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The Participatory Museum, Five Years Later

Museum 2.0

This week marks five years since the book The Participatory Museum was first released. I thought the pinnacle of participatory practice was an exhibit that could inspire collective visitor action without facilitation. Since 2010 I have seen, again and again and again, how valuable human facilitation is to the participatory process.

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How can nonprofit organizations measure community engagement?

ASU Lodestar Center

posted by Shayla Hubbard Project Coordinator, University of Arizona College of Medicine. Understanding the benefits of building social capital may be effective in creating a participatory culture. Nonprofit organizations can benefit from this working model as it can be a useful tool in achieving a participatory culture.

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Upcoming Nonprofits Live: Storytelling and Collaborative Video

Tech Soup

This is a participatory live video show - come ready with your questions for our experts! Berkeley, Stanford, United Nations University, New York University, UC. was awarded a Knight 2010 News Challenge grant for Stroome , a collaborative video editing and publishing platform designed to. Thomas Grasty - Stroome.

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Participation in Storytelling: Collaborative Video on Nonprofits Live

Tech Soup

This is a participatory live video show - come ready with your questions for our experts! In this role, he's responsible conceptualizing the organization’s vision and working to see it through. Get your story ideas ready and RSVP for Nonprofits Live on February 8th. Guests for Nonprofits Live: Collaborative Video.

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How I Got Here

Museum 2.0

Part 1: It's What You Want In 2002, I was finishing a bachelor's degree in electrical engineering at WPI, a hands-on, technical university in Worcester, Massachusetts. But here we are in 2010 and I can count on my hands the number of frequently-updated blogs by people sharing ideas and experiences in the museum field.

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AAM 2010 Recap: Slides, Surprises, and a Banjo

Museum 2.0

Kathleen McLean (Independent Exhibitions), Dan Spock (Minnesota History Center), and Kris Morrissey (University of Washington) all shared thought-provoking and useful insights on visitor participation in museums, but Mark Allen and Emily Lacy brought down the house with their bluegrass rendering of the Machine Project and its engaging, quirky work.

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