe a little more deeply when it comes to developing permanent participatory installations. Some community artists even helped install the space.

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Denver Museum Arts Collaboration 35

Museum 2.0

JUNE 24, 2010

Last week, I visited the Wing Luke Asian Museum in Seattle. I've long admired this museum for its all-encompassing commitment to community co-creation , and the visit was a kind of pilgrimage to their new site (opened in 2008). I'm always a bit nervous when I visit a museum I love from afar. What if it isn't what I expected?

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Museum Participatory Model Seattle 51

Connection Cafe

APRIL 29, 2015

Thankfully, thousands of movements are successfully activating Millennial cause enthusiasts, converting them into donors , volunteers and outspoken advocates for a cause. MCON is an annual event that highlights these movements and proves how the Millennial generation is actively shaping our communities and world.

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Generation Activities Activism Active 20

Museum 2.0

SEPTEMBER 18, 2013

This August/September, I am "rerunning" popular Museum 2.0 Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums.

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Museum Question Participatory Vietnam 45

Qgiv

JUNE 29, 2021

We’ve compiled a list of various online auction ideas divided into the following categories: Simple Themed Online Auctions Online Auctions For the Whole Family Online Auctions with an At-home Activity. To plan an online fundraising auction, you’ll need to finalize a couple of logistics: Auction items or experiences.

Ideas 59

Ideas Online Virtual Fun 59

Beth's Blog: How Nonprofits Can Use Social Media

FEBRUARY 24, 2016

Nina Simon, a long time colleague and author of the Museum 2.0 blog and executive director, Santa Cruz Museum of Art and History , told me about this amazing and fun co-created card game to help you think about self-care activities called the The Space Deck. How have you made them a habit or regular part of your life?

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Life Professional Create Work 50

Museum 2.0

FEBRUARY 23, 2017

Dear friends, We're about a month from the deadline to apply for MuseumCamp 2017 at the Santa Cruz Museum of Art & History (MAH). A month before MuseumCamp, the MAH is opening a new exhibition, Lost Childhoods , co-developed with foster youth, youth advocates, and artists in our community. Sleep in a museum. All optional.

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Childhood Museum Artist History 26

Museum 2.0

FEBRUARY 25, 2015

For the past two years, I''ve been working on a project to activate the concrete space adjacent to our museum as a vibrant, community plaza. We are hiring a temporary contract curator to activate the plaza this summer with 25+ cultural events. creative placemaking design Museum of Art and History programs public space'

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Public Activities Activism Active 20

Museum 2.0

FEBRUARY 9, 2010

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" I was surprised by her question.

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Museum Difference Participatory History 29

CauseVox

JUNE 9, 2021

With the majority of daily activities taking place over the web, it’s no surprise that we’ve also observed a rise in virtual fundraising. Choose a day and actively encourage donations and sharing through all your social media channels, such as Twitter, Facebook, Instagram, LinkedIn, and Snapchat. What will not have a good ROI?

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Ideas Online Fundraising Charity 98

Beth's Blog: How Nonprofits Can Use Social Media

JULY 1, 2009

Submitted by Nina Simon, publisher of Museum 2.0. I’ve had it with museums’ obsession with open-ended self-expression. When I talk about designing participatory experiences, I often show the above graphic from Forrester Research. These are all active social endeavors that contribute positive value to the social Web.

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Participatory Experiment Museum Teen 50

Museum 2.0

JULY 23, 2019

Me with a friend As I keep saying, I’ve been to a few museums of late. In reflecting on the sample, I’ve made some broad reflections on museum workers and visitors. Our visitors often see museums as a genre, not unlike hospitals or libraries. But, while adjacent, museums differ from formal classrooms in numerous ways.

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Museum Participatory Interaction Classroom 35

Museum 2.0

MARCH 21, 2012

How do you help visitors know what they can and cannot do in your museum? Most museums have this figured out: they have signs, they have guards, they have cases over the objects. And this works pretty well in science museums, where designers talk about "hardening" exhibits to withstand the more aggressive touchers among us.

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Museum Denver Artist Milwaukee 49

Museum 2.0

MAY 22, 2013

I''ve followed Wright''s work for years because of his unique perspective on the potential for game-players to be game-makers - in other words, to co-create the gaming experience. Negotiation" implies a respectful relationship between institution (or artist) and user. Sometimes the negotiation can be exploited for artistic means.

