This site uses cookies to improve your experience. To help us insure we adhere to various privacy regulations, please select your country/region of residence. If you do not select a country, we will assume you are from the United States. Select your Cookie Settings or view our Privacy Policy and Terms of Use.
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Used for the proper function of the website
Used for monitoring website traffic and interactions
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Strictly Necessary: Used for the proper function of the website
Performance/Analytics: Used for monitoring website traffic and interactions
Written for the June 2011 issue of Fundraising Success Magazine , where I am writing a quarterly column throughout 2011. Yet tens, if not hundreds, of thousands of nonprofits every day send messages to their communities on social-networking sites with completely wrecked logos. Absolutely not! Craziness!
I’m in Austin, TX, today engaging with librarians, digital curators, and technologists working at the nexus of communities and knowledge at the Electronic Resources and Libraries annual conference. Why Community? So, why community? You can follow along with the sessions today through Wednesday using #ERL11.
When Mashable first started buzzing about Pinterest in December 2011, I took a quick look at the site and thought to myself, “Shopping, crafters, and foodies. Only add your location if you are a location-based nonprofit, such as a museum, zoo, performing arts venue, etc.: Not relevant to the vast majority of nonprofits and (whew!)
Stacey Marie Garcia came to the MAH first as a graduate intern in the summer of 2011. Since then, Stacey has become an indispensable member of our staff, leading our community programs and inspiring us to think in new ways about how we can build social capital in our community.
I’m at the 2011 Games for Change conference today and live-blogging a few sessions! Ruth Cohen – American Museum of natural History. Jason Eppink – Museum of the Moving Image. Ruth Cohen – American Museum of natural History. Jason Eppink – Museum of the Moving Image.
Dear Museum 2.0 As of May 2, I will be the executive director of the Museum of Art & History at McPherson Center in Santa Cruz, CA (here's the press release ). I am closing down my consulting business at the end of April, but the Museum 2.0 Here are a few things that make the MAH an exciting museum to me: It's small.
Official Google Blog: Explore museums and great works of art in the Google Art Project – Take yourself on an art tour using Google Maps! "One One of the highlights: she notes that they would not have had such success in raising money online if they had not already invested in building up a community of active supporters.
Recently, we''ve been talking at our museum about techniques for capturing compelling audio/video content with visitors. It made me dig up this 2011 interview with Tina Olsen (then at the Portland Art Museum) about their extraordinary Object Stories project. We ended up with a gallery in the museum instead.
I first met Mary in 2005 through my connection with the Global Voices community and can say that Mary is among the most knowledgeable and experienced digital activists in the world. I’m honored to be working with her on a training project that I’ll share more about in 2011. 9 The Participatory Museum by Nina Simon.
Nerdy Valentine’s from Scoop.It: The content curation platform, Scoop.it, came up with funny “nerdy” valentine’s for its content curation community. Visit the Doodle Museum to view the history of doodles. Visit the Doodle Museum to view the history of doodles. Here’s more.
When I started at The Museum of Art & History (MAH) in May, one of my priorities was redesigning our website. I didn't want to do anything fancy--just make the site more functional, lively, easy to update, and reflective of the new institutional vision of being a community hub. It's an evolving site--just as the museum is evolving.
When our editorial committee decided on “Content Curation” as the overall theme of this issue when planning back in 2011, we knew that it would be an important topic for the nonprofit sector, but we didn’t anticipate that, in some ways, 2012 would turn out to be the year of content curation , as Beth Kanter predicted in January.
Once there was a project to design a national history museum in the Netherlands. Three years later, at the end of 2011, the project was canceled. While not wholly explored, that question reverberates throughout a new book, Blueprint , that shares the plans for the Dutch Museum of National History. What happened?
This August/September, I am "rerunning" popular Museum 2.0 Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums.
Imagine you've just been tasked with developing an innovative, future-thinking national museum for your country's history. Blueprint is the story of a group of people who tried to create a Dutch Museum of National History (INNL). By the end of 2011, the House of Representatives withdrew its political and financial support.
The Washington Post covered the MAH's transformation as part of an article about museums engaging new audiences. The whole second half of the article was dedicated to our work: Smaller museums can be especially scrappy in finding ways to connect with the community. It’s something that any museum, of any size, can work toward.
But we've just compiled all our attendance data for the past year at the Santa Cruz Museum of Art & History (our fiscal year ends on June 30), and several people have written to me asking for the numbers behind our turnaround. The busiest day in both 2011 and 2012 is our longtime community program, Free First Friday.
This past weekend, I had the opportunity to give one of the closing talks at the Theater Communications Group annual conference in Dallas. TCG is the industry association for non-profit theaters, the way AAM is for museums. When I came to the museum in May of 2011, we were on the brink of closure financially.
Farra, along with Thomas Negron and Charles Lenchner, invited Foursquare founder Naveen Selvadurai and Brooklyn Museum's Shelley Bernstein to their June 501 Tech Club. We're looking forward to many more events in DC in the fall, and leading up to the 2011 NTC ! Tags: community buzz nonprofit technology NPTech nten members.
For years, I'd give talks about community participation in museums and cultural institutions, and I'd always get the inevitable question: "but what value does this really have when it comes to dollars and cents?" We're hearing on a daily basis that the museum has a new role in peoples' lives and in the identity of the county.
.” The book offers up advice and techniques on how to make your online channels – email marketing, web site, and newer tools like mobile and social media work together in a sophisticated strategy or your organization to reach its advocacy, fundraising, or community building goals. Click to see larger version.
Last week, I facilitated an interactive keynote in Seattle at 2011 Tech for Good Leadership Summit sponsored by Microsoft Community Affairs , in partnership with NPower Seattle. By all accounts , the event held the space for peer learning. Watech4good Summit. View more presentations from Beth Kanter.
I've now been the Director of The Museum of Art & History in Santa Cruz for two months. Yesterday, a lovely article came out in the local paper about what we're trying to do to become a thriving community hub. It wasn't that Simon was throwing out the housekeeping rules of the gorgeous but often imposing downtown museum building.
In mid-2019, I will transition out of my role as the executive director of the Santa Cruz Museum of Art & History (MAH) to focus full-time on leading OF/BY/FOR ALL, an emerging global movement to build more inclusive community institutions. It has been my great privilege to lead the MAH since May of 2011. To make history.
Unless you work for an animal shelter with cute puppies or a museum with extensive collections you can photograph as needed, it can be a challenge. Last year, we were inspired by a video from 2011 to create our series on “ red flags” funders look for in grant proposals. Alter the tone.
Over the past two years, as part of my work as Visiting Scholar for nonprofits and social media at the David and Lucile Packard Foundation, I have had the opportunity to participate in The Network of Network Funders (NNF) , a community of practice for funders who are intentionally investing in and working through networks.
Bdeir has been particularly focused on empowering underrepresented communities, especially girls, with the tools to become tomorrow’s changemakers. Her inventions are included in the permanent collection of the Museum of Modern Art (MoMA) and she holds over a dozen patents. ” Kelly Chen, DCVC.
Dear friends, This is my last post as the author of Museum 2.0. I'm thrilled that Seema Rao is taking this blog and museumcommunity into its next chapter. You can find all my archived Museum 2.0 Today, I want to share a bit about what Museum 2.0 When I think of Museum 2.0, I started the Museum 2.0
They wanted to help museums and galleries across the UK make significant, sustained changes in the ways they engage community partners and visitors as participants in their work. The result, Our Museum , is an extraordinary funding program with a focus on community participation. didn't mince words.
" In the spring of 2011, there was exhibit called "Virtual Texas" that featured historical replicas – such as The Alamo, and the Texas Capitol building, circa 1830. " Research on virtual worlds used for education, libraries, and museums continues to expand.