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Game Artist Participatory Museum 40

Museum 2.0

OCTOBER 15, 2014

At the Inclusive Museum conference this summer, Dr. Rick West introduced this question through a tale of two museums. He described the National Museum of the American Indian--where he was founding director--as a multicultural institution, celebrating the diversity of Native peoples throughout the Americas.

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Museum Sweden Culture Celebrate 50

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 23, 2008

One of the best projects that illustrates the basic idea of Web2.0 - listening and conversation and stakeholders creating their own experience with your organization - comes from the Brooklyn Museum of Art. All evaluations are private; all artists are unnamed. They are sensitive to the artists who are being judged.

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Arts Social Media Examples Artist 74

Museum 2.0

FEBRUARY 29, 2012

Last month, MAH curator Susan Hillhouse and I sat down and wrote an exhibition philosophy for our museum. In particular, we want exhibition collaborators--artists, researchers, historians, collectors--to understand our goals and how we intend to steer the exhibition development process.

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Museum Artist Participatory History 38

Museum 2.0

MAY 25, 2010

Margaret shared these thoughts about "museums for use" on her blog , and I asked her to adapt a version for the Museum 2.0 Should a museum be a destination or a place for everyday use? During my time at RISD studying industrial design, I developed relationships with two museums on campus: the Museum of Art and the Nature Lab.

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Museum Rhode Island University Student 37

Museum 2.0

OCTOBER 30, 2013

Earlier this fall, I read this headline: "Stanford study: Participation in a cultural activity may reduce prejudice." I eagerly read about a new social psychology research study in which whites, Asians, and Latinos engaged in a simple collaborative activity--making a music video together. I wanted to know more.

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Measure Arts People Museum 47

Museum 2.0

MARCH 16, 2009

I’ve had it with museums’ obsession with open-ended self-expression. When I talk about designing participatory experiences, I often show the above graphic from Forrester Research. These are all active social endeavors that contribute positive value to the social Web. And yet many museums are fixated on creators.

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Participatory Experiment Museum Teen 44

Museum 2.0

OCTOBER 8, 2007

This week, with the gracious help of Eric Siegel of the New York Hall of Science , Museum 2.0 is launching an experiment in collaborative exhibition design. In the spirit of that question, Museum 2.0 The first of these is up now and will be active for the next week. This conversation will only be active until Oct 17.

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Museum Experiment New York Voice 20

Museum 2.0

JUNE 12, 2013

TCG is the industry association for non-profit theaters, the way AAM is for museums. Given TCG''s multi-year Audience (R)evolution initiative, I took the opportunity to write a new talk about what revolution has looked like at our small museum in Santa Cruz. We heard again and again that the museum was cold and uncomfortable.

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Museum Learning History Arts 55

Museum 2.0

JANUARY 18, 2012

When talking about active audience engagement with friends in the museum field, I often hear one frustrated question: how can we get adults to participate? In children's museums and science centers, this relationship is at its most extreme. And yet in the museum world, we still see interactives as being mostly for kids.

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Interaction Design Museum Participatory 47

Achieve

JUNE 21, 2015

Museum of Contemporary Art. in Chicago to experience MCON in person and over 20,000 people will stream the event online. National Geographic CEO Gary Knell will bring decades of media experience to the stage where he’ll discuss the future of National Geographic and how similar publications can shape education.

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Chicago Museum Arts Influence 52

Museum 2.0

AUGUST 9, 2011

She is a fabulous and thoughtful artist. Two weeks ago, we inaugurated a Creativity Lounge on the third floor of our museum. The same day we opened the Creativity Lounge, we opened new exhibitions throughout the building, including a paper collage show in the 3rd floor lobby by local artist Lisa Hochstein.

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Museum Arts History Columbus 51

Museum 2.0

APRIL 10, 2013

The weather is hopefully the least of the reasons you should want to come work with us here at the Santa Cruz Museum of Art & History. Check out the descriptions and how to apply here , and learn more about the MAH intern experience on their blog here. Participatory Performing Artist-in-Residence program.

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San Francisco Participatory Artist Museum 23