Sporting, museum, or concert tickets. Board members often have deep roots in the community and might be able to donate auction items themselves or ask their connections to donate. . Leveraging his software background, he built most of the tools his charities used, and in 2011 he launched Handbid at his own fundraising event.
Disclaimer Tuesday, May 17, 2011 American Humanics: An Elite Group posted by Lyn McDonough , American Humanics Program Coordinator Senior, ASU Lodestar Center "The few, the proud." The 18 students being recognized at the annual graduation celebration will have completed all requirements during the spring, summer, and fall semesters of 2011.
I'm at the 2011 Games for Change conference today and live-blogging a few sessions! Ruth Cohen - American Museum of natural History For years we have been producing digital media to fulfill our mission of educating the public about science and history. They knew of a few people but it was nothing like the communities on the West Coast.
This week marks five years since the book The Participatory Museum was first released. Across the museum field, the questions about visitor participation have gone from "what?" If participation was my mantra from 2007-2011, community has been my mantra since then. Build community. and "why?" to "how?".
I spent the weekend queuing up posts for my forthcoming blog-cation--nine weeks of guest posts and reruns from the Museum 2.0 I crave community, but I am not naturally outgoing in large group settings like conferences. I went to several big museum conferences in 2004-2006 where I identified and started admiring heroes in the field.
Disclaimer Friday, April 29, 2011 Research Friday: The Office or the Impact? museums, recreation centers, etc.) and closer to understanding the "nonprofitness" of community. Recently, I contacted Banner and asked them to split their billions across Arizona communities, and they were able to share that with me.
When we say we want our museum to be "audience-centered," what do we mean? My career first got moving at a brilliant example of the customer-centered museum: the International Spy Museum. Many of my favorite museums, libraries, and zoos are customer-centered places. They care about visitor comfort.
There are more than enough people in the field who are enthused about active participation, and recent reports like the National Committee for Responsive Philanthropy's Fusing Arts, Culture, and Social Change have sparked field-wide conversations about how philanthropy might more equitably support institutions that serve marginalized communities.
Hi folks, Seems like it's time for another Museum 2.0 The more I talk with cultural professionals about promoting experimental practice in community engagement, the more I hear that the obstacles are internal. If the problem is us, let's start 2011 with some ideas on how to change.
posted by Karla Lant Lead Writer, Museum of Science and Sustainability. In 2011 researchers found that the average shark off the coast of Palau was worth approximately $1.9 For example, say your nonprofit provides educational programming for kids in your community. However, this is only the first step. Conclusion.
The weather is hopefully the least of the reasons you should want to come work with us here at the Santa Cruz Museum of Art & History. We have five open positions in Community Programs and one in Exhibitions. So start dreaming about the sun and exciting museum experiences. Museum of Art and History Quick Hits'
Carolyn has been part of the Qgiv extended family since 2019—we proudly partner to help make a difference in our communities. Carolyn’s Nonprofit Blog was inspired by the many people who have reached out to Carolyn since it was launched in 2011 to ask for advice about becoming a grant writer and nonprofit fundraiser.
Game Theory,” a series that examines the ins and outs of popular video game franchises like Five Nights at Freddy’s and Minecraft , premiered on April 18th, 2011. By 2017, he became a leading figure within the community, fighting on behalf of YouTubers during the “adpocalypse.” Gaming kind of exploded in the last year. I miss that.
This post is the third and final in a series of reactions to Blueprint , a book chronicling the rise and fall of the Dutch Museum of National History (INNL) in 2008-2011. How is the exhibit living on at the museum and what is it like to take over someone else’s project?
We organize all of the trending information in your field so you don't have to. Join 12,000+ users and stay up to date on the latest articles your peers are reading.
You know about us, now we want to get to know you!
Let's personalize your content
Let's get even more personalized
We recognize your account from another site in our network, please click 'Send Email' below to continue with verifying your account and setting a password.
Let's personalize your content